Rating: 15 Length: 1hr 50 Release: 5.12.2012 Dir: Martin McDonagh About: Marty, an aspiring screenwriter working on a screenplay, unwillingly gets involved in an underworld crime when his strange friends abduct a dangerous hoodlum’s pet.
Seven Psychopaths is an early Quentin Tarantino movie without the pretentious attempt to be an auteur. The dialogue isn’t as contrived or forced and it’s actors certainly appear less stagnant.
It’s a solid cast and I was left with a wish to see Colin Farrell and Sam Rockwell teamed up in another movie. There’s something about the partnership that works on screen.
There’s little that distinguishes what is part of Marty’s screenplay and what is part of the actual film. It does mean this isn’t a casual watch and can feel quite taxing to keep up, much in the same way Kiss Kiss, Bang Bang needs you to actively focus for every second.
I feel as if it was meant to be funnier than I found it. Perhaps I just wasn’t feeling it today, but I really found the overly visual body count to outweigh any humour that could be found within. I did laugh at times, but I’m not sure laughing like a 12 year old every time Sam Rockwell utters the word ‘c**t’ actually counts.
So this is essentially John Wick without the hand to hand combat and way more talking. I enjoyed it more than I thought I would, but it’s not something I’ll rewatch any time soon.
About: A misunderstood boy takes on ghosts, zombies and grown-ups to save his town from a centuries-old curse.
This is one of the best stop motion films I’ve watched. It’s a craft that brings with it a magical feel and Is perfect for the world of Paranorman.
The story is a charming Blithe Spirit and Sleepy Hollow mash-up. Despite the nods of familiarity, it does seem unique and a refreshing change to the typical zombie movie.
The character of Neil is delightful and adorable. His relationship with the solitary Norman is what makes the film. Well, that and him playing with his dead dog.
For me, it spends a little too long developing the characters and the relationships than the story. For all of its cuteness and sweet message of forgiveness, it feels like it takes forever to get going.
Now, I was entertained by the visuals, but a lesser film would not have kept me engaged long enough to care about the plot.
A cute pallet cleanser to watch after some of the heavier horrors. Some Easter Eggs and adult humour that will go over little one’s heads.
About: Wren (Victoria Justice) is a high-school senior who can’t wait to get away from her dysfunctional family. On Halloween, Wren’s mother decides to go out with her much-younger boyfriend, leaving Wren to look after little brother Albert. When Wren is distracted by an invitation to the party of the year, Albert disappears into a sea of trick-or-treaters. Enlisting the aid of her sassy friend, April (Jane Levy), and two other classmates, Wren sets out on a frantic search for her sibling.
Johnny Knoxville does what Johnny Knoxville does best and it works well in this film even if he does seemingly come out of nowhere. He provides some laughs and gives the film a semblance of a plot for the second half.
There’s a wonderful scene between the brother and sister towards the end of the film that I actually wish the film had played on a little more. It provides the film with a nice nod to problems kids their age may face.
The little kid, Albert, is a wonderful little shit. Being a selective mute is an interesting choice and while it’s not a fully form plot point, it gives him that ‘baby on the run’ persona seen in Baby’s Day Out. His costume is ace and I love the situations he finds himself in.
It’s not very festive. Which is strange, because every scene is plastered with pumpkins. It lacks a certain tone that seems to be present in a movie about autumn’s favourite holiday.
Thomas Middleditch is his Sillicon Valley ‘Richard’ self in this. So much so his character and story is nauseating. That gut feeling of wanting to reach into the film and punch the fuck out of him feels like a regular thing when I see him on screen, but it doesn’t half distract from the film. I’ll leave that to you to decide if it’s a good or bad thing.
Can you really call yourself a ‘family fun’ movie when you have more than four pedophile jokes? Imagine if they made another Paddington movie that employs Jimmy Saville jokes and has a Gary Glitter soundtrack and you’ve got this movie. The pedophile jokes range from the tongue in cheek to the out right wrong “hey, what I’m doing is 100% legal” says the Spider-man clad grandpa trick or treating with the kids.
Seriously, the film doesn’t really know who it’s audience is. It could have quite easily been a American Pie or Superbad, but instead it’s Ferris Buller by way of Adventures in Babysitting and Baby’s Day Out with weird sex references.
The mature humour clashes with the ‘family’ nature the film claims to be going for. From middle aged widow stopping her daughter from going to a party to bone her 26 year old boyfriend, to Wren’s best friend almost killing a cat because she ‘Naired her ass’ and the fumes put the kitty into a coma. Not to mention an oversized robot chicken that humps the back of the car. It’s all just a little much.
Final Thoughts (trick or treat?)
It says it all that Nickelodeon made the film to go on to ban it from being aired on their own channel. The biggest issue is that in terms of it being a film watched in the build up to Halloween, it does not do its job.
It’s a nasty trick and not something I’ll rush to rewatch.