Length: 1Hr 30
Release: 17th November 1992
About: When street rat Aladdin frees a genie from a lamp, he finds his wishes granted. However, he soon finds that the evil has other plans for the lamp — and for Princess Jasmine. But can Aladdin save Princess Jasmine and his love for her after she sees that he isn’t quite what he appears to be?
First things first
This was my birthday movie for 1992. My neighbour went to see it just before Christmas and invited me, but I was a tool and turned the offer down under the argument of ‘it’s my birthday movie’. I was very surprised when my dad picked this to watch, but I suspect it’s because he wants to watch the new one that’s about to be released and can’t get to the cinema.
• Robin Williams marked a change in animation. Yes, Angela Lansbury had leant her vocal talents to Mrs Potts the year before, but she had always been part of the Disney stable and I would argue her box office potential. Williams brought about the start of employing box office stars to headline animations. What a choice it was?! There’s been so much talk about the upcoming live-action release and that’s centred around the casting of the Genie. How can anyone replace someone who made the role iconic?!
• It’s not only Williams’ familiar tones that we all love, it’s his humour that has adults and children alike belly laughing. The imitations and nods to pop culture are perfect and make sure that adults feel invested in the film too.
• The music is delightful and I think I prefer it to The Little Mermaid and Beauty and the Beast. It has a happy beat, reminiscent of Jungle Book that you will always hum for hours after finishing the film. My personal favourite is Prince Ali. The only shame is that the songs are front heavy and we only get a brief reprise and reworking of Prince Ali at the climax.
• My favourite characters will always be Abu, the monkey and the carpet! I love the humour gained from both. I would say the Carpet is the precursor to BB-8; cute but sassy.
• There are a few scenes that are using the high tech computer graphics. Only problem is, that what was high tech in 1992 no longer looks the case. As a result, the escape from the cave of wonders and some of the palace doesn’t blend as well with the rest of the traditional animation. It is perhaps why it’s not long before the Mouse House trade in traditional methods for a consistent computer created approach.
• It’s very Hollywood and very white washed. While the story is, without a doubt, perfect this was one of the animations in Disney Vault that should be given the makeover treatment. The animations are perhaps ‘culture neutral’, however when you see that most of the voices are produced by white Americans, it’s hard to deny it’s a little questionable. It’s certainly enough for me to feel a little uncomfortable and welcome the new live action.
• (Side bar): I find it quite interesting how many people of ethnic origins are voicing white characters in animations. I’m not sure where I stand on this; should it go with the ‘no straight actor should play a gay character’? It’s something I want to consider further, but surely if I’m offended by Anthony Hopkins black facing Othello, this is of a similar ilk?
Casting aside, this is a perfect animated classic; funny, action packed and with a good hearted protagonist.