Category: Netflix

Irish Wish (2024) Film Review

Be Careful Who You Wish For

Rating 12
Length 1h31
Release 15.03.2024
Director Janeen Damian
About When the love of her life gets engaged to her friend, Maddie puts her feelings aside to be a bridesmaid at their wedding in Ireland. Days before the wedding, Maddie makes a spontaneous wish for true love, only to wake up as the bride-to-be.
Moon: no moon sighting
Where to Watch: Netflix
Trailer:

The Good

Ed Speleers. I’m so sorry I overlooked your dashing looks and charm in the third season of Picard. It was Todd Stashwick, you understand?!
Open apology over with, it’s good to have him as one part of the meet-cute. He’s everything you would expect of a romantic lead.

It is a rom-com by numbers. It requires no thought and it does manage to leave you warm and fuzzy. Lyndsey Lohan may not have the effortless charm that allowed her to win over box offices in the naughts, but she still holds her own and gives a convincing growth to her character.

Dawn Bradfield steals the film as Saint Bigid, who grants Maddie’s wish and kicks off the main part of the film. Much like Puck in Midsummer Night’s Dream, Bradfield causes chaos with such joy, it’s hard not to wish she was in the film a little more.

The Bad

It just all seemed very messy for a rom-com by numbers. It takes a little too long to get to the ‘switch’ and by then, the sparks are already flying between Maddie and James that you wonder if there was another way of plotting this.

The Ugly

It makes one fatal flaw that will prevent this from being up there with some of the best. The third in the triangle *can* be a douche, there’s no problem with that. However, you cannot really have him be a douche and still let him get the happy ending that he does.
By having smarmy Paul marrying one of the lead’s best friends as part of the set up really makes the ending shitty when he’s not seen for who he really is.
The addition of Jane Seymour in just a disconnected role doesn’t help matters

Final Thoughts

Messy, but requires no effort. A charming film, but not a classic.

Crossroads (2002)

Dreams change. Friends are forever.

Rating PG
Length 1h34
Release 29.03.2002
Director Tamara Davies
About Three childhood friends, reunite on graduation and promptly decide to take a trip across the country. But, what happens when their trip to rekindle their friendship is interrupted by a baleful guy?
Moon: Full moon in first scene
Where to Watch: Netflix
Trailer:

The Good

Well, the film really goes all out with the social obstacles of young women. Over the 90 minute run time we look at parental expectation, following a dream parents don’t approve of, protective parents but more importantly the film tackles rape, pregnancy and the perception of a woman’s status while pregnant at a certain age. The scenes are handled exceptionally well and to the point where I wish this was Mimi’s film. It’s unsurprising that the film is on-point with these issues; the script is written by Shonda Rhimes.

Anson Mount pre-Pike is always …. not a delight as such, because that man is perfect as the Star Trek Captain, but it’s good to see his roots. He really gives the audience a good brooding and frustrated-at-the-world musician and at least gives us a sense of chemistry.

Having Dan Ackroyd here almost makes this feel like it could have been a My Girl 3, with a few tweaks and recasting. Honestly, who wouldn’t love that?! Seeing Vada healed and blossoming after the events of the first movie?

The Bad

You get in Kim Cattrall and that’s the scene we get?! Oh that script let her down so bad.

Lucy doesn’t want to go to medical school, I got that. However, I’d love to have seen why her dad wanted her to?! Is there an aptitude towards medicine? Yes, you tell me, but there’s nothing about the character that suggests there’s any talent or passion for medicine.
I wrote a note while watching saying that there needed to be a medical emergency in which she takes control and demonstrates the skills the father can see. Yes, not too long after we get a potential scene but it’s wasted and given over to a show of the strengthening friendship.

The Ugly

The biggest problem with the film is that Lucy is the lead and she’s our weakest link. Not only are there the character problems as listed above, Brittney Spears cannot, and it pains me to say this, act.
Brittney Spears is playing Brittney Spears and she’s just reading lines. I would go so far to say there’s not even an attempt to act. Which means what is clearly meant to be a story arc is dismissed.
The character felt so underdeveloped and one note; I never believed the side that had her as the speech giving, medically inclined study-hard so I didn’t see the journey as a growth of the character.

Final Thoughts

Past Hannah was right in dismissing this movie and the distributors were right to keep it off streaming platforms for as long as they did. What makes it worse though is there’s a really good Stand by Me/ Now and Then type film there when the right cast is put in place instead of gambling on a name to get bums on seats.

Lift (2024) Film Review

Rating 12
Length 1h44
Release 12.01.2024
Director F Gary Gray
About A master thief is wooed by his ex-girlfriend and the FBI to pull off an impossible heist with his international crew on a 777 passenger flight from London to Zurich.
Moon: no moon sighting
Where to Watch: Netflix
Trailer:

The Good

Vincent D’Onofrio is incredible in whatever he is in. However, it’s hard not to love him in Lift when he’s clearly having the time of his life. Being a master of disguise, we get to see a wide range of performances from this great. You cannot fault him.

David Proud gives us typical Brit humour and it is incredible. Not only because he gives us some of the funniest moments, it’s also a long time coming having disabled representation in a film as part of the course. That’s true representation.

The heist aspect of the film is good. I mean, I’m a sucker for a heist movie so it was on to a winner there anyway. While there are aspects that are predictable, there are still aspects to this film that are delving into new and uncharted thievery.

No screaming Kevin Hart. I’ll admit, the film hit the hour mark before I lost that fear he wasn’t right for the role but he was perfect… once the action kicked in.

The Bad

Burn Gorman is one of those actors. He pops up in everything; Hollywood and home grown. His American accents come across to me a little ‘fake’ because I grew up watching him in Torchwood and I know he’s a Brit. However, this time I cannot use that. His Irish accent is not only bad, it’s patchy. There’s a scene upon his character meeting Hart’s he straight up says a line in a London accent.

The film takes a little too long to get going. The second half is much better, but it relies on you staying engaged and invested while it takes it’s slow, baby steps.

The Ugly

Why is Hollywood STILL trying to make Sam Worthington happen?! He adds nothing to any film, let alone this one.

Final Thoughts

It’s a heist film by numbers with a very pretty cast. Honestly though, if you want a good heist with heart? Invest in Leverage, not this.

U-571 (2000)

Rating 12
Length 1h 56
Release 02 June 2000 (UK)
Director Jonathan Moscow
About  A German submarine is boarded by American submariners disguised as Germans. They must infiltrate the security and steal the Nazi’s top-secret Enigma machine.
Streaming on Netflix

First Thoughts

This film was released during the height of my love for Bon Jovi; the band and the man. Not only that, but Erik Palladino had been part of ER and I was excited to see that he was a part of this film. I was also setting up my future, and my love was History. I either wanted to work as a curator in a museum, an archeologist or a History teacher. This film was on my watch list for the longest time.
My brother, preparing for an interview, asked me to complete his worksheet in exchange for a trip to the cinema. Normally, the person doing the favour would get to choose the viewing and I voiced my choice.
Instead, we went to see Deuce Bigalow: Male Gigolo (1999) which was released in the UK 26 May 2000 and already seen by my brother. It wasn’t the first, and it wouldn’t be the last time I missed out on seeing a film in the cinema due to someone else.

I eventually saw the film at home on VHS and it wasn’t as good as I expected. Maybe my love for both Palladino and Jovi had passed, but I suspect it was that this film really needed a big screen to appreciate the visuals, action and story. I’ve not watched it again before today, and while there are faults and I maintain it needs a big screen, there’s certainly enough good.

The Good

I don’t know why it has taken me so long to warm to Matthew McConaughey, but I’ve been sleeping on an excellent performer. I could not think of anyone better to play Tyler and present the story arc of rejected, too green, XO to leader under pressure in a situation more experienced would not have been prepared for. The arc itself provides so much tension, not only as Tyler questions himself, but of those under his command who heard about his public and brutal rejection of his own command.

There’s something about a submarine movie I adore; from the sounds of the sonar, to the close quarters and the added jeopardy of being in a place where, at times, there is no escape.

The Bad

Might be a personal thing, but I’m not a fan of war-based films and shows for one particular reason: I find it hard to follow the action and often miss the deaths of key characters as a result.
The nature of war is fast paced and often presents over wide angles and very little dialogue. Without being able to follow these segments, it does mean I lose some engagement with the story.

The Ugly

It’s clearly a work of fiction. Due to the very nature of its form, the audience does know to take the story with a pinch of salt. Film’s primary purpose is to entertain, however some do also seek to inform. This film did not promote itself as biographical however, being based upon historical events does make this problematic as it was not the US military, but the UK navy, that performed the feat of capturing a coveted Enigma machine that represents the turning point during World War II.
This subversion of events caused much controversy upon release, to the point it was brought up in the House of Commons and the then-Prime Minister Tony Blair condemned the film. Now, if this was today, perhaps the government would not have a leg to stand on based on their conduct. However, Blair did have a point. Lest We Forget is only a sentiment if we remember correctly and we don’t rewrite history.

The Final Thoughts

The lack of authenticity is by no means a reason not to watch. It is an incredibly well made film, with a talented cast and a concise story.

Erin Brockovich (2000)

Rating 15
Length 2h11
Release 07.4.2000
Director Steven Soderbergh
About In Hinkley, California, a legal assistant discovers a major company’s dark secret that affects the health of the residents. With the help of her employer, she sets off to seek justice.
Moon: no moon sighting
Where to Watch: Netflix
Trailer:

The Good

  • Albert Finney is always on form. From his breakout performance in Saturday Night and Sunday Morning, to his main stream choices like Daddy Warbucks in Annie. I may not like his Christmas Carol (Scrooge 1980), but he does give an amazing performance as Ebenezer.
    He on perfect form as Ed Masry and his chemistry with Julia Roberts’ Brockovich is phenomenal. It’s hard to say that Finney was robbed of the Best Supporting Actor Oscar. Mainly because I’ve never seen Traffic. However, this was an award winning performance from Finney.
  • Julia Roberts was not only a bankable star, she had the talent to back it up. Her name alone, in the decade since Pretty Woman, guaranteed bums on seats for the producers. That would never have been in doubt.
    However, there’s few actresses today, let alone back then, who would have been able to give such a performance that would ensure people would still be watching 22 years later.
  • The story is gut wrenching, yet understated. Yes, you get the impression good will out, but the intimate perspective the film gives you; you’re there with Erin. You feel every story, you fear for the outcome.
  • The film is also really funny. You need that in a film that is embedded with emotional journeys. Thankfully the relationship between Ed and Erin gives you that rest bite.

The Bad

  • There’s no bad in this film. It’s a film that’s economic with it’s time, generous with giving the characters room to tell the story and the cinematography is beautifully intimate and almost independent cinema in feel.

The Ugly

  • It’s the ugly truth of it all. This actually happened, effecting families and workers. Yet, the company did attempt to cover it all up and those families had to fight hard.
    Yes, you’ll feel like there was a win when we hear all the figures being thrown around, but once the film finishes, you do have to remember that $5 million is not actually going to have gotten the Jensen family very far considering the medical bills they would have.

Final Thoughts

Okay, so if you want a cushy Roberts rom-com, you’ve picked the wrong option. If you want a hard hitting, smart, biopic that makes you think this is the one for you.

The Noel Diary (2022)

Rating PG
Length 1h39
Release 24.11.2022
Director Charles Shyer
About When a best-selling author returns home at Christmas to settle his mother’s estate, he finds a diary that holds secrets to the past.
Moon: no moon sighting
Where to Watch: Netflix
Trailer:

Naughty List

  • Hair! Oh I know it’s stupid to be getting on my nerves, but close the end of the film and on the return leg of the road trip, Rachel’s hair goes from curls to salon straight.
    1. I’m pissed off with the implication that straight hair is more attractive.
    2. There’s no way, that character, would have packed the essentials to get that salon finish.
    Seriously, it’s Winter Soldier’s Black Widow scene all over again.
  • Why does the woman always have to cheat?! Or rather, why did she have to have a fiancé? Okay, most who watching this will get swept away with the romance and I agree, it’s not that deep.
    Except it is. It’s a trope for that reason; its a formulaic characterisation to put in an “obstacle” or ‘tension’. On the surface, that’s fine. But spend more than a second on it, and they’ve trashed their leading woman.
  • It’s rather bloated and tries to almost tell the story of two films in one. Normally the two leads each having something to resolve is no bother, even adding in the romance… I think it is the added complication of her not being available is the proverbial wafer thin mint this film could have done without.

Nice List

  • Two very beautiful, and charming, leads. Both Barrett Doss and Justin Hartley are wonderful in their own respects, but when they are together they make this film joyful. You know, until the script gets in the way.
  • I really found some comfort in the scenes with James Remar. Someone who has always improved anything I’ve watched, there was something powerful in his performance as an estranged father.
  • Despite the sadness that sets the film in motion, it is rather uplifting by the time the credit call time on this Hallmark-lite story.

Final Thoughts

Easy to believe the romance, leave your brain at the door and enjoy it for what it is: a PG Mills&Boon by way of the Hallmark channel.

Spider-Man: No Way Home (2021) Review

Rating 12
Length 2h28
Release 15.12.2021
Director Jon Watts
About With Spider-Man’s identity now revealed, our friendly neighborhood web-slinger is unmasked and no longer able to separate his normal life as Peter Parker from the high stakes of being a superhero. When Peter asks for help from Doctor Strange, the stakes become even more dangerous, forcing him to discover what it truly means to be Spider-Man.
Moon: Full moon during the climatic final fight
Where to Watch: Cinemas
Trailer:

First Thoughts

I don’t think I’ve felt the buzz and hype of a film so tangibly in a cinema for a long time. Nope, upon feeling it walking towards my screen, not even when Force Awakens came out. Not even a Midnight screening has given me that excitement that I felt with those early Potter films.
I watched people literally racing from a screen to the toilet, not wanting to miss a single second. As the usher scanned my ticket, he even reassured me that it was good and to enjoy it. It’s safe to say, I did.

The Good

  • The story is really good, very well structured and manages to balance the heavy castings impeccably. If you think of Maguire’s third outing and the ambitious plot weaving that attempted?! This film shows that it can be done.
  • The casting! Unless you’ve been sans internet for the last however many months, you’d know that Jamie Foxx, William Dafoe and Alfred Molina have returned to play off against an unfamiliar Peter Parker. All three bring what I loved from their previous performances and then some. Foxx, for me at least, gives a slightly different performance, but I have absolutely no problem with that.
    As for Dafoe and Molina. Both of them make it so hard to identify a favourite. Both of them bring their all, they bring the ham, but also manage to match the tone that Holland’s Spider-Man has established.
  • The humour is spot on, as always. It isn’t for everyone, but fuck them! I love it. I love every scene in which Ned does his thing, MJ does her thing and the humour that happens when they’re all together.
  • Tom Holland. What a beautiful, amazing and wonderful Peter Parker he is. Damn it, he’s *my* Spider-Man. It’s not that the other two were ever ‘wrong’ for the role. It’s just that the character works like Dr Who. You have *the* Spider-Man and that’s cool.

The Bad

  • I’m still not sold on the use of Dr Strange. I love every bit he’s in and I totally understand why we need him out the picture. However, it lacks the finesse that Stark’s ‘hands off’ approach had and because of that, Strange feels a little bit like a plot device that gets fucked off stage until he’s of use again. Or, you know, like how Captain Marvel was used at the beginning of Endgame.
  • I get the feeling these events are happening alongside the events of Hawkeye, the tv series, but as I think there’s still an episode to go I can’t quite get them married up in my mind.

The Ugly

  • This film does rely on the audience being well versed in the Spidy-Verse. This is not the film that should ever introduce you to the character and, even from the trailers, people should know at least a casual knowledge of the Maguire and Garfield eras is necessary.
    For me, this isn’t a bad thing. However, I do need to acknowledge that some other films have been able to achieve what this film has, while providing a film that works without seeing the previous.
  • There’s a cameo that I’m still not certain about. The geek in me loves it, however there’s just something about it that reminds me of Clint Barton’s introduction into the universe in Thor; underwhelming.

Final Thoughts

Such a powerful, clever, outing that has gone straight to the top of my favourite MCU list. I want to go watch it again. I already know this is a film in which I will discover more on repeated viewings.

Single All the Way (2021) Film Review

Rating PG
Length 1h41
Release 2.12.2021
Director Michael Mayer
About Desperate to avoid his family’s judgment about being single, Peter persuades best friend Nick to pose as his boyfriend on a trip home for the holidays.
Moon: no moon sighting
Where to Watch: Netflix
Trailer:

The Good

  • How the hell has Ugly Betty alum, Michael Urie, only just got a leading role in a film. I love this guy and he’s the ideal person to play Peter. He hasn’t aged a day either and I *must* know his secret!
  • The remaining cast was solid, but it is both Kathy Najimy and Jennifer Robertson that steal every scene they’re in.
  • Dan Finnerty makes a cameo with more of his musical stylings. Yep, for anyone wondering, that is the same Dan from the Dan Band that you may know from the Hangover.

The Bad

  • Why, oh why, does there have to always be a second love interest? Why couldn’t this have been two meddling nieces helping her uncle find love?
    The reason why I hate it so much is that the third wheel in our rom-com is always written in such a forced way to ram it down our throats that ‘they’re not the one’. We get it, they’re not on the poster; we are not invested.
  • I’m a little disappointed with the use of Jennifer Coolidge. It was rather a bland character that led to a bland performance. The is a Queen of camp and larger than life characters and she was really stunted in this.
  • Peter’s whole ‘I’m in this position in my career but it’s not a career I want’ bs really rankles me. It doesn’t mesh with everything else about his character and where he is at the start. His family are supportive, so why didn’t he give his plant shop dream a shot from the start?! Also, who the hell goes back to small town, America to open up a niche shop?!
    The story arc would have worked much better if he’d had the plant shit as a hobble, been incredibly unhappy in his job and have the realisation he needs to make a change.

Final Thoughts

Possibly a *little* too understated to enlarge your heart three sizes, but it’s certainly much more upbeat than last year’s LGBTQ offering Happiest Season (2020)

Little Evil (2017) Film Review

Stats

Trailer

The Good

  • ⁃Adam Scott impressed me in this. The first thing I saw him in was Hot Tub Time Machine 2 and from that point, I avoided everything with him in. Since seeing Parks and Rec though, everything has changed. There’s something about him in this that allows him to play the character as someone out of his depth without being weak. Brilliant.
  • The satire that isn’t spoof. There is comedic elements, it does delve heavily into the plot points of The Omen and other horror movies, but in a much more ‘love letter’ approach than many other lampooning films.
  • That unexpected, left field, ending was rather impressive.

The Bad

  • Not all the humour landed for me. I think it’s the SNL improv approach that I just cannot get a handle on. However, SNL has been running longer than I’ve been alive, so I’m sure there is an audience for it.

The Ugly

  • I don’t like the story telling device of being introduced to a movie at the midpoint, to then see what happened to get there. With the exception of The Hangover, I find it is a form of storytelling that only works well with tv shows and characters an audience are familiar with.

Final Thoughts

It was a decent offering and one I might watch again.

A Castle for Christmas (2021)

Rating PG
Length 1h38
Release 26.11.2021
Director Mary Lambert
About To escape a scandal, a bestselling author journeys to Scotland, where she falls in love with a castle — and faces off with the grumpy duke who owns it.
Moon: none
Where to Watch: Netflix
Trailer:

The Good

  • Cary Elwes has provided us with another decade of heartthrob thirst-bait. Yes, we’ve perhaps seen him take on more villainous roles in the new millennium, but this is right up there with Princess Bride, Lady Jane and Robin Hood.
    His accent is good, the grump persona makes the enemies to lovers entertaining.
  • I cannot complain about the cast on the whole. Brooke Shields is the ideal leading lady who charms the village and the villagers themselves are so wonderful, I’d happily have another film just focusing on them.
  • The plot is light and requires no effort to watch. Just wait till it gets dark, wrap yourself in a blanket and brew yourself a hot toddy and you’ve got the perfect evening ahead.

The Bad

  • The inevitable fight was so forced and half hearted. I get that the couple, and the audience, need a catalyst to split them up. You know, if we’re going for formulaic like this film ultimately did. However, the outburst was so utterly irrational and it did spoil that charm the film had going for it.

The Ugly

  • With such a short run time,this film spends way too long on the set up. There are better ways to have her situation told on screen without it taking up so many scenes. Personally, I’d have it where she’s in the airport, all the magazines have the author on the cover, a nearby tv screens her interview.
  • There really isn’t much of the enemies to lovers section. I really wanted more. Perhaps dedicating the time from the opening to this section would work wonderfully.

Final Thoughts

A plot by numbers Christmas romance that’s made much easier to watch with Cary Elwes in the lead.

The Amazing Spider-Man 2 (2014)

Rating12a
Length 2h22
Release 16.4.2014
Director Marc Webb
About Spider-Man embarks on a mission to protect his loved ones when OsCorp, owned by his childhood friend Harry Osborn, unleashes a slew of genetically-modified villains against him.
Moon: Full moon when Harry grabs Gwen
Where to Watch: Netflix
Trailer:

The Good

  • The way this film starts and ends is brilliant. Having us come in, part way through the action is refreshing and pulls you in right away. Then that mid-punch cut to credits allows you to take the story home with you; your imagination takes over and allows Spider-Man to linger with you a little longer.
  • I love the score and music choices; from Peter Parker having the Spider-Man ringtone, to the use of Electro’s words in the music that accompanies his attendance at Times Square.
  • I love the references. Particularly the Jaws reference while Parker troubleshoots his webbing devices.

The Bad

  • Again with the outcast and diversely abled as the villain. I refuse to call any neurodivergent person disabled. However, for the purposes of this film, it does appear to use Max’s neurodivergent characterisation for the age-old cliche.
  • It’s in the blood. I’m actually a little on the fence about this one. On the one hand, it allows the universe to explain the impact of others using the research. On the other, it is Chosen One plotting and to me it feels done. Even in 2014, never mind rewatching here in 2021.
  • The slow-motion! Way too much for me. Not so much in and of itself, but more because I’ve been conditioned to hate it by someone I used to go the cinema a lot with. It triggers all the complaints in my head. Only some of which are valid.

The Ugly

  • The certainly felt like there was more dependence on CGI for this outing, and some of it really shows. Rather than look like it was from a cartoon, it looks like it comes from game play at times.
  • Gwen and Peter/ Spider-Man is only here because I loath the fact that they make them SUCH a great team, for *that* to happen to her. That dynamic was incredible.

Final Thoughts

A decent offering and I will be honest, I am quite sad there wasn’t a third outing.

The Amazing Spider-Man (2012) Film Review

Rating 12a
Length 2h16
Release 3.7.2012
Director Mark Webb
About Peter Parker, an outcast high school student, gets bitten by a radioactive spider and attains superpowers. Soon, he is forced to use his abilities to fight a monstrous foe.
Moon: Full moon during the final scene
Where to Watch: netflix
Trailer:

The Good

  • Yes, it is another origin story but I do like how different it is to the 2002 version. This is no Batman, we’re not seeing the same scenes with different actors.
    I also love that with this origin story, we get a glimpse of Peter’s childhood and the fate of his parent’s. The way it ties into his journey of becoming Spider-Man is also really clever.
  • Martin Sheen and Sally Field as the Aunt and Uncle was just perfect. Sheen has this was of having a firm and fiery nature without it being too harsh. There’s always that understanding that it’s coming from a place of love. As for Field, gah! She doesn’t quite beat the previous Aunt May, but she is a joy to watch and is able to give us wisdom and love in bucket loads.
  • I love that Garfield’s Peter doesn’t give a shit about keeping his identity too secret. It makes for a much different, better, type of hero. Telling Gwen, showing his face to the kid in the car it all allows him to be a little more grounded and have a little more support.
    It also gives us the added conflict with Captain Stacy and I wouldn’t change that for anything.

The Bad

  • I don’t like how both Peters have this stalker vibe when it comes to their crushes. While I loved that it set up Sheen for the whole “He has you on his computer”, I really do hate that he has her as the desktop wallpaper. Creepy!

The Ugly

  • Yet another villain with a disability. Yes, this one has a little bit of a connection in terms of it being the driving force for the character’s research. There’s also the logical leap of using genetics from animals that are able to regrow body parts.
    However clever and ‘rational’ the plotting might be, it still remains a problematic trope and one that has a massive impact upon how disabilities are seen in society. It really is a shame because Rhys Ifans does a brilliant job.

Final Thoughts

In the run of all Spider-Man movies up to 2012, this is the strongest by far. We have a decent Peter Parker who fairs well as Spider-Man.