I loved how it was set within King’s Maine universe and even Derry is referenced. It pleases the purists to have those little nods and I can’t deny, I get that little buzz for noticing the Easter Egg.
John Lithgow is a welcome addition to the cast, if not a little underused. He stands among some great comedians who are able to play the darker characters with as much conviction.
Befriending young Elle could have come across a little Operation Yewtree, especially knowing King’s writing. The film being able to stay away from even undertones of creep is remarkable. There’s also a wonderful meta nod to one of Lithgow’s previous roles which was quite good.
The rest of the cast give solid performances. Notably Jason Clarke’s decent into madness/ desperation reminded me why I enjoy films with him in.
The ending is refreshing. It’s not overly rewarding or satisfying in terms of a plot resolution, but it’s definitely different.
It’s a remake of a horror. The problem with the genre today is that it relies too much on the fast and noisy shocks that, in some cases, border on elements of torture porn that became prominent with the release of Hostel. Yes, I jump. Yes, I close my eyes when the music alerts me to a ’jump’ that’s about to happen, but I’m not thinking about it once I leave the cinema. It doesn’t chill me to the bone like some horrors did.
It’s Horror is in the gore and that’s really not for me. There was just a little too much of it.
With this being a King adaptation there are some plot points that seem to come from the boon and are a little redundant; Rachel’s past and sensitivity to death feels like it should connect with the rest of the story, but it never does, it has not true resolution and I can’t help but wonder if the film would have benefited from discarding this thread.