Director Charles Shyer
About When a best-selling author returns home at Christmas to settle his mother’s estate, he finds a diary that holds secrets to the past.
Moon: no moon sighting
Where to Watch: Netflix
- Hair! Oh I know it’s stupid to be getting on my nerves, but close the end of the film and on the return leg of the road trip, Rachel’s hair goes from curls to salon straight.
1. I’m pissed off with the implication that straight hair is more attractive.
2. There’s no way, that character, would have packed the essentials to get that salon finish.
Seriously, it’s Winter Soldier’s Black Widow scene all over again.
- Why does the woman always have to cheat?! Or rather, why did she have to have a fiancé? Okay, most who watching this will get swept away with the romance and I agree, it’s not that deep.
Except it is. It’s a trope for that reason; its a formulaic characterisation to put in an “obstacle” or ‘tension’. On the surface, that’s fine. But spend more than a second on it, and they’ve trashed their leading woman.
- It’s rather bloated and tries to almost tell the story of two films in one. Normally the two leads each having something to resolve is no bother, even adding in the romance… I think it is the added complication of her not being available is the proverbial wafer thin mint this film could have done without.
- Two very beautiful, and charming, leads. Both Barrett Doss and Justin Hartley are wonderful in their own respects, but when they are together they make this film joyful. You know, until the script gets in the way.
- I really found some comfort in the scenes with James Remar. Someone who has always improved anything I’ve watched, there was something powerful in his performance as an estranged father.
- Despite the sadness that sets the film in motion, it is rather uplifting by the time the credit call time on this Hallmark-lite story.
Easy to believe the romance, leave your brain at the door and enjoy it for what it is: a PG Mills&Boon by way of the Hallmark channel.