Release date: 28.6.2018 About:
Six girls, six boys. Each in the two separate bays of a single spaceship. They have six minutes each week to seduce and to make their choices, under the unblinking eye of the on-board cameras. They are the contenders in the Genesis programme, the world’s craziest speed-dating show ever, aimed at creating the first human colony on Mars.
Leonor, an 18 year old orphan, is one of the chosen ones.
She has signed up for glory.
She has signed up for love.
She has signed up for a one-way ticket.
Even if the dream turns to a nightmare, it is too late for regrets. Pre-orderhere
I love Leonor. She’s a good voice to have when you’re stuck in space; she grounds you, so to speak. When you have a character like her; passionate, flawed and insightful. The way she works through the speed dating is interesting and something I easily identify with. Not only that, it adds a level of internal conflict that some narratives miss.
We learn bits about the other crew, but it’s those left on earth that are the most interesting. We have Serena, who communicates directly with the participants and becomes the ‘host’ of the broadcast. She’s a piece of work, you’ll quickly learn, but I want you to find that out for yourself.
It reads like a brilliant Sci-fi blockbuster. There are many threads in play and they change your perspective like a rubrics cube, waiting to be solved. Being the first in a trilogy, you go in knowing that you will have a resolve of some sorts, but there will be questions left unanswered to ensure you want more. It’s expertly done so that it doesn’t feel like it’s the first in a sequence, but a story in its own right.
Being a translated story, there’s always a worry that the writing loses something. This story, I’m delighted to say, doesn’t. It’s language is clean, its engaging and powerful. It makes for such a consumable, compulsive read.
I just wish I knew enough French to read the other two books in the series. Yes, they’re already published guys but you need to have progressed further than a GCSE in French to be able to access them.
Release date 11.4.18
SummaryPrimatologist Davis Okoye shares an unshakable bond with George, the extraordinarily intelligent gorilla who has been in his care since birth. But a rogue genetic experiment gone awry transforms this gentle ape into a raging monster. As these newly created monsters tear across North America, destroying everything in their path, Okoye teams with a discredited genetic engineer to secure an antidote, fighting his way through an ever-changing battlefield, not only to halt a global catastrophe but to save the fearsome creature that was once his friend. Time1hr 47
This is a Dwayn ‘the Rock’ Johnson movie and I’ll hold my hands up here and now; there’s no wrong this man can do (sidebar: My dad calls him The Fairy because of The Toothfairy. When an actor or film gets a Dad Hunter pseudonym, that means they’re on the win list). With Johnson, so come some film expectations. There’s going to be fast paced action, quips and smouldering. There’s also an understanding that the plot will stretch reality to provide a fun plot and indeed it does provide. Bucket loads of it to the point that I’m not so sure we can really call it Science Fiction.
Johnson’s character works well with George, the CGI Gorilla saved from poachers during infancy and taught to sign (Yup, We verge into Congo territory. I’ll reassure you though; I think this one will be considered a little better). Some of the best scenes involved the two of them interacting. There’s heart and humour in their banter and it allows you to feel for them and root for their survival when the shit hits the atmosphere about 2 minutes later.
In addition we have Naomie Harris and Jeffery Dean Morgan helping Johnson ‘save’ his friend and Malin Akerman and Joe Manganeillo playing for the company that caused the mutations in the animals.
It really is a shame that most of the film sees George and Johnson’s Davis separated. Not only that, but essentially on opposite sides. They truly do have amazing chemistry that no one else can come close to and it removes some of the natural humour. If the film could keep them together by tweaking the plot it would keep the comedic tone and not seem to be bookended by a separate movie.
The two outside sections have a lighter a tone and sees everyone in on the joke and having fun, however the bulk of the film takes itself a little too seriously.
The CGI is rather ropy and it’s worrying that I picked up on it the first viewing. Normally because it’s all new, I miss the little flaws and only catch them during a repeat viewing, usually at home. It means I wasn’t as engaged in the story as I normally would have been and that could be because of many factors; one being the lack of feeling for the characters.
A new segment for my reviews. I’m going to list the problems with the cinema going experience as it is something I think we all face issues with.
Viewing date/time: 12.4.2018/ 11.40 showing (Odeon Uxbridge) Fullness: Quite a busy showing for early in the morning. That said, there couldn’t have been more than 40 people.
Late comers (5 minutes or more into a movie): 4 people in 2 separate groups Phones (Texting/games/checking the time. Essentially anytime I see/am distracted by the glow of a phone):0 Talking: 3 separate groups, all persistent.
Oh this was a big one today. Fresh off the back of my annoyance from The Quiet Place I think my patience had already warn thin. However, it was people in the row right behind me and it was persistent; like a running commentary on a DVD. Imagine my horror, when I turn around to bollocks the tween triplets I’d mentally given three chance to are not in fact three kids, but a mum and her two sons. Instead of telling her kids to stop, she was engaging them in conversation. I was rather reserved, for me; I politely asked them to stop talking. Well, my dear readers, I might as well have taken a dump right there on her lap based on the look she gave me. All I heard was ‘don’t listen to her’ from the mother and I’d had enough. Premiere seats be damned, I got up and moved to one of the nice seats; I figured Odeon owed me this for allowing this sort of behaviour to become the norm (Disclaimer: It’s not an Odeon problem, the is a all-franchise epidemic. Seriously, this woman will have spent at least £25 on tickets. Alone. I’m sure she’d jacked her kids up on sugar too and when a ‘kids pack’ starts at £4.50, surly just setting fire to your money would be better?! Or at least buy a dvd, rent one from Sky and then let them chatter away to their hearts content at home.
Paige’s world is so exciting; it’s full of magic, mystery and danger!
It’s a very refreshing take on a dystopian genre with the beautiful writing, the language which is used and the imagery that has been created drew me in from the very first page and kept me utterly hooked until the last word.
It’s more literary, and more *clever* than The Hunger Games and Divergent etc., but by no means does that mean it’s hard going; I was completely enthralled by the plot, I loved Paige and Warden! The relationship that builds between them is not what I expected, and as the plot progresses and we learn more of Sheol 1 and the Rephaim, this adds an extra element of intensity and mystery. To me it’s one of those books that you just want other people to read so you can talk to them about it – there are plot elements that aren’t resolved (as you’d expect for what is projected to be a 7 book series) so I want to know if other people think the same things as me!
What I will say is that I hadn’t realised there was a glossary as if I turn to the back I have a naughty tendency to read the last few lines, so make use of that, it will help you get to grips with the different characters much quicker than I did.
NB. I wrote this review on 10th January 2014 and since then I have bought over 10 copies to give to friends and family, organised a Q&a and signing at Waterstones Bham with SS and her wonderful publisher sent me a box of copies to give away at raffle prizes for one of our fan parties. I always made sure this book was displayed in both the YA and fantasy sections of the shop so I could get more and more people to discover Paige’s world.
My love for The Bone Season and subsequently The Mime Order and The Song Rising) knows no bounds!
I’m incredibly new to this show, but oh so very passionate. My ex introduced me to it and we watched all of series one in a single sitting. Every so often he would pause it to tell me something offensive was coming up thinking I would hate it and demand for it to be turned off. Far from it, I loved every second.
I will always remember him texting me a screenshot of an episode and him being incredibly impressed that I’d gotten it with one guess and having only seen all the episodes once.
Since our split I’ve been determined to not do my usual thing and for once, not create attachments to a show we shared. Hell, if I did that, I’d have nothing left to watch seeing as I we both loved the same shows, films and he’d even started to get me into gaming.
In the past I’ve stopped watching shows such as Lost (although I hear I didn’t miss much) and films like Goonies had not been watched by me in 8 years since my first boyfriend and I parted ways. Some couples have THEIR song, I tend to have that one movie that will forever be mine and that person’s.
I had explained this to my ex, that I have emotional connections to movies and shows even to the point where I’ve walked away from screenings I’ve paid money for because I’d known the situation would take away from the film I’d loved (Example: a screening of Scrooged was meant to be my works leaving do. I knew had I stayed, I would no longer watch that will in the same way). However, it didn’t stop him from using a conversation we had to inspire him to watch my favourite film (Leon) with another woman literally a day after the conversation. It also didn’t stop him shouting at me for being upset about it.
So, I’m not going to let that happen this time. I don’t want to lose any of the shows I loved before I met him (Stranger Things, House, How I Met Your Mother… hell Star Trek.)
I figured if I blog about the episodes it’ll give me a little bit of motivation to watch them as they’re released. I couldn’t find someone to watch it with me, so I’m afraid my dear readers, you’re the ones holding my hand through this.
So, into the fray with go …
Rickmancing the Stone takes no time in reminding us about the divorce between Beth and Jerry. It’s always been there in the background; Beth’s frustration has built over the two series. I never thought the showrunners would break them up though and I’m very happy they did. Things are tense when Jerry pops over for a visit and the siblings use Rick as a means of escape. Seconds before the title sequence comes a whisper only Jerry can hear ‘loser’ the wind calls. It’s genius; I love to hate Jerry and this is just the kind of abuse I want him to get.
I’m loving Summer’s active role in travelling with Rick. Long gone is the Summer of Series 2’s Ricks Must Be Crazy. She doesn’t shy away any more. It’s when they travel to the post-apocalyptic dimension that we really start to see how strong Summer has become. In fact, she’s the catalyst for the whole episode and long may it continue.
Her story sees her find herself very much at home in this world, but she soon works through her issues regarding the divorce and comes to an interesting conclusion that resolves some of her angst by the end of the episode.
It’s interesting to see her romance develop. I would love to see Summer become the Kirk of the traveling trio. Also- Sumsum! Rick gets to give all the best nicknames.
Morty is as annoying as ever. I know that’s the whole point of the character, but I’m starting to need the showrunners to pull a South Park Kenny on his arse.
We see him take on a revenge mission that is worthy of Game of Thrones (another show I’ve stopped watching owing to a man). It’s a brilliant. Very WTF and ties nicely into the Mad Max homage they have throughout the dimension. It’s good to see how he works through his hang-ups about his father and the divorce. Although I reckon some of you are like me and would have liked to have seen what Morty would have done with the muscle memory had Jerry been there himself.
Rick was as awesome as always but there was very little in way of progression for him. I want him to show some real concern relating to the divorce and I hope we’ll get it in the next few episodes.
Overall, I have found the episode to be tackling a tricky, complex and relevant subject. They are doing it well, exposing some of the rawness to comedy (and gore) will probably enable viewers who have experience divorce to see it from other the other side. From my understanding of the audience it gets here in the UK, it certainly will be helping those most effected by divorce.
Will there be any fallout from Summer’s relationship? We’ve obviously done the pregnancy thing with Morty before but I’d certainly like to see that storyline come back.
Rick and Beth need some bonding time during her divorce to Jerry.
Will Beth and Jerry reconcile by the end of the series?
Will the Cthulhu from the title sequence make an appearance this year?
I’m a fan! We’re both fans. Of many things. Find us on twitter, give us a topic and we’ll talk… at length, whether you want us to or not. We love music (Panic! At the Disco, MCR, The Killers), TV (Buffy, Hex, Star Trek for Han) and Films (Jurassic World, Princess Bride, Harry Potter). We are advocates of YA (Holly Bourne, Laini Taylor and Non Pratt) and have just spent an amazing weekend at YALC.
I know Brendan has refused to sign at Panic! Gigs for the last few years for essentially the same reason. In 2015 I (Han), caught the set list at a Hammersmith Apollo gig and waited for two hours at the “stage door” to be told he’d been accosted at a gig in the US. He’d agreed with his body guard and not signed since.
Thanks to “fans”, people are now losing out on meeting a role model and idol. We’d normally have our bitch together if it was an isolated incident. But it’s not. And it’s not fair.
Back in 2013/14 Tom Hiddleston was in Coriolanus at the Donmar in London’s West End. I had tickets, I watched the play and then queued for SIX hours to have the honour of telling him how amazing he was. However, my anxiety is a bitch and I didn’t get to say a word to him while he signed my programme.
A month later I had another ticket to see him. Due to the restrictions at the stage door, this meant I had the chance to join the line for his autograph. I decided at the last minute to join. Only what I saw as I approached was nothing short of chaos; mob mentality ensued and the main door was so swamped that a man in a wheelchair struggled to get out. Fans refused to move in fear of missing their chance to get a photo with Hiddleston.
This alone disturbed me. However, that was before I was informed why Tom had refused to leave via the main door that evening, meaning his security was not policing the crowds.
The reason, as I feared, was fan related: two girls a few days before had crossed the line with Tom. They attempted to place their hands down his pants while he was signing for them. This ensured that for the remaining 5 weeks of the production, no one managed to engage with Hiddleston. This did not make the news. Had it been Sienna Miller, who is currently starring in A Cat on a Hot Tin Roof, it would have made front page news. It would have been sexual harassment. However, Tom kept this quiet.
Now Brendan has had to do the same. He was doing something he loved and fans enjoyed, however warped sense of entitlement that meant the minority has spoiled it for the majority.
My reason for stage dooring or wanting to meet celebs is not to say “I’ve met Mr X or Ms Y”, but to tell them they have made an impact in my life and thank them for the performance they’ve just been in. Because of my anxiety, I find programmes for plays they’re in are the perfect prop. While they’re signing, their attention is elsewhere and I can talk. It doesn’t always work. Heck, its worse without a prop though. Upon being wingperson for a friend when meeting Domnhall Gleeson all I could muster was “My brother is really looking forward to seeing you in Star Wars”. Not the fact that I adored his recent film Frank or that he broke my heart with About Time. This was before my crush on him had fully developed too.
I’m certain I’m not the only one who thinks like this. It takes courage to open my bloody mouth. In fact I’m starting to avoid stage doors because of these sort of situations. Yet out there are “fans” who not only take advantage they have this sense that it’s okay and that the celebrities welcome this behaviour. I’ve also seen these people melt down when they don’t get what they want. Even if they’ve already had countless opportunities to meet the person.
Case in point: I went to see Lyndsey Lohan in Speed the Plow. It was an okay play, but her performance was appalling. I had a moral dilemma; I wanted Richard Schiff and Nigel Lyndsey’s autographs (By autographs, I mean I wanted to tell Schiff that I loved him in The Lost World and the Infidel. That he is an awesome actor and in all honesty I just wanted to see him smile.) but it was a three person play, Lyndsey was a full house. I was struggling to bring myself to do this as I didn’t have something positive to say about her performance in the play. I text a few people to gage their opinion about the stage door and how to handle it.
I need not have bothered seeing as everyone and their aunt were outside; their cameras ready, sharpies poised on their Mean Girl prints. People who had not even seen the play were there, in the prime positions as well.
All I could hear during my wait were vile comments. Links to Lyndsey’s drug use past (and predicted present) and her bad performance of the play. I couldn’t help but wonder why these people were waiting let alone coveting the spaces at the front of the barrier.
After a time we were informed that Lyndsey has already left the building via a different exit. I totally understand that and was ready to get home and move on with my day. However other people did not. What followed the announcement was abuse. She was a whore, people would not watch her work again and she was worse than Satan and someone even wished her dead.
I would say about 90 percent of my encounters have been amazing, uplifting and unique. The best experience I had was meeting Star Trek Deep Space Nine’s Alexander Siddig when he was performing at the Globe. I headed to the stage door and thanked every cast member who came out (cast of 25 and I got every single autograph, meaning I was able to thank every single one of them for a play that meant so much to me). There were two other women there, just hanging out for Alexander Siddig; to the point they blanked other cast members when they drew them into the conversation we were having owing to them being stood so close.
Out came another cast member and when he finished signing for me he questioned whether we were waiting for Siddig. The girl’s ears pricked up and they listened intently as I was told he would be in the bar and that if I had any issues, to tell Alex that he’d sent me.
I watch these two girls run to the bar and shadow him. By some stroke of luck he ended up beside me as I was calming myself at the bar. I was able to have a chat to him (before the women I might add) and express my gratitude for playing the character that got me into Star Trek. We ended with him asking for a hug and telling me his name. The one thing I love about my encounters is that I seem to have a way of making them forget the fan/celeb line and they introduce themselves to me as if I haven’t got a clue who they are. I mentally tell myself as I walk away “That’ll do Pig.”
I have no desire to meet many of them again (Who am I kidding, there are a few I would love to see again. But in a ‘let’s go for a cuppa, put the world to rights’ sort of way.) I know I can’t improve my experience or gain them as my friend, so it blows my mind when people will actively repeat their actions, gain nothing out of it but a photo and/or autograph. How can it be fulfilling and don’t some of the more ‘devout’ fans see the look of fear on their target’s face?
What can we do to take back our fandoms my friends? I want these victimised stars to know that we’re not all the same. I also want to be able to continue to stage door without having to compete with these people who despite having 5 autographs, will step on your neck to get another. Even if you were to explain to them that you’ve never met them before.
The most painful time in my life was when my copy of this went missing in the post. For a month, I had this feeling of knowing I *could* have read it, I *could* know how awesome it was but I couldn’t, because my postman decided to ‘return to sender’. My house appeared to be Grimmauld Place for a month or so and clearly the post man was not privy to the knowledge of the secret keeper.
Anyhow, I did get to read it. As it happens, it arrived the day after I started I Was Born For This and they made for a thematic reading pair.
It’s hard not to be biased because I was sold at the reference to Buffy. My life is lacking something teen and supernatural and SLAY fits in just perfectly.
The story hits the ground running and doesn’t stop to let you catch your breath. It’s amazing. From the moment you meet the boys of SLAY, all the way through their collaboration with Milly you will feel like you’re right with them.
Milly is a perfect protagonist. She’s relatable and new to the world of demons that the boys are so familiar with. However, she’s not going to be a damsel; she holds her own and catches up quick. Her feelings towards the band members gives depth to her character and some friction that I expect to see arise in the sequel.
The boy band. They are a riot! If only this band was real; I’d so be going to see them live. There’s a clear leader complex in JD. His frosty front will melt your heart. There is then the twins who are the perfect ying and yang. Curran has a talent for demonstrating sign language in a coherent way. Zek is my favourite and the perfect person to bring together a group that might clash without him.
It’s a perfect origins story for this group. It has the ideal pace and emotion to get you attached, but you are still left wanting so much more. I personally can’t wait to see how the relationships develop within the next book.
The third novel from the phenomenally talented Alice Oseman – one of the most talked about YA writers in recent years.
For Angel Rahimi life is about one thing: The Ark – a pop-rock trio of teenage boys who are taking the world by storm. Being part of The Ark’s fandom has given her everything she loves – her friend Juliet, her dreams, her place in the world.
Jimmy Kaga-Ricci owes everything to The Ark. He’s their frontman – and playing in a band with his mates is all he ever dreamed of doing.
But dreams don’t always turn out the way you think and when Jimmy and Angel are unexpectedly thrust together, they find out how strange and surprising facing up to reality can be.
I was waiting for this book for so long. I was anxious to get my hands on this book, as if there was a small window for it to be bought or it would be lost to me forever. I fully expect I wouldn’t have slept the night before it’s release date, had I not had the wonderful surprise of finding it in a Central London book shop, nestled in with the new releases, a few days before.
I love Alice Oseman’s writing and narrative messages so much that I abandoned what I was reading to start I Was Born for This. Once again, Oseman did not disappoint. There is so much to relate to in the book. It doesn’t matter if the fandom didn’t fit, the reactions and the emotions are still the same.
Me, I’m not so much a boy band following girl any more. I remember abandoning Westlife for Alice Cooper back in 2003 when I went to my first ever concert at 18, but before then I was firmly a Boyzone and Spice Girls fan. I’m also firmly in the tv and film fandoms and can completely relate to the meeting friends online, paying money to be involved in some event and even meeting some of the celebrities involved.
What, perhaps, is the most familiar aspect of the novel is the idea of perceptions. From the viewpoint of both Angel and Jimmy, they clearly think and feel differently to those around them. I loved how they were both explored for their negative and positive aspects.
How it came to an end was perfect; both Angel and Jimmy will make decisions in their lives that provide a fulfilling and satisfying ending. However, Oseman has given me people I love and I want to know more about them.
The book is an epic rollercoaster from the first page. There are layers and twists within the plot and narration that will ensure you’ll want to read it again. I garentee you’ll discover something new every time as well.
Such a refreshing change having a male main character within a first person narrative. You’ll feel a little like a helpless, frustrated, Jiminy Cricket as Link’s story develops and he faces challenges on the Island. I found myself shouting as the pages one or twice. Okay, it was at least five.
Taking the concept of a private school with a skewed idea of success looks like, Link is your underdog and a book like this would normally be about the problems he faces and how he overcomes the challenges without sacrificing himself. But, you are not entering into that sort of narrative and you quickly find out Wonderland rules apply; up becomes down, the strong are weak and the geek will rule all.
While the twists are shocking, it’s the character responses to them that are the bit that will make sure you don’t put this book down.
I’ve been holding off reviewing this book until today because, of course, today Jurassic World Fallen Kingdom is released.
I hate to say this because I feel like I’m saying there’s a fault with the first one (and there’s not), but this sequel was better. It’s not only my favourite in the series so far, but my favourite read of 2018. With both, I’ve seamlessly fallen into the world. However, with Exile, I was one of them.
Picking up once the characters are somewhat settled after the events of the previous outing, we get to have much more of a glimpse into life on Earthasia and how Storm’s actions have impacted on her and the other survivors.
Following both Storm and Lincoln’s narrative makes for an emotional ride. One that is very separate at first. Lincoln’s guilt and ethical standing is explored in much more depth and it is hard not to feel the attachment of the character grow stronger.
This book wouldn’t be the same without a mission to Piloria. I’m so happy to say that it is far different from the time spent there in the first book. It doesn’t try and recreate the sequence or give the people the same mission, but this time it’s a whole new agenda.
The action is fast paced and film worthy. Adding Storm’s biological father into the party is a perfect move that adds so much more emotional growth to Storm. It might take place in a land that doesn’t exist, but I’m certain there are people who will relate to Storm’s confusion of how to feel about a man who she’s never known.
As always I was left wanting more. I wasn’t ready to leave the characters behind, but I’m excited to wait for the third installment that is due in 2019.
Release date: 15.5.2018
About: In this genre-defying page-turner from Lygia Day Peñaflor, four teens befriend their favorite YA novelist, only to find their deepest, darkest secrets in the pages of her next book–with devastating consequences. Miri Tan loved the book Undertow like it was a living being. So when she and her friends went to a book signing to hear the author, Fatima Ro, they concocted a plan to get close to her. Soleil Johnston wanted to be a writer herself one day. When she and her friends started hanging out with her favorite author, Fatima Ro, she couldn’t believe their luck–especially when Jonah Nicholls started hanging out with them, too. Penny Panzarella was more than the materialist party girl everyone at the Graham School thought she was–and she was willing to share all her secrets with Fatima Ro to prove it. Jonah Nicholls had more to hide than any of them. And now that Fatima’s next book is out in the world, he’s the one who is paying the price…
Perfect for fans of One of Us Is Lying–and told as a series of interviews, journal entries, and even pages from the book within the book–this gripping story of a fictional scandal will keep you on the edge of your seat from beginning to end.
Buy it here
This book wouldn’t be the same without each and every one of these complex characters. Their personalities don’t work in isolation and are a result of actions of others. Meeting them in a Pretty Little Lies post-event environment makes for some unreliable narrators and I wouldn’t have it any other way.
It’s a puzzle piece plot that will only make sense once you get to the end. Because of the nature of the plot, I can’t actually talk much about it, other than the fact that it will consume you completely. You will not want to put it down until you have all the answers.
It’s amazing when you have so many different characters with their own narratives going on that a writer can give each one a unique voice on paper. You don’t have to read the start of chapters multiple times to find out whose views your reading.
Release Date: 8.2.2018 About:
Lily has died in a car accident. The trouble is, Lily’s really not at all sure she wants to ‘move on’ . . . This funny, heartbreaking novel is perfect if you loved John Green or The Lovely Bones.
Lily wakes up one crisp Sunday morning on the side of the road.
She has no idea how she got there. It is all very peaceful. And very beautiful. It is only when the police car, and then the ambulance, arrive and she sees her own body that she realises that she is in fact . . . dead.
But what is she supposed do now?
Lily has no option but to follow her body and sees her family – her parents and her twin brother – start falling apart. And then her twin brother Ben gives her a once in a deathtime opportunity – to use his own body for a while. But will Lily give Ben his body back? She is beginning to have a rather good time . . . Buy fromHere
Lily is one of the most interesting characters I’ve seen on page. She’s dead from the moment we meet her, so we never really get a true sense of who she was. Being in the first person means we get a reflective character full of regret. It’s just as untrustworthy as other characters you meet and establish as untrustworthy.
Plus, a good chunk of the time, she’s not being herself. She’s being her brother. Now that is interesting and is truly good at showing how little we can sometimes know people.
The supernatural Freaky Friday plot really works here. It toes a perfect line of light-hearted scenarios and a deep emotional look at grief and loss. It’s not for everyone, but for those people who have lost someone close and have found it difficult to process those emotions, this might actually be the story for you.
The sign of good writing here is how the movements of Lily. Regardless of her form; ghost or host, there’s no confusion as to where she is or who she is. The writing also keeps emotion in play while allowing the reader to remove themselves from the grief.