Tag: movies

Ghostbusters: Frozen Empire (2024)

They’re back to thaw things out

Rating 12
Length 1h56
Release 22.03.2024
Director Doug Lyman
About The Spengler family returns to the iconic New York City firehouse where the original Ghostbusters have taken ghost-busting to the next level. When the discovery of an ancient artefact unleashes an evil force, Ghostbusters new and old must unite to protect their home and save the world from a second ice age.
Moon: no moon sighting
Where to Watch: Cinemas Nationwide
Trailer:

The Good

Love the Trevor ‘tude. Finn Wolfhard really has that ‘I’m 18 so I want to be treated like an adult’ done to a comedic fine art and his story arc with Slimer is quite cool and there is a great pay off to it.

As much as I was worried about it, I’m actually quite happy we returned to New York and, even though we are back, this film offers us something different.

Paul Rudd truly is the gift that keeps on giving with this franchise. His paternal role and the conflict of not quite being part of the family is so beautifully handled from the moment he introduces himself as Phoebe’s ‘step-teacher’.

Lars and the new digs! Oh I love them both. Lars gives us a new Egon and the newly developed site blows the franchise wide open in terms of concepts. I also must admit that the final act also resets a lot. Almost akin to Arkham being destroyed.

The Bad

Getting Podcast and Lucky to New York was a tad heavy handed and while the film has a place for Podcast, I’m not sure it knows what to do with Lucky. The other aspect is that both characters are ‘discovered’ to be in New York for the summer, rather than the Spengler family knowing they were there.
In addition to this, the connection between Lucky and Trevor is non existent. In fact, I think they spend one scene together?!

I want more Lars Pinfield. James Acaster, being of a similar age and dry humour, is living my dream of being a Ghostbuster. Plus he’s hot, in that British way that was made prominent by Anthony Stewart Head in Buffy.
So, to say that we needed more, I mean it. He’s introduced and utilises impeccably well, for the most part. However, when it came to the final act, it was almost as if there were too many characters to handle and he just disappears, only to return in the closing moments.
It’s a shame, because he really is a great addition to cast. I truly do hope they take the franchise in the direction rumoured and he gets to head up a UK branch.

The Ugly

Melody, or rather the actress, being 16 is completely unbelievable. I know it is about her connection with Phoebe however, it would have been better to have gotten a younger actress or made the character a little older.
As it stands, it’s a little reminiscent of Shirley Henderson playing Potter first year Moaning Myrtle.

Final Thoughts

I loved it. I don’t understand the hate and I will most definitely be rewatching this.

Blazing Saddles (1974)

Mel Brooks’ comic saga of cowboys and imbeciles.

Rating 12
Length 1h33
Release 23.06.1974
Director Mel Brooks
About Hedley Lamarr, a corrupt politician, hires an African-American man as the sheriff of a small town to drive its residents away, but his plan backfires when the townspeople take a liking to the sheriff.
Moon: no moon sighting
Where to Watch: BBC Iplayer
Trailer:

The Good

Gene Wilder was an excellent choice and last-minute replacement for Jim. His relationship with Bart is what the film needs and they truly work together. As always, Wilder is on form with his comic timing.

I saw that Richard Pryor was briefly considered for the role by Brooks, however Pryor’s substance abuse was rather public at the time and so the studio vetoed the choice.
For me, I’m rather glad of studio meddling for once. It meant that we got an incredible and much more understated performance from Cleavon Little. There’s no question, Little carries this film effortlessly.

On the whole, the film is funny while actually broaching some serious social issues. Those without an understanding of satire may incorrectly see the film as ‘racist’, however the film is asking you to laugh at the ridiculousness of hate.

With it being one of Brooks’ early films, there’s not so many references that rely on a person having knowledge of the time in which it was made. As much as it pains me to say this, Blazing Saddles is a much better movie than the Cary Elwes led, Robin Hood: Men in Tights (1993).

The Bad

Yeah… you all bigged up that farting scene way too much. It cannot live up to the way people talk about it. In a world in which we have a film that has two women playing “battle shits” in the college dorm bathroom, the impact of this monumental cutaway scene has greatly reduced.
Not helped by the fact that I’m sure I’ve scene the whole scene play out on no less than 3 ‘best of’ countdowns. It just felt a little ‘that it?’

The dude named Mongo. It’s a personal thing, but to name a character coded as slow and stupid Mongo feels so painfully ‘nudge-nudge, wink-wink’ on the nose.

It’s alway good to see Santa in something, anything, other than Santa Clause: The movie (1985).

The Ugly

The film goes a little too meta at the end for me with the escaping the world of the film, to the behind the scenes. Then it goes and doubles down by going to watch the ending of the film in a cinema on the studio lot.
I’m sure Mel Brooks had that planned from the outset, but it comes across to me as if the story ran out of steam and this gave the film an ending.

Final Thoughts

It’s a film I’m going to wait a while to revisit, but I am glad I finally understand what all the fuss is about.

Ruby Gillman: Teenage Kraken (2023)

Discover the hero just beneath the surface.

Rating PG
Length 1h31
Release 30.06.2023
Director Kirk DeMicco
About Sweet and awkward 16-year-old Ruby Gillman is desperate to fit in at school, but she mostly just feels invisible. She’s prevented from hanging out with the cool kids at the beach because her over-protective mom forbids her from getting in the water. When she breaks her mom’s rule, Ruby discovers that she is a descendant of the warrior Kraken queens and is destined to inherit the throne from her grandmother. The Kraken are sworn to protect the world’s oceans against vain, power-hungry mermaids.
Moon: full moon seen at multiple times
Where to Watch: Now TV
Trailer:

The Good

Following in the footsteps of Disney’s Seeing Red, this film looks at the turbulent time of going from childhood to adulthood.

The characters are pretty cool, and I love the subversion of expectations: making the Kraken good and the mermaids evil.

It’s good to have Jane Fonda and Annie Murphy within the voice cast. There’s something distinctive and soothing about Fonda’s voice and Murphy’s work as Alexis in Schitt’s Creek makes her perfect for the popular student, Chelsea.

The Bad

For a Dreamworks production, there’s something missing. The quality of both the animation and story just don’t reach the quality of any of the other franchises from this company.

The Ugly

The biggest problem is that the opening is told by an omniscient narrator who also happens to be the protagonist, Ruby, and doesn’t know she’s a kraken until half way through the film.
It just puts the audience at odds with the narrative. We already know she’s a kraken because of the title, then the opening tells us too… but then the film plays dumb. It sucks.

Final Thoughts

I don’t regret watching, but I really did find it lacking.

Fast X (2023) Film Review

Rating 12
Length 2h21
Release 19.05.2023
Director Louis Leterrier
About Over many missions and against impossible odds, Dom Toretto and his family have outsmarted and outdriven every foe in their path. Now, they must confront the most lethal opponent they’ve ever faced. Fueled by revenge, a terrifying threat emerges from the shadows of the past to shatter Dom’s world and destroy everything — and everyone — he loves.
Moon: no moon sighting
Where to Watch: Now TV
Trailer:

The Good

Jason Momoa is an absolute bat shit crazy delight. I want to see the film he was in because he was having a blast. From his styling to his talking to corpses during a little self care, he’s pitch perfect and funny as fuck!

John Cena is as perfect as always.

There’s a car that will envoke a certain theme when you see it and it is stunning. I would learn to drive to have that car. In black. Matte black.
It is a cameo car, but I’m still thinking about it now. That’s how good it is.

There’s an attempt to tie everything together and credit, where credit is due, I think the film does manage to not only incorporate the two decades worth of franchise, but it does a fair job at streamlining it all.

The Bad

The cold open really threw me out of the whole film in a way that no other instalment ever has. It was only after watching and upon checking wikipedia, I connected the dots. No movie, none at all, should ever require you to rewatch the previous films to follow what you’re currently watching.
Annoyingly, the cold open serves only as a rug pull later in the movie. The film would work just as well, if not better, without the opening. Mainly because it’s chopped up and replayed throughout as Dom works out what we’ve already been told. I don’t know why movies insist on putting the audience in a position where they know more than the protagonist and then have their perspective play like a mystery.
Oh, and what the fuck is it with no title card in that cold open, yet locations?! After establishing shots with landmarks?! Big fuck-off “LONDON”, or wherever they inexplicably find themselves.

Speaking of which, there are so many rehashes of the 9 previous films in various forms. Each one so fleeting that it’s never going to support any casual watcher of the franchise, and I can only imagine it’s a tad tedious to hardcore fans.

The Ugly

This film is trying to be Endgame. The problem with that? The franchise is a mess. There’s no consistency in how they number their sequels, let alone have a plan that connects all the characters and plots in a that Kevin Feige has done over in the MCU.
So what’s the alternative? Ram in as many cameos and callbacks as humanly possible until you create a bloated, convoluted and chaotic confusion put on celluloid? Even if that wasn’t the intention, it’s what was created.
For example, I welcome Helen Mirren reprising her role as Queenie, however the scene was nothing but exposition so it felt pointless. Also, didn’t Dom kill one of her sons?

It was an HOUR before we got a drag race. You know, the premise that built this bloody franchise?! Instead we get to watch the “family” scramble after a bomb that should have exploded way before the trigger was pushed (I don’t know much about explosives, but I’m damn certain THAT is not how they work).

Final Thoughts

The bad most definetley outweighs the good. That sad, Momoa is one big slice of good and Cena certainly makes everything easier. I would advise that you switch off your brains though: as much as leterrier has stated he was trying to bring it back to reality, the films still up there with taking a car to space.

Harry Brown (2009) Film Review

Rating 18
Length 1h43
Release 11.11.2009 (In the US)
Director Daniel Barber
About Harry Brown, a retired Royal Marine, leads a lonely life with his only friend, Leonard Attwell. His life changes when Leonard is killed, following which Harry decides to seek revenge.
Moon: Full moon as the film enters the final act
Where to Watch: Disney+ and UKTV Play
Trigger Warnings: Gang violence, drug use, rape, debilitating illness
Trailer:

The Good

The cast and the acting is on form. Without Michael Cain and Emily Mortimer, this may not have had the impact it did. There’s an immediate attachment to Harry and what becomes his mission of retribution.

The story, while simple enough, holds enough back to give an impressive and surprising final act. It also doesn’t conform to the usual tropes and arcs; giving the narrative a more grounded and real-world feel.

I certainly got the impression this was green-lit on the back of the successful Taken. Harry Brown is an a-typical archetype similar to Bryan Mills. Making the character older, and a veteran has a developed understanding for most audiences and could put people we know into a new perspective.

The Bad

I felt as if the perspective of the Police Force could have been developed a little bit more. Yes, we get the idea that there’s politics and optics at play but I would have a little more than lip service to truly feel the impact of Frampton’s transfer come the final act.

The Ugly

The violence and drugs make this a tough watch. Don’t get me wrong, they need to be there and it’s that necessity which makes it all the worse. The culture that is grown within the community is one of shocking desensitisation and unfortunately, it is all too real. Not only that, the gang members never take responsibility for their actions and its a bitter pill to swallow.

There’s significant trigger warnings for this film, but I must expand upon the traumatic rape represented in one scene. Not only is the act filmed and being watched on repeat by the gang, the woman is drugged into unconsciousness and from my perspective it could be misconstrued as a snuff film. It is horrific, it will be triggering for survivors and the most chilling of all is that I cannot say with any conviction that it was unnecessary.

Final Thoughts

A powerful, all too truthful, watch. You won’t be viewing it for entertainment purposes, but this film takes everything of the vigilante comic book hero franchises and addresses it in a real world setting with an added layer of commentary about different generations and what they fight for.

Unexpected (2022) Film Review

Rating 12
Length 1h48
Release 01.02.2023 (In the US)
Director David Hunt
About Music critic Bob is out of a job, addicted to Zoloft, and trying to wrangle the menagerie of animals that his wife Amy has accumulated.
Moon: no moon sighting
Where to Watch: Amazon Prime (for rental or purchase)
Trailer:

The Good

The moment Joe Mazzello begins his narration, I know I’m in safe hands. I’ve yet to see the actor turned director take a creative misstep in his entire career (Although give me three wishes, I’m using one of those bad boys to have Small Soldiers and A.I added to his filmography) He has always been excellent at playing characters that are steeped in tragedy, but Mazzello has evolved into an entertainingly dark comedian and it is exactly what a film like this needs to lighten the tone.
Bob was also someone I was able to identify with and a brilliant way connect to the film. The Character’s arc of acknowledging his depression, the all-too-real experience of psychotherapy and the complications of prescription medication could feel too heavy if it wasn’t for Mazzello’s performance.

The film is funny. Not only the character of Bob. Yes he’s dry, witty and sarcastic in a way that I find charming, however the film itself is able to bring a comedic tone to much of the events. Some reminds me of Tom Hanks’ Money Pit (1986) and other situational comedies.

One thing I love about independent films is that the audience are given a different storytelling experience. Along with the change in narrator throughout the film, there’s some playing with time when we’re coming to the end of the film to allow an element of completion and fulfilment. Something other, more mainstream, films would not attempt and leave the audience without closure.

The Bad

This is a bittersweet film that does not provide the typical narrative. It plays like real life. Largely to do with it being based on upon the biographical book Enslaved by Ducks by Bob Tart. However it does mean that it touches on difficult topics and not everyone gets a happy ending. For some this may be too much like their own lives, for others it may be triggering.
For me, it was comforting to know that others go through similar thoughts and feelings. That I’m not alone and there’s a hope for coming out the other side.

It is hard to watch this film and not be even the tiniest bit curious about what the version with Ashley Tisdale as Amy would have been like. That’s not to say Anna Camp was not perfectly cast; she’s adorable and bubbly, but able to handle the emotional consequences of life not going quite to plan.
I just know that dynamics and nuances will have given a completely different film. I also spent a lot of time following this film and was saddened upon the shoot having to shut down due to covid-19 restrictions with mere days left to film.

I’m not sure the film plays on the use of music enough. It’s a personal thing, but to me the protagonist is Bob. Yes, other characters contribute to the narration but 90% is Bob. I would argue that most of the music is reflecting Amy. It is at odds with the film for me. That’s not to say I didn’t like the choices, I just would have liked it to either be a reflection of Bob.

The Ugly

The ugly truth is that living in the UK has meant I’ve had to wait until today, 21 December, to be able to watch this film. Independent cinema is stunning, it is meaningful and it offers an alternative to the loud and fast blockbusters that dominate the cinema.
This film would have had a decent box office and could have enticed viewers similar to those who sobbed their way through My Sister’s Keeper (2009) and those who chuckled and cried through Juno (2007). However, films like Unexpected are not finding their way into the cinema and it really is heartbreaking to see.

Final Thoughts

While the topics of depression and fertility may not be my usual go to topics for a Friday night watch, Anna Camp, Joe Mazzello and Scrub’s Neil Flynn not only make me glad I watched, they are the reason I’ll be watching again.

U-571 (2000)

Rating 12
Length 1h 56
Release 02 June 2000 (UK)
Director Jonathan Moscow
About  A German submarine is boarded by American submariners disguised as Germans. They must infiltrate the security and steal the Nazi’s top-secret Enigma machine.
Streaming on Netflix

First Thoughts

This film was released during the height of my love for Bon Jovi; the band and the man. Not only that, but Erik Palladino had been part of ER and I was excited to see that he was a part of this film. I was also setting up my future, and my love was History. I either wanted to work as a curator in a museum, an archeologist or a History teacher. This film was on my watch list for the longest time.
My brother, preparing for an interview, asked me to complete his worksheet in exchange for a trip to the cinema. Normally, the person doing the favour would get to choose the viewing and I voiced my choice.
Instead, we went to see Deuce Bigalow: Male Gigolo (1999) which was released in the UK 26 May 2000 and already seen by my brother. It wasn’t the first, and it wouldn’t be the last time I missed out on seeing a film in the cinema due to someone else.

I eventually saw the film at home on VHS and it wasn’t as good as I expected. Maybe my love for both Palladino and Jovi had passed, but I suspect it was that this film really needed a big screen to appreciate the visuals, action and story. I’ve not watched it again before today, and while there are faults and I maintain it needs a big screen, there’s certainly enough good.

The Good

I don’t know why it has taken me so long to warm to Matthew McConaughey, but I’ve been sleeping on an excellent performer. I could not think of anyone better to play Tyler and present the story arc of rejected, too green, XO to leader under pressure in a situation more experienced would not have been prepared for. The arc itself provides so much tension, not only as Tyler questions himself, but of those under his command who heard about his public and brutal rejection of his own command.

There’s something about a submarine movie I adore; from the sounds of the sonar, to the close quarters and the added jeopardy of being in a place where, at times, there is no escape.

The Bad

Might be a personal thing, but I’m not a fan of war-based films and shows for one particular reason: I find it hard to follow the action and often miss the deaths of key characters as a result.
The nature of war is fast paced and often presents over wide angles and very little dialogue. Without being able to follow these segments, it does mean I lose some engagement with the story.

The Ugly

It’s clearly a work of fiction. Due to the very nature of its form, the audience does know to take the story with a pinch of salt. Film’s primary purpose is to entertain, however some do also seek to inform. This film did not promote itself as biographical however, being based upon historical events does make this problematic as it was not the US military, but the UK navy, that performed the feat of capturing a coveted Enigma machine that represents the turning point during World War II.
This subversion of events caused much controversy upon release, to the point it was brought up in the House of Commons and the then-Prime Minister Tony Blair condemned the film. Now, if this was today, perhaps the government would not have a leg to stand on based on their conduct. However, Blair did have a point. Lest We Forget is only a sentiment if we remember correctly and we don’t rewrite history.

The Final Thoughts

The lack of authenticity is by no means a reason not to watch. It is an incredibly well made film, with a talented cast and a concise story.