I’m gonna give you a little advice Claire. Scrape ’em off. You wanna save somebody? Save yourself.
Length: 1 Hr 41
About: In this modern take on Charles Dickens’ “A Christmas Carol,” Frank Cross (Bill Murray) is a wildly successful television executive whose cold ambition and curmudgeonly nature has driven away the love of his life, Claire Phillips (Karen Allen). But after firing a staff member, Eliot Loudermilk (Bobcat Goldthwait), on Christmas Eve, Frank is visited by a series of ghosts who give him a chance to re-evaluate his actions and right the wrongs of his past.
This version of Dickens’ classic has been in my life so long I couldn’t tell you when I’d first watched it. I’ve always been a fan of Bill Murray and love him even more when he’s playing the grump.
Part of my enjoyment of Bill Murray and his films, Ghostbusters in particular, is that he reminded me of my brother. Murray’s dry humour, confidence and what I’ve always considered faux grump are comparable to my brother’s charm.
The Naughty List
- About the only thing I can really pull this up on is the uptight ‘Lady Censor’ who pulls a Weinstein in the final act when she jumps the tied up Brice. Hell, I get that some people will find it funny, but but them in the reverse and people would be up in arms. It doesn’t matter what way an assault goes, or how ‘small’ the act is; if society is going to pull some up, we need to pull them all up.
- I also wish the film presented us a different look at the Ghost or Christmas Yet to Come. It had done so well with the others, Marley being one of the most creative, I’d have like to have seen something different. However, I did appreciate how more time was spent within this perspective and how much of an impact it has on Frank.
The Nice List
- The biggest change to the story’s narrative is the film’s biggest strength. Always relegated to a sub plot, the relationship between the titular Scrooge (Bill Murray) and the woman he loved and lost (Karen Allen) is the focus of Scrooged and the key to Cross’ salvation. The romantic element is heart breaking and setup from the appearance of the Marley figure. It ensures that it’s not just a paint by numbers retelling. It does mean that the ghosts do focus much more on her impact in his life and, in some cases, his on hers. It’s not a sweet romance, but you can’t deny that it’s true.
- Ghosts of Past and Present are wickedly good. In all of the versions I’ve watched, these two incarnations are my favourite. David Johansen is wonderful as the Ghost of Christmas Past who takes no shit from Murray’s excuse giving Cross. Then there is the ever glorious Carol Kane with her high pitched, high maintenance fairy-like Ghost of Christmas Present. As a child I giggled away at the physical comedy she brought to the section and it wasn’t much different watching today.
- The role of Cratchit is played by Alfre Woodard. I hadn’t really thought about it before, but the cast/gender changes of some of the characters is way ahead of its time and something to be commended. It’s a perfect example as to why you shouldn’t force artistic forms to conform to a politically correct tick box: this is organic and beautiful. The Cratchit family (named Cooley for this production) wouldn’t be complete without its Tiny Tim. Young Calvin has been rendered mute since his father died. It’s an interesting change and it’s understandable why it is something to worry about, but also is a better infliction to be cured than in previous versions. Calvin’s brave moment never fails to reduce me to tears before warming my heart.
- Murray’s change of heart is powerful and his speech that goes out to all watching, ties up so many of the plots threads and, with a breaking of the 4th wall, brings the film to a musical end.
I was worried when I’d watch the 1951 version that this glorious 80s offering would pale in comparison. It’s been my favourite for so long that I wasn’t quite ready for it to be replaced.
It’s hard to compare the two side by side, as there are fundamental differences that make them both unique. It means that Scrooged currently, with a few days left to go, remains my all time favourite Christmas movie while it is fair to say the 1951 offering is the most true to the source material.