Tag: Netflix

Green Book (2018)

Inspired by a True Friendship

Rating 12
Length 2h10
Release 01.02.2019
Director Peter Farrelly
About Amidst rampant racism in the 1960s southern America, an African American pianist hires an Italian American bouncer to drive him through his venues. They come closer in the course of their journey.
Moon: no moon sighting
Where to Watch: Netflix and BBC IPlayer
Trailer:

The Good

Mahershala Ali is dream casting. He plays Don Shirley in a way that is reminiscent of Tim Russ as a Vulcan. I love how he grows over the course of the movie. Then there is a scene near the end in which Don plays with a Jazz band and I’ve never seen a smile convey quite so much; belonging, happiness, contentment. Perfect!

It’s really funny considering the story. Despite the challenges faced on the road and in the Deep South of America in the 60s, this film keeps it upbeat and humorous as much as it can. From Don’s tart responses to anyone and everyone, to Tony’s food focus, it makes this very different to other films depicting this era.

The Bad

It takes a little while to get going, which is a hard thing to pick upon as it gives us time with the lovely Linda Cardellini. Perhaps intersecting Tony’s life with that of Don’s may have been the compromise that the film needed for a smoother start.

The Ugly

Honestly, as much as watching films about segregation and racism is educational they are a difficult watch for me. I don’t understand, on an introspective emotional level, how someone (let alone a society) could treat people so badly. This is something that I find difficult for Race, culture and anyone who has fought to belong due to their sexuality or identity.
Anyone who absorbs emotions like a sponge, will find the film hard going but it is worth it for the final act alone.

Final Thoughts

Entertaining, educational but an emotional ride.

Firestarter (2022) Film Review

If you get on her bad side…YOU’RE TOAST.

Rating 18
Length 1h34
Release 13.05.2022
Director Keith Thomas
About After years in hiding from mysterious DSL, Charlie’s reemerging pyrokenisis threatens the life Andy and Vicky have built for their family.
Moon: no moon sighting
Where to Watch: Netflix
Trailer:

The Good

Zac Efron has his top of for a split gratuitous second.

The Bad

The homage to Stranger Things. Just as the film is about to reach its final act, Charlie finds herself in a suburban estate and bullied by boys on bikes. This would only work if these boys were the ones from her class.
There’s no way boys like that, upon seeing a girl who has clearly been through something, shout freak and what not at her. Not unless they know her. Which, to imply that, you’d use the kids from before.
So to do this to resemble a show that took it’s inspiration from the 1984 version and the original novel by Stephen King, feels not only cheap but an attempt to draw in the fandom.

The Ugly

The biggest mistake the creators made with this outing is winding back the clock and starting the story with the McGee’s as a family unit. The beauty of the original and the novel is that we start on an uneven footing by being throwing into the middle of the story and partway along Andy and Charlie’s journey on the run.
Yes, it’s interesting to see the family unit, but it doesn’t add to the story and if anything it slows the pace down to a crawl. It also makes for such a bullshit ending: Charlie is left to go with her hired assassin who just so happened to kill her mother not so long ago!

Ryan Keira Armstrong, as much as I hate saying this, is woefully miscast. It’s a hard job for any youngster to be the protagonist of a film, but when it’s a character like Charlie you really need someone like McKenna Grace or Dakota Fanning.
As it stands, we have 90 minutes of Armstrong pulling ‘Edward meeting Bella’ face.

Final Thoughts

This film is inspiring no one and holds nothing that makes the original, or Stranger Things for that matter, great. Avoid. Rewatch ST, read the novel or dig out the original.

Irish Wish (2024) Film Review

Be Careful Who You Wish For

Rating 12
Length 1h31
Release 15.03.2024
Director Janeen Damian
About When the love of her life gets engaged to her friend, Maddie puts her feelings aside to be a bridesmaid at their wedding in Ireland. Days before the wedding, Maddie makes a spontaneous wish for true love, only to wake up as the bride-to-be.
Moon: no moon sighting
Where to Watch: Netflix
Trailer:

The Good

Ed Speleers. I’m so sorry I overlooked your dashing looks and charm in the third season of Picard. It was Todd Stashwick, you understand?!
Open apology over with, it’s good to have him as one part of the meet-cute. He’s everything you would expect of a romantic lead.

It is a rom-com by numbers. It requires no thought and it does manage to leave you warm and fuzzy. Lyndsey Lohan may not have the effortless charm that allowed her to win over box offices in the naughts, but she still holds her own and gives a convincing growth to her character.

Dawn Bradfield steals the film as Saint Bigid, who grants Maddie’s wish and kicks off the main part of the film. Much like Puck in Midsummer Night’s Dream, Bradfield causes chaos with such joy, it’s hard not to wish she was in the film a little more.

The Bad

It just all seemed very messy for a rom-com by numbers. It takes a little too long to get to the ‘switch’ and by then, the sparks are already flying between Maddie and James that you wonder if there was another way of plotting this.

The Ugly

It makes one fatal flaw that will prevent this from being up there with some of the best. The third in the triangle *can* be a douche, there’s no problem with that. However, you cannot really have him be a douche and still let him get the happy ending that he does.
By having smarmy Paul marrying one of the lead’s best friends as part of the set up really makes the ending shitty when he’s not seen for who he really is.
The addition of Jane Seymour in just a disconnected role doesn’t help matters

Final Thoughts

Messy, but requires no effort. A charming film, but not a classic.

Damsel (2024) Film Review with Spoilers

This is not a fairytale.

Rating 12
Length 1h37
Release 05.06.1998
Director Frank Coraci
About A young woman agrees to marry a handsome prince — only to discover it was all a trap. She is thrown into a cave with a fire-breathing dragon and must rely solely on her wits and will to survive.
Moon: no moon sighting
Where to Watch: Netflix
Trailer:

The Good

Shohreh Aghdashloo is the Alan Rickman of female voices. It’s hypnotic and enchanting, so it’s no surprise that she is the perfect choice for the dragon. Yes, each time she speaks you will be fearful. However you will also wonder why anyone puts up a fight.
Speaking of which, the design of the dragon is incredible. It’s clearly CGI, but because of the design you won’t mind so much.

Buttercup is all grown up and on the dark side. I know people who watched House of Cards know that Robin Wright is no stranger to the questionable side of morality, however seeing her return to the genre that made her an icon. Her talent is seen when she goes toe to toe with Angela Bassett

The Bad

The character of Elodie. Millie Bobby Brown does an incredible job with the what the script and story gives her to work with and there’s no questioning her acting ability. However, the problem is that the character is not given much to do outside of hiding, screaming and crying.
Even the things that they do give her, appear only as and when the plot calls for it. For example, towards the end of the film Elodie is shown to be inventive yet despite plenty of opportunity to show this in the opening act, they film doesn’t sew those initial seeds.

The Ugly

The massive fucking plot hole of the girls being of royal descent and the pretence of marriage. The big problem being that this is all hanging on the fact that the dragon they’re being sacrificed to has great fucking smell.
Or rather, she doesn’t?!
Is the film trying to say there’s some transubstantiation that takes place during the marriage that makes Elodie’s blood ‘royal’, or is that so they’re technically not lying when they make their offering?
Is it really just the palming off of a squidge of blood that convinces the dragon?! Even long after Elodie’s bled from other wounds that will clearly be her own? That dragon is not that stupid, that’s not how blood works and surely words going to get around that they’re holding multiple weddings?!
Get to the talk sooner, have the dragon wake the fuck up and realise she’s being conned and then have the third act be them working together instead of what becomes a quick wrap up.

Final Thoughts

Excellent cast, but a garbage script. It’s worth a watch, but it won’t be making anyone’s regular viewing cycle.

Babe (1995) Film Review

A little pig goes a long way.

Rating U
Length 1h31
Release 15.12.1995
Director Chris Noonan
About Babe, an orphaned pig, learns to herd sheep after Arthur Hoggett, a farmer, wins him in a contest at a country fair. However, Rex, Hoggett’s lead sheepdog, doesn’t like Babe.
Moon: no moon sighting
Where to Watch: Channel 4
Trailer:

The Good

James Cromwell excels in everything he’s in. That’s not even a question. However, he is the only reason why I rewatched this at all. His dialogue is minimal, yet even without speaking you get a lot about his character and his feelings towards Babe, or ‘Pig’ as he’s known to the ‘Boss’.

The episodic storytelling, and the story overall, is really uplifting. The changing opinions of certain animals about others, the triumph of Babe as a Sheep-Pig… it’s heartwarming shit.

The Bad

This, despite its U rating and cute animal focus, is not a kids movie. It’s too dark in tone and themes to truly be a film that is for children that adults can appreciate. There’s a lot of death; implied and near misses. I got the overwhelming sense that Maa was going to die but I couldn’t remember how. I most definitely didn’t remember the opening scene preparing the pigs for the abetoir.

The biggest plot hole for me is that ‘the Boss’ believed, even for one moment, that Babe killed Maa! Yes, pigs have the potential to eat their own and are know to eat small animals… but to kill a sheep the way the dogs do?! Come on Boss, you are better than that.

The Ugly

I hate the mouths. I had nightmares about the mouths. I get they had to have some movement there, but it’s unnatural and in someplace almost looks like human mouths superimposed onto the animals. Really distressing and not helped by the fact that my dad really enjoyed to watch this movie.

Might sound rather cynical but this time I felt like it was anti-meat propaganda. Being a “kid’s” film, I can imagine many a child refusing to eat bacon for a decent amount of time after watching this, and that’s only from the opening scene.

Final Thoughts

Roald Dahl’s Matilda the Musical (2022) Film Review

Meet the Exception to the Rules.

Rating PG
Length 1h57
Release 02.12.2022
Director Matthew Marchus
About Matilda lives with her brother and parents, who are unappreciative of her. She utilises her telekinetic abilities to settle the score after her principal brutally tortures her with the help of her kind-hearted teacher.
Moon: no moon sighting
Where to Watch: Netflix
Trailer:

The Good

I’m very happy the film did not keep to the stage adaption’s tradition of casting a man in the role of Ms Trunchball. I found it odd it the play, but had they cast raph fines as originally planned it wouldn’t have translated.

Keeping with Trunchball, Emma Thompson is glorious in the role. I was curious how she was going to have the physical presence given her naturally tiny frame. Not quite sure how it was achieved, but it all works.

Alisha Weir does an incredible job at carrying this film as the powerful and courageous Matilda. As much as I don’t want the Harry Potter adaptation to go ahead, Weir is perfect for Hermione.

The production design is stunning, particularly the school which you can see clearly the prison inspiration. 

I do love that the story has returned to England for this production. There’s something inherently British about the story and while the Danny DeVito directed film is incredible, there’s a charm and tone here that is missing in the other.

The Bad

I do not like most musicals, and this is not exception. The opening number almost saw me turning it right off.

The Ugly

There’s something about a musical worked around children. Perhaps it’s that they are not able to sing using the full range, but it’s musical talking over a score. It makes me want to rip my ears off.

Final Thoughts

I’ll never watch it again, but if you love your musicals you might gain some enjoyment from it.

Crossroads (2002)

Dreams change. Friends are forever.

Rating PG
Length 1h34
Release 29.03.2002
Director Tamara Davies
About Three childhood friends, reunite on graduation and promptly decide to take a trip across the country. But, what happens when their trip to rekindle their friendship is interrupted by a baleful guy?
Moon: Full moon in first scene
Where to Watch: Netflix
Trailer:

The Good

Well, the film really goes all out with the social obstacles of young women. Over the 90 minute run time we look at parental expectation, following a dream parents don’t approve of, protective parents but more importantly the film tackles rape, pregnancy and the perception of a woman’s status while pregnant at a certain age. The scenes are handled exceptionally well and to the point where I wish this was Mimi’s film. It’s unsurprising that the film is on-point with these issues; the script is written by Shonda Rhimes.

Anson Mount pre-Pike is always …. not a delight as such, because that man is perfect as the Star Trek Captain, but it’s good to see his roots. He really gives the audience a good brooding and frustrated-at-the-world musician and at least gives us a sense of chemistry.

Having Dan Ackroyd here almost makes this feel like it could have been a My Girl 3, with a few tweaks and recasting. Honestly, who wouldn’t love that?! Seeing Vada healed and blossoming after the events of the first movie?

The Bad

You get in Kim Cattrall and that’s the scene we get?! Oh that script let her down so bad.

Lucy doesn’t want to go to medical school, I got that. However, I’d love to have seen why her dad wanted her to?! Is there an aptitude towards medicine? Yes, you tell me, but there’s nothing about the character that suggests there’s any talent or passion for medicine.
I wrote a note while watching saying that there needed to be a medical emergency in which she takes control and demonstrates the skills the father can see. Yes, not too long after we get a potential scene but it’s wasted and given over to a show of the strengthening friendship.

The Ugly

The biggest problem with the film is that Lucy is the lead and she’s our weakest link. Not only are there the character problems as listed above, Brittney Spears cannot, and it pains me to say this, act.
Brittney Spears is playing Brittney Spears and she’s just reading lines. I would go so far to say there’s not even an attempt to act. Which means what is clearly meant to be a story arc is dismissed.
The character felt so underdeveloped and one note; I never believed the side that had her as the speech giving, medically inclined study-hard so I didn’t see the journey as a growth of the character.

Final Thoughts

Past Hannah was right in dismissing this movie and the distributors were right to keep it off streaming platforms for as long as they did. What makes it worse though is there’s a really good Stand by Me/ Now and Then type film there when the right cast is put in place instead of gambling on a name to get bums on seats.

Just Go With It (2011) Film Review

Sometimes a guy’s best wingman… is a wingwoman.

Rating 12
Length 1h57
Release 11.02.2011
Director Dennis Dugan
About A plastic surgeon convinces his assistant to join him along with his young girlfriend on a trip to Hawaii and pose as his ex-wife to cover up a lie, but he ends up complicating the situation further.
Moon: no moon sighting
Where to Watch: Netflix
Trailer:

The Good

Jennifer Anniston shows us how truly funny she can be in this film. I know Friends was a comedy, but it was situational. This instead allows her to shine as an individual comedian.

By extension, the chemistry between Anniston and Adam Sandler is on fire. Not in a way that makes you wonder why they’re not together from the start, but there’s a friendship foundation that has the potential of something more triggered.

The Bad

Sweet Bailee Madison and her deliberately bad accent. I want to punch her every time she gets her ‘pip pip’ on.

The Ugly

Nicole Kidman is normally a sure thing for a quality performance, but this is beyond cringe-worthy. Her character is nasty, and totally worthy of naming a bowl movement after. Just when you think she cannot get worse, the hula competition happens.

Eddie and the sheep CPR was just not needed. As much as I want to like Nick Swardson and he does have a certain comic talent, I just really don’t find it funny.

Final Thoughts

A easy film to watch for when you just need to turn your brain off.

Sonic the Hedgehog 2 (2022)

Rating PG
Length 2h02
Release 01.04.2022
Director Jeff Fowler
About After settling in Green Hills, Sonic is eager to prove that he has what it takes to be a true hero. His test comes when Dr. Robotnik returns with a new partner, Knuckles, in search of a mystical emerald that has the power to destroy civilizations. Sonic teams up with his own sidekick, Tails, and together they embark on a globe-trotting journey to find the emerald before it falls into the wrong hands.
Moon: moons seen while Robotnik is on Mushroom Planet
Where to Watch: Netflix
Trailer:

The Good

I absolutely loved the all human “project catfish” b-plot. The obvious being the addition of Criminal Minds’ Shemar Moore as the groom at the destination wedding, but it’s also the ladies: Tina Sumpter and Natasha Rothwell going up against the government with Tail’s tech. I kind of wish there was more to this.

Jim Carrey is having just as much fun this time around and he is almost a complete delight to have in this instalment.

The dad-joke puns are awesome and plentiful in this outing.

The Bad

Sonic spends too much time with other CGI creatures and begging the question; did this really need to be live action? While my favourite parts involve the humans, those scenes don’t overly contribute to the main “plot”

The Ugly

No kids film should exceed the 1h 40 mark.

You have the beautiful Idris Elba cast. You have the potential to have him alongside the equally stunning Shemar Moore, and you make him CGI?! Are you actually kidding me? Talk about a tease!
I all seriousness though, Elba was criminally wasted.

Final Thoughts

Too long and, to quote Jim Carrey’s Dr, too derivative. Not one I’m going to rush to watch again and I really feel for any parent’s out there potentially having to watch this on a loop.

Lift (2024) Film Review

Rating 12
Length 1h44
Release 12.01.2024
Director F Gary Gray
About A master thief is wooed by his ex-girlfriend and the FBI to pull off an impossible heist with his international crew on a 777 passenger flight from London to Zurich.
Moon: no moon sighting
Where to Watch: Netflix
Trailer:

The Good

Vincent D’Onofrio is incredible in whatever he is in. However, it’s hard not to love him in Lift when he’s clearly having the time of his life. Being a master of disguise, we get to see a wide range of performances from this great. You cannot fault him.

David Proud gives us typical Brit humour and it is incredible. Not only because he gives us some of the funniest moments, it’s also a long time coming having disabled representation in a film as part of the course. That’s true representation.

The heist aspect of the film is good. I mean, I’m a sucker for a heist movie so it was on to a winner there anyway. While there are aspects that are predictable, there are still aspects to this film that are delving into new and uncharted thievery.

No screaming Kevin Hart. I’ll admit, the film hit the hour mark before I lost that fear he wasn’t right for the role but he was perfect… once the action kicked in.

The Bad

Burn Gorman is one of those actors. He pops up in everything; Hollywood and home grown. His American accents come across to me a little ‘fake’ because I grew up watching him in Torchwood and I know he’s a Brit. However, this time I cannot use that. His Irish accent is not only bad, it’s patchy. There’s a scene upon his character meeting Hart’s he straight up says a line in a London accent.

The film takes a little too long to get going. The second half is much better, but it relies on you staying engaged and invested while it takes it’s slow, baby steps.

The Ugly

Why is Hollywood STILL trying to make Sam Worthington happen?! He adds nothing to any film, let alone this one.

Final Thoughts

It’s a heist film by numbers with a very pretty cast. Honestly though, if you want a good heist with heart? Invest in Leverage, not this.

U-571 (2000)

Rating 12
Length 1h 56
Release 02 June 2000 (UK)
Director Jonathan Moscow
About  A German submarine is boarded by American submariners disguised as Germans. They must infiltrate the security and steal the Nazi’s top-secret Enigma machine.
Streaming on Netflix

First Thoughts

This film was released during the height of my love for Bon Jovi; the band and the man. Not only that, but Erik Palladino had been part of ER and I was excited to see that he was a part of this film. I was also setting up my future, and my love was History. I either wanted to work as a curator in a museum, an archeologist or a History teacher. This film was on my watch list for the longest time.
My brother, preparing for an interview, asked me to complete his worksheet in exchange for a trip to the cinema. Normally, the person doing the favour would get to choose the viewing and I voiced my choice.
Instead, we went to see Deuce Bigalow: Male Gigolo (1999) which was released in the UK 26 May 2000 and already seen by my brother. It wasn’t the first, and it wouldn’t be the last time I missed out on seeing a film in the cinema due to someone else.

I eventually saw the film at home on VHS and it wasn’t as good as I expected. Maybe my love for both Palladino and Jovi had passed, but I suspect it was that this film really needed a big screen to appreciate the visuals, action and story. I’ve not watched it again before today, and while there are faults and I maintain it needs a big screen, there’s certainly enough good.

The Good

I don’t know why it has taken me so long to warm to Matthew McConaughey, but I’ve been sleeping on an excellent performer. I could not think of anyone better to play Tyler and present the story arc of rejected, too green, XO to leader under pressure in a situation more experienced would not have been prepared for. The arc itself provides so much tension, not only as Tyler questions himself, but of those under his command who heard about his public and brutal rejection of his own command.

There’s something about a submarine movie I adore; from the sounds of the sonar, to the close quarters and the added jeopardy of being in a place where, at times, there is no escape.

The Bad

Might be a personal thing, but I’m not a fan of war-based films and shows for one particular reason: I find it hard to follow the action and often miss the deaths of key characters as a result.
The nature of war is fast paced and often presents over wide angles and very little dialogue. Without being able to follow these segments, it does mean I lose some engagement with the story.

The Ugly

It’s clearly a work of fiction. Due to the very nature of its form, the audience does know to take the story with a pinch of salt. Film’s primary purpose is to entertain, however some do also seek to inform. This film did not promote itself as biographical however, being based upon historical events does make this problematic as it was not the US military, but the UK navy, that performed the feat of capturing a coveted Enigma machine that represents the turning point during World War II.
This subversion of events caused much controversy upon release, to the point it was brought up in the House of Commons and the then-Prime Minister Tony Blair condemned the film. Now, if this was today, perhaps the government would not have a leg to stand on based on their conduct. However, Blair did have a point. Lest We Forget is only a sentiment if we remember correctly and we don’t rewrite history.

The Final Thoughts

The lack of authenticity is by no means a reason not to watch. It is an incredibly well made film, with a talented cast and a concise story.

Stranger Things: The First Shadow (Theatre Review)

Home

Story

I’m not going to give too much detail about the plot, other than to reassure. It is a Stranger Things story, but it does not alter what fans will have seen in the show so far. It also can be watched by anyone, no matter their level of Hawkins knowledge they have.
While I’ve questioned some of the character inclusions, I will admit it’s more my saltiness at the absence of gone-too-soon Benny Hammond. It was the only hope I had; seeing what the diner owner’s friendship with Hopper was like.
It is something quite enchanting about having the backstory of Henry Creel fleshed out and, as a story, it works being in a different format and for those familiar with season 4, will feel themselves on the edge of their seat as the narrative cranks up to events we already know of.
I was sold on seeing this play from the start, but the fact that it includes time with the younger versions of Jim, Joyce and Bob was too good to pass up and this is where the true element of Stranger Things comes to life: the powerless, becoming empowered and learning about themselves while looking into a town-based mystery. Of course there perhaps would have been a different ending without having to be written to the confines of the franchise, but the play still ends with an ending that will satisfy.

Production

The show takes what was started with the production of The Cursed Child, an incredible feat in its own right, and refines the skills and techniques to perform what I can only describe as magic.
Again, not something I want to spoil by going into detail, but it’s safe to say that the method and quality of bringing the Upsidedown to life will leave all enthralled. It’s clear money has been well spent to keep the show up to the production value of the streaming show. Even the song choices are as on point as the show.

Casting

I could speak about every single person who is in the play. It is very much an understatement to say that this is a well cast production before you even begin to think about the boots they’ve had to fill.

Isabella Pappas and Christopher Buckley play Joyce and Bob respectively. Their performances are perfect. For me, these two are mimics of Ryder and Austin and winning the audience over in that respect is what makes the show work as well as it does. From mannerisms to characterisation, they are the teens that our favourite Hawkins’ adults become.
Oscar Lloyd gives an incredible performance as the boy who will become the beloved grouch, Jim Hopper. Most importantly, he didn’t make me miss David Harbour. Instead he gave me a Hopper, while far from carefree, void of the trauma of war and loss. Lloyd is perhaps the least like the character from the show, and is something that comes across as a choice and rightly so. The other thing I absolutely adore about Oscar Lloyd and his performance? You could easily cast him as Steve Harrington; the charm, the movement on the stage and the look. This may seem like a strange compliment to most, however take a look at photos of a young David Harbour and you’ll understand why.

Finally, in his stage debut, is Louis McCartney as Henry Creel with an incredible challenge of not only fleshing out the dark big bad from season four, but making him a character the audience feels for.
Not only is he successful in this, he is able to do so while keeping the idea of Vecna/One intact. From his arrival into Hawkins, to the acceptance of his fate you are captivated by him. You’re also on the journey with Henry, and if McCartney was not able to win over the audience and subvert those expectations of the character so quickly, it would not work.
When it comes to the physicality of the role, I am in awe. How he has managed to keep up the energy while contorting his body to represent his interaction with the mind flayer is mind blowing.

Final Thoughts

It is a blessing and a curse that I am no longer a resident of London. I am incredibly sad because I don’t know when I’ll get back to watch, however I also know I would be bankrupt going repeatedly, spotting all the little bits I’ve missed this first time around.
I very much hope they publish the script and, should it be turned into a version for the streaming platform, this original cast is used.