Release date: 28.6.2018 About:
Six girls, six boys. Each in the two separate bays of a single spaceship. They have six minutes each week to seduce and to make their choices, under the unblinking eye of the on-board cameras. They are the contenders in the Genesis programme, the world’s craziest speed-dating show ever, aimed at creating the first human colony on Mars.
Leonor, an 18 year old orphan, is one of the chosen ones.
She has signed up for glory.
She has signed up for love.
She has signed up for a one-way ticket.
Even if the dream turns to a nightmare, it is too late for regrets. Pre-orderhere
I love Leonor. She’s a good voice to have when you’re stuck in space; she grounds you, so to speak. When you have a character like her; passionate, flawed and insightful. The way she works through the speed dating is interesting and something I easily identify with. Not only that, it adds a level of internal conflict that some narratives miss.
We learn bits about the other crew, but it’s those left on earth that are the most interesting. We have Serena, who communicates directly with the participants and becomes the ‘host’ of the broadcast. She’s a piece of work, you’ll quickly learn, but I want you to find that out for yourself.
It reads like a brilliant Sci-fi blockbuster. There are many threads in play and they change your perspective like a rubrics cube, waiting to be solved. Being the first in a trilogy, you go in knowing that you will have a resolve of some sorts, but there will be questions left unanswered to ensure you want more. It’s expertly done so that it doesn’t feel like it’s the first in a sequence, but a story in its own right.
Being a translated story, there’s always a worry that the writing loses something. This story, I’m delighted to say, doesn’t. It’s language is clean, its engaging and powerful. It makes for such a consumable, compulsive read.
I just wish I knew enough French to read the other two books in the series. Yes, they’re already published guys but you need to have progressed further than a GCSE in French to be able to access them.
Release date 11.4.18
SummaryPrimatologist Davis Okoye shares an unshakable bond with George, the extraordinarily intelligent gorilla who has been in his care since birth. But a rogue genetic experiment gone awry transforms this gentle ape into a raging monster. As these newly created monsters tear across North America, destroying everything in their path, Okoye teams with a discredited genetic engineer to secure an antidote, fighting his way through an ever-changing battlefield, not only to halt a global catastrophe but to save the fearsome creature that was once his friend. Time1hr 47
This is a Dwayn ‘the Rock’ Johnson movie and I’ll hold my hands up here and now; there’s no wrong this man can do (sidebar: My dad calls him The Fairy because of The Toothfairy. When an actor or film gets a Dad Hunter pseudonym, that means they’re on the win list). With Johnson, so come some film expectations. There’s going to be fast paced action, quips and smouldering. There’s also an understanding that the plot will stretch reality to provide a fun plot and indeed it does provide. Bucket loads of it to the point that I’m not so sure we can really call it Science Fiction.
Johnson’s character works well with George, the CGI Gorilla saved from poachers during infancy and taught to sign (Yup, We verge into Congo territory. I’ll reassure you though; I think this one will be considered a little better). Some of the best scenes involved the two of them interacting. There’s heart and humour in their banter and it allows you to feel for them and root for their survival when the shit hits the atmosphere about 2 minutes later.
In addition we have Naomie Harris and Jeffery Dean Morgan helping Johnson ‘save’ his friend and Malin Akerman and Joe Manganeillo playing for the company that caused the mutations in the animals.
It really is a shame that most of the film sees George and Johnson’s Davis separated. Not only that, but essentially on opposite sides. They truly do have amazing chemistry that no one else can come close to and it removes some of the natural humour. If the film could keep them together by tweaking the plot it would keep the comedic tone and not seem to be bookended by a separate movie.
The two outside sections have a lighter a tone and sees everyone in on the joke and having fun, however the bulk of the film takes itself a little too seriously.
The CGI is rather ropy and it’s worrying that I picked up on it the first viewing. Normally because it’s all new, I miss the little flaws and only catch them during a repeat viewing, usually at home. It means I wasn’t as engaged in the story as I normally would have been and that could be because of many factors; one being the lack of feeling for the characters.
A new segment for my reviews. I’m going to list the problems with the cinema going experience as it is something I think we all face issues with.
Viewing date/time: 12.4.2018/ 11.40 showing (Odeon Uxbridge) Fullness: Quite a busy showing for early in the morning. That said, there couldn’t have been more than 40 people.
Late comers (5 minutes or more into a movie): 4 people in 2 separate groups Phones (Texting/games/checking the time. Essentially anytime I see/am distracted by the glow of a phone):0 Talking: 3 separate groups, all persistent.
Oh this was a big one today. Fresh off the back of my annoyance from The Quiet Place I think my patience had already warn thin. However, it was people in the row right behind me and it was persistent; like a running commentary on a DVD. Imagine my horror, when I turn around to bollocks the tween triplets I’d mentally given three chance to are not in fact three kids, but a mum and her two sons. Instead of telling her kids to stop, she was engaging them in conversation. I was rather reserved, for me; I politely asked them to stop talking. Well, my dear readers, I might as well have taken a dump right there on her lap based on the look she gave me. All I heard was ‘don’t listen to her’ from the mother and I’d had enough. Premiere seats be damned, I got up and moved to one of the nice seats; I figured Odeon owed me this for allowing this sort of behaviour to become the norm (Disclaimer: It’s not an Odeon problem, the is a all-franchise epidemic. Seriously, this woman will have spent at least £25 on tickets. Alone. I’m sure she’d jacked her kids up on sugar too and when a ‘kids pack’ starts at £4.50, surly just setting fire to your money would be better?! Or at least buy a dvd, rent one from Sky and then let them chatter away to their hearts content at home.
Paige’s world is so exciting; it’s full of magic, mystery and danger!
It’s a very refreshing take on a dystopian genre with the beautiful writing, the language which is used and the imagery that has been created drew me in from the very first page and kept me utterly hooked until the last word.
It’s more literary, and more *clever* than The Hunger Games and Divergent etc., but by no means does that mean it’s hard going; I was completely enthralled by the plot, I loved Paige and Warden! The relationship that builds between them is not what I expected, and as the plot progresses and we learn more of Sheol 1 and the Rephaim, this adds an extra element of intensity and mystery. To me it’s one of those books that you just want other people to read so you can talk to them about it – there are plot elements that aren’t resolved (as you’d expect for what is projected to be a 7 book series) so I want to know if other people think the same things as me!
What I will say is that I hadn’t realised there was a glossary as if I turn to the back I have a naughty tendency to read the last few lines, so make use of that, it will help you get to grips with the different characters much quicker than I did.
NB. I wrote this review on 10th January 2014 and since then I have bought over 10 copies to give to friends and family, organised a Q&a and signing at Waterstones Bham with SS and her wonderful publisher sent me a box of copies to give away at raffle prizes for one of our fan parties. I always made sure this book was displayed in both the YA and fantasy sections of the shop so I could get more and more people to discover Paige’s world.
My love for The Bone Season and subsequently The Mime Order and The Song Rising) knows no bounds!
I’m incredibly new to this show, but oh so very passionate. My ex introduced me to it and we watched all of series one in a single sitting. Every so often he would pause it to tell me something offensive was coming up thinking I would hate it and demand for it to be turned off. Far from it, I loved every second.
I will always remember him texting me a screenshot of an episode and him being incredibly impressed that I’d gotten it with one guess and having only seen all the episodes once.
Since our split I’ve been determined to not do my usual thing and for once, not create attachments to a show we shared. Hell, if I did that, I’d have nothing left to watch seeing as I we both loved the same shows, films and he’d even started to get me into gaming.
In the past I’ve stopped watching shows such as Lost (although I hear I didn’t miss much) and films like Goonies had not been watched by me in 8 years since my first boyfriend and I parted ways. Some couples have THEIR song, I tend to have that one movie that will forever be mine and that person’s.
I had explained this to my ex, that I have emotional connections to movies and shows even to the point where I’ve walked away from screenings I’ve paid money for because I’d known the situation would take away from the film I’d loved (Example: a screening of Scrooged was meant to be my works leaving do. I knew had I stayed, I would no longer watch that will in the same way). However, it didn’t stop him from using a conversation we had to inspire him to watch my favourite film (Leon) with another woman literally a day after the conversation. It also didn’t stop him shouting at me for being upset about it.
So, I’m not going to let that happen this time. I don’t want to lose any of the shows I loved before I met him (Stranger Things, House, How I Met Your Mother… hell Star Trek.)
I figured if I blog about the episodes it’ll give me a little bit of motivation to watch them as they’re released. I couldn’t find someone to watch it with me, so I’m afraid my dear readers, you’re the ones holding my hand through this.
So, into the fray with go …
Rickmancing the Stone takes no time in reminding us about the divorce between Beth and Jerry. It’s always been there in the background; Beth’s frustration has built over the two series. I never thought the showrunners would break them up though and I’m very happy they did. Things are tense when Jerry pops over for a visit and the siblings use Rick as a means of escape. Seconds before the title sequence comes a whisper only Jerry can hear ‘loser’ the wind calls. It’s genius; I love to hate Jerry and this is just the kind of abuse I want him to get.
I’m loving Summer’s active role in travelling with Rick. Long gone is the Summer of Series 2’s Ricks Must Be Crazy. She doesn’t shy away any more. It’s when they travel to the post-apocalyptic dimension that we really start to see how strong Summer has become. In fact, she’s the catalyst for the whole episode and long may it continue.
Her story sees her find herself very much at home in this world, but she soon works through her issues regarding the divorce and comes to an interesting conclusion that resolves some of her angst by the end of the episode.
It’s interesting to see her romance develop. I would love to see Summer become the Kirk of the traveling trio. Also- Sumsum! Rick gets to give all the best nicknames.
Morty is as annoying as ever. I know that’s the whole point of the character, but I’m starting to need the showrunners to pull a South Park Kenny on his arse.
We see him take on a revenge mission that is worthy of Game of Thrones (another show I’ve stopped watching owing to a man). It’s a brilliant. Very WTF and ties nicely into the Mad Max homage they have throughout the dimension. It’s good to see how he works through his hang-ups about his father and the divorce. Although I reckon some of you are like me and would have liked to have seen what Morty would have done with the muscle memory had Jerry been there himself.
Rick was as awesome as always but there was very little in way of progression for him. I want him to show some real concern relating to the divorce and I hope we’ll get it in the next few episodes.
Overall, I have found the episode to be tackling a tricky, complex and relevant subject. They are doing it well, exposing some of the rawness to comedy (and gore) will probably enable viewers who have experience divorce to see it from other the other side. From my understanding of the audience it gets here in the UK, it certainly will be helping those most effected by divorce.
Will there be any fallout from Summer’s relationship? We’ve obviously done the pregnancy thing with Morty before but I’d certainly like to see that storyline come back.
Rick and Beth need some bonding time during her divorce to Jerry.
Will Beth and Jerry reconcile by the end of the series?
Will the Cthulhu from the title sequence make an appearance this year?
I’m a fan! We’re both fans. Of many things. Find us on twitter, give us a topic and we’ll talk… at length, whether you want us to or not. We love music (Panic! At the Disco, MCR, The Killers), TV (Buffy, Hex, Star Trek for Han) and Films (Jurassic World, Princess Bride, Harry Potter). We are advocates of YA (Holly Bourne, Laini Taylor and Non Pratt) and have just spent an amazing weekend at YALC.
I know Brendan has refused to sign at Panic! Gigs for the last few years for essentially the same reason. In 2015 I (Han), caught the set list at a Hammersmith Apollo gig and waited for two hours at the “stage door” to be told he’d been accosted at a gig in the US. He’d agreed with his body guard and not signed since.
Thanks to “fans”, people are now losing out on meeting a role model and idol. We’d normally have our bitch together if it was an isolated incident. But it’s not. And it’s not fair.
Back in 2013/14 Tom Hiddleston was in Coriolanus at the Donmar in London’s West End. I had tickets, I watched the play and then queued for SIX hours to have the honour of telling him how amazing he was. However, my anxiety is a bitch and I didn’t get to say a word to him while he signed my programme.
A month later I had another ticket to see him. Due to the restrictions at the stage door, this meant I had the chance to join the line for his autograph. I decided at the last minute to join. Only what I saw as I approached was nothing short of chaos; mob mentality ensued and the main door was so swamped that a man in a wheelchair struggled to get out. Fans refused to move in fear of missing their chance to get a photo with Hiddleston.
This alone disturbed me. However, that was before I was informed why Tom had refused to leave via the main door that evening, meaning his security was not policing the crowds.
The reason, as I feared, was fan related: two girls a few days before had crossed the line with Tom. They attempted to place their hands down his pants while he was signing for them. This ensured that for the remaining 5 weeks of the production, no one managed to engage with Hiddleston. This did not make the news. Had it been Sienna Miller, who is currently starring in A Cat on a Hot Tin Roof, it would have made front page news. It would have been sexual harassment. However, Tom kept this quiet.
Now Brendan has had to do the same. He was doing something he loved and fans enjoyed, however warped sense of entitlement that meant the minority has spoiled it for the majority.
My reason for stage dooring or wanting to meet celebs is not to say “I’ve met Mr X or Ms Y”, but to tell them they have made an impact in my life and thank them for the performance they’ve just been in. Because of my anxiety, I find programmes for plays they’re in are the perfect prop. While they’re signing, their attention is elsewhere and I can talk. It doesn’t always work. Heck, its worse without a prop though. Upon being wingperson for a friend when meeting Domnhall Gleeson all I could muster was “My brother is really looking forward to seeing you in Star Wars”. Not the fact that I adored his recent film Frank or that he broke my heart with About Time. This was before my crush on him had fully developed too.
I’m certain I’m not the only one who thinks like this. It takes courage to open my bloody mouth. In fact I’m starting to avoid stage doors because of these sort of situations. Yet out there are “fans” who not only take advantage they have this sense that it’s okay and that the celebrities welcome this behaviour. I’ve also seen these people melt down when they don’t get what they want. Even if they’ve already had countless opportunities to meet the person.
Case in point: I went to see Lyndsey Lohan in Speed the Plow. It was an okay play, but her performance was appalling. I had a moral dilemma; I wanted Richard Schiff and Nigel Lyndsey’s autographs (By autographs, I mean I wanted to tell Schiff that I loved him in The Lost World and the Infidel. That he is an awesome actor and in all honesty I just wanted to see him smile.) but it was a three person play, Lyndsey was a full house. I was struggling to bring myself to do this as I didn’t have something positive to say about her performance in the play. I text a few people to gage their opinion about the stage door and how to handle it.
I need not have bothered seeing as everyone and their aunt were outside; their cameras ready, sharpies poised on their Mean Girl prints. People who had not even seen the play were there, in the prime positions as well.
All I could hear during my wait were vile comments. Links to Lyndsey’s drug use past (and predicted present) and her bad performance of the play. I couldn’t help but wonder why these people were waiting let alone coveting the spaces at the front of the barrier.
After a time we were informed that Lyndsey has already left the building via a different exit. I totally understand that and was ready to get home and move on with my day. However other people did not. What followed the announcement was abuse. She was a whore, people would not watch her work again and she was worse than Satan and someone even wished her dead.
I would say about 90 percent of my encounters have been amazing, uplifting and unique. The best experience I had was meeting Star Trek Deep Space Nine’s Alexander Siddig when he was performing at the Globe. I headed to the stage door and thanked every cast member who came out (cast of 25 and I got every single autograph, meaning I was able to thank every single one of them for a play that meant so much to me). There were two other women there, just hanging out for Alexander Siddig; to the point they blanked other cast members when they drew them into the conversation we were having owing to them being stood so close.
Out came another cast member and when he finished signing for me he questioned whether we were waiting for Siddig. The girl’s ears pricked up and they listened intently as I was told he would be in the bar and that if I had any issues, to tell Alex that he’d sent me.
I watch these two girls run to the bar and shadow him. By some stroke of luck he ended up beside me as I was calming myself at the bar. I was able to have a chat to him (before the women I might add) and express my gratitude for playing the character that got me into Star Trek. We ended with him asking for a hug and telling me his name. The one thing I love about my encounters is that I seem to have a way of making them forget the fan/celeb line and they introduce themselves to me as if I haven’t got a clue who they are. I mentally tell myself as I walk away “That’ll do Pig.”
I have no desire to meet many of them again (Who am I kidding, there are a few I would love to see again. But in a ‘let’s go for a cuppa, put the world to rights’ sort of way.) I know I can’t improve my experience or gain them as my friend, so it blows my mind when people will actively repeat their actions, gain nothing out of it but a photo and/or autograph. How can it be fulfilling and don’t some of the more ‘devout’ fans see the look of fear on their target’s face?
What can we do to take back our fandoms my friends? I want these victimised stars to know that we’re not all the same. I also want to be able to continue to stage door without having to compete with these people who despite having 5 autographs, will step on your neck to get another. Even if you were to explain to them that you’ve never met them before.
Release date: 15.5.2018
About: In this genre-defying page-turner from Lygia Day Peñaflor, four teens befriend their favorite YA novelist, only to find their deepest, darkest secrets in the pages of her next book–with devastating consequences. Miri Tan loved the book Undertow like it was a living being. So when she and her friends went to a book signing to hear the author, Fatima Ro, they concocted a plan to get close to her. Soleil Johnston wanted to be a writer herself one day. When she and her friends started hanging out with her favorite author, Fatima Ro, she couldn’t believe their luck–especially when Jonah Nicholls started hanging out with them, too. Penny Panzarella was more than the materialist party girl everyone at the Graham School thought she was–and she was willing to share all her secrets with Fatima Ro to prove it. Jonah Nicholls had more to hide than any of them. And now that Fatima’s next book is out in the world, he’s the one who is paying the price…
Perfect for fans of One of Us Is Lying–and told as a series of interviews, journal entries, and even pages from the book within the book–this gripping story of a fictional scandal will keep you on the edge of your seat from beginning to end.
Buy it here
This book wouldn’t be the same without each and every one of these complex characters. Their personalities don’t work in isolation and are a result of actions of others. Meeting them in a Pretty Little Lies post-event environment makes for some unreliable narrators and I wouldn’t have it any other way.
It’s a puzzle piece plot that will only make sense once you get to the end. Because of the nature of the plot, I can’t actually talk much about it, other than the fact that it will consume you completely. You will not want to put it down until you have all the answers.
It’s amazing when you have so many different characters with their own narratives going on that a writer can give each one a unique voice on paper. You don’t have to read the start of chapters multiple times to find out whose views your reading.
Release Date: 8.2.2018 About:
Lily has died in a car accident. The trouble is, Lily’s really not at all sure she wants to ‘move on’ . . . This funny, heartbreaking novel is perfect if you loved John Green or The Lovely Bones.
Lily wakes up one crisp Sunday morning on the side of the road.
She has no idea how she got there. It is all very peaceful. And very beautiful. It is only when the police car, and then the ambulance, arrive and she sees her own body that she realises that she is in fact . . . dead.
But what is she supposed do now?
Lily has no option but to follow her body and sees her family – her parents and her twin brother – start falling apart. And then her twin brother Ben gives her a once in a deathtime opportunity – to use his own body for a while. But will Lily give Ben his body back? She is beginning to have a rather good time . . . Buy fromHere
Lily is one of the most interesting characters I’ve seen on page. She’s dead from the moment we meet her, so we never really get a true sense of who she was. Being in the first person means we get a reflective character full of regret. It’s just as untrustworthy as other characters you meet and establish as untrustworthy.
Plus, a good chunk of the time, she’s not being herself. She’s being her brother. Now that is interesting and is truly good at showing how little we can sometimes know people.
The supernatural Freaky Friday plot really works here. It toes a perfect line of light-hearted scenarios and a deep emotional look at grief and loss. It’s not for everyone, but for those people who have lost someone close and have found it difficult to process those emotions, this might actually be the story for you.
The sign of good writing here is how the movements of Lily. Regardless of her form; ghost or host, there’s no confusion as to where she is or who she is. The writing also keeps emotion in play while allowing the reader to remove themselves from the grief.
Release Date: 26.4.2018 Summary: The Avengers and their allies must be willing to sacrifice all in an attempt to defeat the powerful Thanos before his blitz of devastation and ruin puts an end to the universe. Time: 2hr 36
The first good I really need to talk about is Thanos. He’s the first decent villain in the Marvel Universe (Loki is an anti-hero, not a villain in my eyes) and he does up the stakes a little more.
The crew count was handled well. Certainly much better than Civil War, which felt very bloated and overwhelming in terms of characters. This film upped that count, but was as strategic as a game of chess in its placement of characters and relied heavily on perfect smaller team ups than aiming for everyone on the screen at the same time.
The humour was on point! Those beautiful one liners and the films play on language; from Peter Parker’s pop culture references to Thor and Steve’s misunderstandings, it’s the perfect lift to a film that has very heavy emotions throughout.
Spoiler (This is the ONE I wouldn’t want spoiling so highlight the section at your own peril) DINKLEDGE!!! If you didn’t know, I have major love for the Dink! He’s just amazing in everything he does and he’s the kind of bloke I’d love to sit and have a drink with and put the world to rights, you know? So having Dink play a giant who towers over Thor was just a stroke of genius.
For once, we where light on the romance, save for already established pairings. It was great to not have that trope in play, meaning any romantic gestures in play had deep rooted meaning and purpose.
While the handling of the cast was good, it didn’t escape without casualties. Black Widow is reduced to mere window dressing and it doesn’t do one our long standing heroes justice. It was almost to the point where I wish they’d benched her until the second outing.
Some of the CGI was ropey. If you’re truly into a film, you possibly don’t notice until watching at home. However, I’m a little concerned that there were bits I picked up on (namely the Hulkbuster Iron suit) on my first viewing. Not because I wasn’t engaged, but simply because they stuck out like sore thumbs.
The ‘deaths’. So there’s two separate deaths in play here. Firstly, we have the one that the Russo brothers had declared of one main cast member ‘there’s no take backs this time’. I believe this is the opening sequence death of Loki. It lacks the punch that it could, mainly because that dude has played dead so much it feels like a bit. It didn’t have any emotional resonance for me.
Nor did the final rug pull of the Infinity gauntlet dusting genocide. I’ll admit, I did gasp at the first character’s disappearance and I was close to tearing up. That was until we lost pretty much everyone who has been confirmed for a solo outing film in the next however many years. To me (and I know its not everyone’s thoughts. A student was unimpressed that I did not warn her about the ending), it takes away any jeopardy for the characters. It’s a shame, because this was the first film in a long time that made me feel there was something at stake.
Side bar- this isn’t the fault of Infinity War. The biggest problem was Avengers Assemble and the choice to resurrect Agent Phil Coulson. Damn, that death meant something. That death gave the assembled heroes something to avenge. Most of all, that death had me crying like a bitch. I wasn’t expecting it, I wasn’t prepared. I was begging the screen for it not to be true. I mourned the character who had been given a place in my geek heart.
Then in a ‘it was all dream’-esque twist of fate, my tears had been wasted and I vowed never to cry over a Marvel death again.
Except Yandu! Damn, that was a harsh blow and was more about his words preceding his death than anything else. I sobbed like a baby with that one too.
About Release date 13.4.18 Summary A harmless game of Truth or Dare among friends turns deadly when someone — or something — begins to punish those who tell a lie or refuse the dare. Time 1hr 40
If you like your horrors with a body count and a supernatural tone, this is the one for you. It’s reminiscent of the early Final Destination films; the deaths are scary because some of them can be easily passed off as an accident. It’ll chill you to the core. The Bad The premise is a little far fetched. I can’t get past the initial decision of Markie (The Flash’s Violett Beane) to withdraw Olivia (Lucy Hale) from her planned work experience holiday, never mind the fact that the whole group join Olivia and Carter on the big trek up the mountain. I don’t know about anyone else, but if I’m tired and done on a night out, there’s nothing anyone can do to stop me going home.
While it’s not exactly torture porn territory, but it’s almost there and is almost tasteless because of it. The dares are quite horrific and morally corrupt. I found the ‘lust’ triangle nauseating and the treatment of the gay character bordering on offensive.
The plot is so familiar and predictable that you can’t help but feel a little cheated.
A new segment for my reviews. I’m going to list the problems with the cinema going experience as it is something I think we all face issues with. Viewing date/time: 13.4.2018/ 4pm showing (Odeon Uxbridge) Fullness: About 20 people. Late comers (5 minutes or more into a movie):8 people in 2 separate groups Phones (Texting/games/checking the time. Essentially anytime I see/am distracted by the glow of a phone):One of the girls that arrived late Boomeranged the screen for Instagram and then spent the next 5 minutes uploading it, with emoticons and everything! Talking:Same late girl was talking 3 -4 times throughout.
Release date: 14.6.18 About: A friendship to die for.
A Ripley story for the Instagram age set in contemporary New York; a world at once sophisticated and sordid, irresistible and irresponsible, unforgettable yet unattainable
Louise is struggling to survive in New York; juggling a series of poorly paid jobs, renting a shabby flat, being cat-called by her creepy neighbour, she dreams of being a writer. And then one day she meets Lavinia. Lavinia who has everything – looks, money, clothes, friends, an amazing apartment.
Lavinia invites Louise into her charmed circle, takes her to the best parties, bars, the opera, shares her clothes, her coke, her Uber account. Louise knows that this can’t last for ever, but just how far is she prepared to go to have this life? Or rather, to have Lavinia’s life? Pre order at Amazon: https://www.amazon.co.uk/Social-Creature-Tara-Isabella-Burton/dp/1408896117/ref=sr_1_1?s=books&ie=UTF8&qid=1523567025&sr=1-1&keywords=social+creature
Louise at first is a likeable character who is in over her head. Who wouldn’t embrace the new life she is offered? However, as the narrative unfolds I find myself fearing her and scared of the lengths she will go to keep her place in the social circle that she has become so comfortable.
Lavinia is the embodiment of people I really do not like; privileged, spoiled and, worst of all, lacking any sort of independence. I found her incredibly realistic to the point of hatred for her.
Rex, Hall and Mimi are bystanders of the whole unravelling and its interesting to see how they fit and how Louise’s thoughts about them change over time.
It’s hard to say anything about the plot without giving away some of the books best parts. What I will say is that when you think you have it all set in your head how it will end, you will have the rug pulled violently from under you. You will, from that point, settle again. You’ll be on edge, heart in mouth and unable to do anything but consume the story.
The writing was something I’ve never come across before. It threw me off at first, the almost conversational tone that was present in the moment, but also had an insight into what was to come. Won’t lie, it also brought a sinister tone to the book; I was scared for quite a lot of it.
A family is forced to live in silence while hiding from creatures that hunt by sound.
Holy crap, this is one scary movie. There’s an intensity and a stillness that not only gets under you skin, but right into your bones as well. From the opening scene, to the credits your heart is in your mouth.
It also sucked me into the world (certainly, me at least) and while I’d normally gasp and in some cases, scream. I ensured I was absolutely silent too. The kids are amazing and both John and Emily bring their A-game and potential Oscar acting chops to the table.
Lee and Evelyn are the most idiotic adults ever seen in a horror movie. Their decision to have another child once they find themselves in a post apocalyptic wasteland is hugely irresponsible and completely dangerous. Regardless of how the plot develops, the parents lose me as a viewer 15 minutes in due to their selfishness.
I mean, come on you’re in a world where if you make a sound, you’re shish kebab. Evelyn has had three other kids so she knows her childbirth alone will bring all the creepy things to their yard. Then there’s the baby to deal with… and I’m sure they haven’t forgotten that they cry. A lot.
I’ll agree, without this plot point, there isn’t much of a film. However, just a slight change in the dating and it makes the parents a little more sympathetic. Or have one of their children older and pregnant.
While this is an amazing film, worthy of award season hype when it comes around, it does highlight an epidemic within our cinemas. So often I have to ignore people on their phones, whispering, asking questions or even having a casual coffee shop chat. Most films have enough dialogue to drown out the annoyances, but in a film where there is very little dialogue it can’t be ignored.
People arrived late, a group of twenty-somethings whispered through the first act to the point where I considered going and complaining. But what was the point? It would have caused more disruption by getting someone in and they probably wouldn’t have stopped talking.