Length: 2Hr 1
About: Based on the graphic novels by Mike Mignola, Hellboy, caught between the worlds of the supernatural and human, battles an ancient sorceress bent on revenge.
• Ian McShane stole the show for me. He’s long shed his humble Lovejoy roots, and he’s as much a staple in the American home now. He takes on the role of Hellboy’s adoptive father and plays it perfectly. There’s no apologises for the task he undertakes and he doesn’t handle Big Red with kid gloves.
• Harbour was essentially give a poisoned chalice. He had a big hand to fill and fans were never going to cut him a break. Add to this the tiny budget in comparison to Pearlman’s outing, it was always going to be a hard sell. Aside from a few times in which dialogue was mangled by Big Red’s prosthesis I’d say he did really well with the script he had to work with. I got What Harbour was trying to achieve with Red’s conflicted soul and it would have been perfect if the film gave that room to grow.
• I enjoyed the Arthurian legend coming into play and it was refreshing to see the film opening on a prologue about this. I’d have perhaps like to have seen this streamlined a little and even perhaps had Red’s arc focusing on him finding Excalibur.
• Course, it has to be a Scouser who helps bring about the apocalypse. It was awesome to hear current Line of Duty star Stephen Graham cursing his way through the film.
• I really liked the music. Not sure if they were quite reworkings, but they fit the film and I’d be happy to have the album.
• Thomas Haden Church was a wonderful addition as Lobster Johnson. I’m only sad we didn’t get to see more.
• The accents of Daniel Dae Kim and Sasha Lane we’re so bad they bordered on offensive. Lane’s clashed with what we saw of her visually; nothing screamed that is was necessary for her to have the abomination RP that Lane insisted on having. Yes, I’m aware I’ve been spoiled with Joe Mazzello’s perfect iteration of John Deacon’s weirdly wonderful dialect (ironically, I was worried), but it came across lazy.
• Some of the plot and dialogue was at best clunky, but on the most part it was the biggest problem with the whole thing. It was lines like ‘if my face could talk…’ that gave a whole new meaning to cringe and the Osiris Club sub plot was a pointless exposition exercise that revealed its hand scenes earlier and removed any tension that may have been building.
• Another trailer and scene reveal misstep when it comes to Dae Kim’s Daimio. Obviously, for fans of the comic, it was known that Daimio is cursed to turn into a Jaguar at times of stress. However, the film tried to tease us with this and not outwardly reveal his condition until the final act. However, that proverbial and literal cat was out the bag and it really renders some storytelling pointless.
• The CGI was atrocious. I’ve seen my brother create scenes with his phone that were better than this. It was most obvious in scenes were Hellboy was facing off against some beastie or other and was very telling of the budget the film had.
• What happened to the cats?! That was the one thing I loved about Pearlman’s version. It was such a beautiful visual. Plus… cats!
I was a decent watch, but much like the other outings; I’m not going to rush for a rewatch any time soon.