Solo: A Star Wars Story (2018)

Length: 2Hr 15

Rating: 12

About: Young Han Solo finds adventure when he joins forces with a gang of galactic smugglers and a 190-year-old Wookie named Chewbacca. Indebted to the gangster Dryden Vos, the crew devises a daring plan to travel to the mining planet Kessel to steal a batch of valuable coaxium. In need of a fast ship, Solo meets Lando Calrissian, the suave owner of the perfect vessel for the dangerous mission — the Millennium Falcon.

The Good

I loved Alden from the start. His charm, humour and chemistry with everyone. He IS Solo; I never once question his Solo evolving into Ford’s incarnation. The best example being the way Han tried to explain his way out of his first scrap.

My favourite thing is that the trailer threw me off about his relationship with Qi’ra… shows how trailers don’t need to reveal all. I also loved the added significance of the charm Han has always had.

The progression is a break from other films within the franchise: 3 years later allows us to move on with the story without the need for Han’s training. The war itself looked brutal and was an ideal place to pick up Han’s life.

NO DEATH STAR. I can’t explain how happy I am that the plot does not include anything to do with a Death Star.

CHEWIE!!!! That was the BEST way for those two to meet. Flawless and with just a hint of humour.

Beckett and his crew- biggest thing for me was that they pulled no punches. Yes, you know that x, y, z will survive… but if you show this before any of the others, I would think Han & Chewie were in jeopardy.

The shower scene- right tone/ humour and I’d say that’s fair to say for most of the film; which is exactly what you want after the comedy road kill that was Last Jedi.

Dryden‘ blades – fucking class. And not wielded by a Jedi/Sith: not so sure about the character, but I love the blades.

The lack of Jedi mythology is also refreshing. It changes the tone of the film completely, to the point where it feels closer to a western than a sci-fi. All the double crossing! It was just a good genre movie and it makes no apologise for it.

L3- sassy robots always work well in this franchise and L3 is giving Chopper, Animated Rebel’s dick of a robot, a run for his money. L3 is perfect! Rebellion ‘equality’. L3’s interaction with Qi’ra is just wonderful and something no other Star Wars could have handled.

LANDO!!!! Lando, I hate to admit, is completely pitch perfect and a true definition of pansexual without making a big deal about it. He’s always been my favourite character and I’m so happy that despite issues I have with the actor, I still adore Lando. Especially when he’s recording the Calrissian Chronicles.

L3 and Lando’s relationship is really beautiful; I love the frustration, the banter and the sacrifice they bother make.

There’s space for a sequel and things are set in motion in case, but I’d be satisfied with just this outing.

The Unsure

Voicing of Lady Proxima. Reminded me of the bag lady from Labyrinth/ chicken from Return to Oz and it’s always set me on edge.

The capes of Lando’s. ALMOST too far and close to Sabre territory fo me. While the man looked good in a cape, and still does, I don’t see him being a character that has it as a signature piece.

Maul reveal- the longer I stayed on it he looked a little off and I couldn’t pinpoint it. Also, as someone who hasn’t seen all of the animated Clone Wars, I feel a little like this is fan service rather than genuine plot. Side bar- I do believe, however, Maul’s resurrection is fully explained in Clone Wars. Plus, even I think it was a stupid move to kill off such an amazing character in Phantom.

The Bad

I’d like to have seen Maz on the ship; there was so much implied in Force Awakens about Han’s relationship with her that it just seems a little silly not to have it.

Lando pissing off- I need more of a friendship build between him and Han to believe that Han would risk going to Cloud city in Empire. I’ve always felt there was a deeper rooted history between them and even perhaps that they grew up together on the same planet.

Final Thoughts

This is quite possibly my favourite of the franchise. I find it hard to be objective about Empire as I went in to that knowing it was a masterpiece; where as this, this I’ve watched with fresh thoughts and no critical pre-Reading to influence my thoughts.

I guess only time will only truly tell, but to quote Han in this film: I’ve got a good feeling about this.

The Indian in the Cupboard (1995)

Length: 1Hr 38

Rating: PG

About: On his birthday, Omri (Hal Scardino) is given several simple gifts, including an old wooden cupboard and a small plastic figurine of a Native American man. When he locks the toy inside the cabinet it magically comes to life as a tiny, cagey warrior named Little Bear (Litefoot). The boy then places other toys in the cupboard and they too come to life, even engaging in entertaining battles. But after Little Bear is wounded, Omri begins to understand that his animate toys are not mere playthings.

First Thoughts

This was my birthday film when I was 10. Upon watching it today, I really do wonder why I chose this to watch. Turns out, I’d had quite a month in the cinema and The Indian in the Cupboard would have been my 6th outing in December. Quite incredible really; I don’t remember seeing quite so many in such a short space of time.

The Good

There’s some deep and meaningful themes within the story that appear to be pulled from the book from which the film is adapted. From exploring responsibility to death and funeral rituals, it’s an easily passive education.

The way in which the film has mastered the perspectives to have the actors as different sizes still stands and I’d say it’s better than films like the Burrowers, which had a larger budget.

It’s quite nice spotting Steve Coogan in a role of humanised toy soldier many years before becoming Octavian in Night at the Museum.

The Bad and the Ugly

Its an odd sort of kid’s film. The plot is rather slow, overly serious and somber for younger viewers, while adults probably would rather check out Mannequin than watch this anxiety riddled kid play with plastic made human.

It’s rather slow in a way that makes it feel overly long. Part of it is to do with the role of Omri; there’s no real development of his character other than him deciding to no longer use the cupboard. I’d have liked to have seen him become a more confident child. By lacking a significant development, it subdues what should be an uplifting ending.

Final Thoughts

It was nice to watch this film again, but I can see why I’ve not rushed to see it again.

The 10 O’Clock No Doom, No Gloom

Hey all,

Life can seem a little rubbish at times so I’m here to give you a little boost before bed. I’ll put here one or two stories I’ve found from the day before giving you my daily positives.

The first uplighting story comes from the Metro. Anything that has the media showing the truest form of Islam makes my heart sing. Our community is as fractured as it’s ever been, but these expressions of cohesion and unity will take us some of the way to repairing the damage.

This little beauty is just something I had to share.

Daily Three

1. My dad has rediscovered his love for Dr Who and reminded me it’s on and that he wants it on.

2. I’ve spent the afternoon with my oldest best friend and her beautiful family.

3. The number of people who’ve reached out to me since my post yesterday has really humbled me.

Sleep well beautiful people.

Han x

Doctor Who Resolution Review

Doctor Who

Series 11 Episode 11

Title: Resolution

Rating: PG

Length: 45 minutes

Air date: 1.1.2019

About: As the New Year begins, a terrifying evil is stirring from across the centuries of Earth’s history. As the Doctor, Ryan, Graham and Yaz return home, will they be able to overcome the threat to planet Earth?

The Good

As always, Bradley Walsh is incredible. His blend of sincerity and humour is perfect for the role. How his character handles the loss of his wife and the arrival of her surviving son is nothing short of emotional.

Speaking of Aaron, son of Grace and father of Ryan, that subplot was heartbreaking and well crafted. The acting brought to the forefront the ongoing grief of the characters and really is getting important messages across.

The guest characters of Lin and Mitch are a good addition and Charlotte Richie could be remembered as fondly as Carey Mulligan and her Blink character Sally Sparrow.

The setting under the roads of Sheffield was stunning, atmospheric and something I’d have liked to have seen more of.

The Bad and the Ugly

I wasn’t completely sold on the opening sequence: it didn’t gel with the rest of the story.

The UNiT sequence, which gained a little chuckle, was too political and soapboxy for my liking. I also feel that it would have been a perfect time to call in Captain Jack. While I know John Barrowman has a very busy schedule, but the show is doing a disservice to the show, the character and the fans by ignoring his existence.

The biggest mistake Chibnall made for me was this article (

https://www.google.co.uk/amp/s/www.telegraph.co.uk/tv/2018/09/11/no-daleks-cybermen-new-doctor-says-chris-chibnall/amp/), published in September 2018. The episode lost my attention when the revealed the Darlek. It didn’t matter how clever, or original the first half was; I’d been taken for a mug. I’m not sure if it was to engineer a ’twist’, but it just felt contrived and a slap in the face to fans.

It highlights a larger problem I have with tv shows and responding too much to social media opinions. It degrades the integrity of the storytelling and Dr Who is not the only one guilty of this. Check out my post on shows that jump the shark.

Final Thought

I’m worried. Chibnall had started strong with Jodie, but bringing the Darleks in makes me think he’s already run out of ideas. Having to wait until 2020 for the next series is not filling me with much hope either; it stalls the narrative and again, makes me think the BBC are not as invested as they once were.

If There’s a Meme…

I don’t explain things that cause my depression because I think ‘it’s just me. My explanation doesn’t help other people’ well… if there’s a meme, it shows it’s not just me.

I’m going to do my best to use my blog explain to people what the memes I find mean, certainly the thought process I go through, and perhaps what you can do to help those you love.

Often the biggest thing for people suffering from depression, anxiety or self esteem issues (forever personified in my posts as Gollum) is this concept of isolation. Certainly for me, its my biggest fear and is long rooted in my belief that it’s a deserved punishment and me not being around is ‘best’ for everyone.

It’s Gollum’s favourite breeding ground, mainly because there’s no one there to challenge its voice. No matter how strong you are, when isolated, you will finally succumb to it’s Sith mind tricks.

My Gollum, for example, isolates me when I feel an impending punishment. It’s never me hiding or trying to escape a punishment; it’s me going ‘I agree, I agree, don’t hate me… forgive me PLEASE don’t make me be alone’. This happens in my personal and professional life and has, in the past, been rather soul destroying.

For example, let’s say you’ve been informed that your sour face is pissing everyone off and it ‘has to stop’ (read- I’ve once been told by a job who knew I was suffering from depression ‘you look too depressed. Pick yourself up and stop being so depressed’). You’ve been fighting your voice’s comments of ‘yes, you’re sad and everyone knows it. They don’t care, they’ll just want it to stop because you’re pissing them off. You know you can’t just snap a finger and become happy so you might as well go and hide. ‘Come with me and we’ll be Quasimodo together!’

If that doesn’t work, Gollum will change tact; they know you well enough to have every trick in the book after all. They use the greater good approach ‘your upsetting everyone by being sad. You’re poisoning the water source. Sacrifice the thing you need to save the rest. Your happiness isn’t important and your absence won’t hurt anyone.’

Of course, to the outsider, the world revolves around them. Not in a narcissistic sense, but it’s our default setting to think along those terms. Of ‘how is this about me?’

So when a person like myself begins to isolate, the average person will take it as a slight and be offended. They sometimes will become defensive and hostile. Sometimes they’ll become so angry that they don’t listen when you explain ‘I’m doing this FOR you.’ and instead hear ‘I’m doing this BECAUSE of you.’

Once Gollum has found a crack and wedged their way in, its hard to not let them take root. They’ll use soundbites from people to reinforce a narratives that will isolate further.

One of the biggest faux pas anyone can do at this point, is speak for other people. That’s what Gollum does and they love these sort of people. It’s like cocaine to Gollum; they can’t get enough.

Upon trying to explain to someone that I isolated myself because I was told my ‘low moods’ (ie me being overly quiet post Christmas because while the office talk of the holidays was all jolly, mine was far from it. I didn’t want to ‘poison the water’ so I kept my mouth shut and internally isolating myself began) were pissing people off.

A complaint was made (rather formal, to Gollum’s delight) and I isolated myself further, only physically this time. This physical isolation can be seen in two ways; location is simple enough, a person would find somewhere that allows them to be alone and begin turning down offers for going out. The other isolation being social presence. I will make myself as small and as invisible as possible. My shoulders, head and arms curl inwards and my eyes remain firmly on the floor. In some extreme circumstances, I will stop eating in order to lose weight.

I’ve once found myself trying to explain to someone and they responded in a Borg-like fashion; ‘we’re pissed off with you for pulling away from us. We’re all just so angry at you.’ Which just made me retreat further into myself.

It’s not the first ‘we’ statement and it won’t be the last but they all reinforce Gollum’s narrative that my existence is corrosive and sometimes that the world would be a better place if I wasn’t born. I’ve found out later, in some cases, that people often misrepresent others when it’s said that ‘we’re all angry at you’. But by then, the damage is done.

It then becomes a rather vicious cyclic torture. One which sometimes a person can’t get out of without help. Sometimes mine ends quite sadly and I’m told ‘you’re going to end up very lonely if you keep pushing people away’ and I do worry sometimes I cut people off too quickly. Maybe I do, but (and it’s a story for another day) I am finding I’m much more content in my own company and cutting those people out removes a massive stress and toxicity from my life.

So, you’ve stuck through my rambles and you’re now looking for the advice. Depression, anxiety and self esteem issues come in all different shapes and sizes so this isn’t a ‘one size fits all’. Also, please remember that I’m not medical profession and if you are worried about a loved one and want further help and guidance, please head here for websites and contact details for the people in the know.

  1. It might be hard, but don’t take it too personally and don’t go in on the defensive. Don’t be poking them for an explanation, if one is not forthcoming. Chances are they might not be able to explain it.
  2. Don’t try and understand. It’s not for you to understand and that sort of knowledge will not help the person. In fact, it can come across as all you’re doing is prioritising your needs.
  3. Try not to speak for other people. Don’t use pluralised pronouns, what you say will be held as ‘evidence’ and out of context.
  4. Ask them if they want a hug. While i often come across as a bull in a China shop, a hug is the biggest thing that I’d want.
  5. And most importantly: if someone asks you for help; never deny them it. No matter how offended you It’s taken all their energy and power to break from Gollum long enough to ask. And with it came the fear that you’d prove Gollum “right” and that they don’t deserve your help.

The Spy Who Dumped Me

“Mom, did you get the dick pics I sent you”

Length: 1Hr 58

Rating: 15

About: The Spy Who Dumped Me tells the story of Audrey (Kunis) and Morgan (McKinnon), two best friends who unwittingly become entangled in an international conspiracy when one of the women discovers the boyfriend who dumped her was actually a spy.

The Good

The casting was ideal. Mila Kunis taking point as the dumped girlfriend was brilliant. Teaming her with Kate McKinnon was a stroke of genius and I’d love to see them work together in the future.

McKinnon, on the most part, was flawless. I’d say there were a few points where she missed the comedy mark, but when you’re the only person driving the humour; we can give her a pass. However, what this film has proven for me is that McKinnon (as much as i adore her) isn’t ready for a lead part. She has potential for a Melissa McCarthy type career path, if she can tone down her SNL persona and bring more of a Holtzman to the celluloid.

Sam Heughan is adorable once he works out the kinks and is much more comfortable. He’s again, someone who will be amazing in films in about a decade once he’s gotten his feet a little wetter in the industry.

The Bad

The best role Justin Theroux has ever done is in Romy and Michele’s High School Reunion. Why? Because he spends most of the movie silent. There’s nothing there for me. He’s the equivalent of the Silence in Dr Who; you forget about him existing once he’s off the screen. To amp up the comedy, you need to pull an Another Guys on this plot thread and (oh, sidebar: Sean Bean would have been perfect, if not a little old) either have the perfect action hero (Dwayne Johnson, Tom Cruise, Taron Edgerton) or the most moral, by the book and stuffy (Think Rimmer from Red Dwarf and Captain America have a love child).

The Ugly

The tone was slightly off and it was lacking proper comedy that wasn’t directly from Kate McKinnon’s performance. Instead, the film amped up the violence and I’m not certain it was the best move. McKinnon’s humour can come across one note if over played.

Final Thoughts

The film missed a trick too; the sting at the end was brilliant and a massive strength. Why couldn’t we have had a Private Benjamin type film going on?!

Bird Box – 15

Length- 2 Hr 4

About- When a mysterious force decimates the population, only one thing is certain — if you see it, you die. The survivors must now avoid coming face to face with an entity that takes the form of their worst fears. Searching for hope and a new beginning, a woman and her children embark on a dangerous journey through the woods and down a river to find the one place that may offer sanctuary. To make it, they’ll have to cover their eyes from the evil that chases them — and complete the trip blindfolded.

The Good

Sandra Bullock is able to hold her own in Bird Box. She’s long been considered leading lady material, but it’s taken her time to break out from the romantic comedy role or plucky positivity hound. The sour and angry demeanour that once seemed so alien and forced in some of her performances fits her like a glove. She is scary and heartbreakingly detached from the children in her care and I don’t think that was something I would have seen as a convincing role from Bullock even 5 years ago.

Let’s face it, this film is A Quiet Place with a different bodily sense being the focus. That in itself isn’t significant or would encourage those who’ve seen the John Krasinski directed film to watch this approach. However, what I will say this has, that A Quiet Place perhaps lacks is the body count. A Quiet Place feels stifled by its limited cast, while Bird Box allows you to explore the aftermath as a society, rather than a family.

It’s a curious story, which an ending that is much more hopeful than I was expecting. I’ve heard talk of A Quiet Place gaining a sequel, which is odd as I don’t think there was enough to it, or characters sympathetic enough for me to wish for more. Bird Box, on the other hand, is well set up for a sequel.

The Bad

It is a little too derivative. Something that I feel is more to do with timing than anything else. It’s A Quiet Place meets Mom & Dad; both films that were released earlier this year. Mom & Dad is in itself a sudo remake of the 1976 Who Can Kill a Child? Sometimes, with films like these it doesn’t matter which is better, just which one got there first.

It was a sensible thing to have it released on Netflix rather than a theatrical release. I’m not sure people would have dropped the money on a film that, on paper, seems to be A Quiet Place bandwagon jump.

The Ugly

Its a violent affair and it all comes at once. I’m not a squimish person, but I found a number of scenes just a little tough to handle. At the root of this, is perhaps the fact that when faced with this sort of situation, the mob mentality in our own society would result in this sort of violence.

Final Thoughts

It’s a decent watch and I’m always grateful to see Sandy Bullock on the screen but I can’t see it jumping to people’s most loved films. However, if I’m watching films of this ilk; I’d rather watch Who Can Kill a Child? again.

Blade Runner 2049

What a pile of wank. I’m currently 57 minutes in and I’m starting my review. That’s after I’ve checked Wikipedia for the plot to find out what the fuck was going on. That’s not unique to be fair, I needed Wiki for the first one. Although I at least held off until the hour mark. This incarnation had me reaching for my phone 20 minutes in.

The Good

The basic premise is there: replicant sprogged up without anyone knowing so there’s a time sensitive Mcguffin and some connections to the original. Hell; this should be a fast paced, action heavy film that has them looking for the child of the replicant revolution.

Robin Wright is brilliant casting. A million miles away from Buttercup, but actually not all that different. Wright always seems to be drawn to strong female characters and this is no exception. Robin Wright will forever stand side by side with Carrie Fisher as powerful women and role models not only for me, but for all who want to level the playing field. Her presence in the film is strong, but I’d have loved to have seen more of her.

The female presence and representation on the whole is brilliant. Not only as female characters, but as women who aren’t held back by society; they’re strong, motivated and add something that was missing in the first.

The Bad

This is a personal thing, but visually this film isn’t right for me. It’s not a successor to the 1982 Harrison Ford helmed outing; its not strong enough and tbere’s nothing about this that will be seen as iconic decades to come. There’s a tonal asymmetry; from the barren landscapes and the concept that the the future is bright and bleached of all colour to the dark and Japan inspired landscape that became the benchmark of future landscaping in movies. For me, they don’t gel and really pull me out of an already precarious viewer attachment.

Another personal issue is how the future is represented. I would have preferred the style to have progressed from the 80s movie and not from the technology available today. Obviously, when I watched Blade Runner last year, the film looked more nostalgic than forward thinking, however if you develop the concept it then becomes an almost ‘alternative’ future. It needed some visual continuity that didn’t feel like homage. Plus, I’m sick of glossy technological futures. All you need to do is look in HMV (sadly, perhaps not for much longer) and see that vinyl, mock VHS and distressed books are all the rage right now. The creepy ‘full of crap’ dude in Labyrinth said it best ‘sometimes the way forward, is the way back’.

The Ugly

What sort of Frankenstein filmmaker casts Ryan Gosling in the staring role and strip him of all his charisma and personality?! You don’t bring someone like this to the table and neuter him. It’s not that he can’t act. This is all about direction and source material.

Is Jared Leto on mission to destroy his own career? While he may be pretty and have the most beautiful hair I’ve ever seen, between this and Suicide Squad I’m getting very close to avoiding his films. His character is not really needed, especially considering the violent and overtly rapey scene in which he cuts open the replicant’s stomach for not being able to reproduce. The scene is too intimate, too naked for me to be comfortable with it. Never mind the fact that I feel like he’s blaming the woman for his failings.

Why the fuck did it take 1 hour 41 minutes to get Harrison Ford on my screen and why, oh why, did I immediately wish he’d not showed up at all?! In the biggest casting disappointment since the Ghost and the Darkness (sold on the casting of Michael Douglas, who is in the film for no more than 20 minutes), Harrison arrives way too long after I’ve lost the will to live. And to add insult to injury, I don’t even feel like he’s Decker. I mean where’s this love of the crooner’s come from? Why do I feel like Harrison came to set, read the lines and took his wodge of money. Won’t lie, he peeked my interest with ’that was the plan’; but I couldn’t tell you what that plan was.

Final thoughts

Blade Runner was, without a doubt, style over substances; its a Christmas poo in which someone has swallowed a glitter pill. Blade Runner 2049 is neither style or substance. It’s that premature shit you have after a heavy night on the town and your early morning hangover coffee opens your bowels before you, or your guts, are ready.

Christmas Film Advent 2018- My rundown order

  1. Scrooged
  2. It’s a Wonderful Life
  3. Fred Claus
  4. Christmas Carol (1951)
  5. We’re No Angels
  6. Trading Places
  7. Holiday affair
  8. Home Alone
  9. Elf
  10. Gremlins
  11. Surviving Christmas
  12. Krampus
  13. Rare Exports
  14. Arthur Christmas
  15. Just Friends
  16. National Lampoon’s Christmas Vacation
  17. Nightmare Before Christmas
  18. Love Actually
  19. Nativity
  20. Trapped in Paradise
  21. On Her Majesty’s Secret Service
  22. Scrooge (1970)
  23. The Polar Express
  24. A Christmas Story

This is not, by any means, the order for the best made films from the advent calendar. How I came to the order ranged on many questions. Some films, needed fewer questions than others.

  • Did I enjoy the film?
  • Was it uplifting or have a good message?
  • How much would I change?
  • What memories are attached to this film?
  • Would I be happy watching it again this Christmas?

The big question remains: in 2019, do I continue this list and reordered based on 24 new entries, or have a separate rundown?

Have a wonderful day

Han x

Christmas Film Advent- It’s a Wonderful Life (1946)

Zuzu’s petals… You’ve been given a great gift, George: A chance to see what the world would be like without you.

Length: 2 Hr 15

Rating: U

About: George Bailey has so many problems he is thinking about ending it all – and it’s Christmas! As the angels discuss George, we see his life in flashback. As George is about to jump from a bridge, he ends up rescuing his guardian angel, Clarence – who then shows George what his town would have looked like if it hadn’t been for all his good deeds over the years.

First Thoughts

It’s not a film I’ve watched loads, but it is one I’ve adored with all my heart. I can’t remember the first time I watched it but it’s a significant one for some of my best Christmases. From having a class in school grumble that I’ve put it on to only go and fall in love with its charm, to a bittersweet watch in the cinema in Liverpool with my brother not long after our mum died.

It’s been a while since I’ve seen it, but my instincts tell me it’s still ageing very well.

Naughty List

  • Mr Potter is a bit of a nasty bastard and while he makes for a perfect foil to the Bailey family: I hate him. I want to punch him; so hard, in his vile fucking face. I hate what his actions do to the family; George, obviously. But mainly Uncle Billy. Darling, sweet and forgetful Uncle Billy. What I hate more than anything though?! People like Mr Potter exist in real life and will never lose sleep at the destruction they cause.

Nice List

  • Good ol’ Jimmy Stuwart. I couldn’t imagine anyone better in the role of George Bailey and if Hollywood dares to remake this; I’m done. He’s the charming and wholesome leading man who is also able to handle the darker sides of characters; Bailey being no exception to this. There’s buckets of emotions for George Bailey; from being able to relate to unrealised dreams to his frustration, hopelessness and desperation. That opening image of James Stewart is perfect; George showing the shop teller how big he wants his suitcase and it pauses for Clarence to have a good look at the man he’s to save.
  • Clarence. Beautiful, childlike and rabbit-IQ’d Clarence is a heartwarming addition to the narration plot and is a delight to see interact with George in the final act. If there’s anything that will reduce me to tears every time, it will be the fact that good Clarence gets his wings as a result of his time on Earth with George. On the note of the celestial narrators, I love the opening sequence with the angels appearing as stars. It’s simplicity makes it so incredibly beautiful and something that no amount of technological advances could ever improve upon.
  • The story is an epic that is well paced and jammed packed with George’s life; the highs and the lows. For a film to start and focus on such a dark note, speak so candidly about suicide and still leave the viewer uplifted and full of hope that a community can come together at a time of need is such a commendable feat and it should be on everyone’s viewing list at some point.
  • My favourite scene will always be George rescuing the Savings and Loans company on his wedding day and sacrificing his honeymoon to do so. Upon asking Ms Davies (The Walton’s Ellen Corby) how much she’d need until the bank reopens her reply is a humbled ‘seventeen fifty’. It’s a joyous and heartwarming interaction between herself and George and a stark contrast to the man who wants to clear out his account.

Final Thoughts

I love this film. A testament to it is the fact that it’s not something I want, or need, to watch every year and is actually something I will always try and bring new people to each time I watch. It’s bravery at approaching a topic like mental health and suicide was, and still is, ahead of its time. The religious aspect of the sanctity of life is subtle enough and sends the message of support, guidance and help rather than judgement, condemnation and isolation. In a world where those who suffer from issues beyond their physical control, it’s good to see a supportive view that George’s predicament is not a sign of weakness.

Han x

Christmas Film Advent- The Polar Express (2004)

This bell is a wonderful symbol of the spirit of Christmas – as am I. Just remember, the true spirit of Christmas lies in your heart.

Length: 1 Hr 40

Rating: U

About: Tom Hanks and director Robert Zemeckis (“Forrest Gump”; “Cast Away”) reunite for “Polar Express,” an inspiring adventure based on the beloved children’s book by Chris Van Allsburg. When a doubting young boy takes an extraordinary train ride to the North Pole, he embarks on a journey of self-discovery that shows him that the wonder of life never fades for those who believe.

Nice List

  • It’s a wholesome story that has many layers; the journey is physical, philosophical and spiritual. What child at heart wouldn’t want to spend Christmas Eve onboard a steam train going to see Santa?
  • The protagonist’s journey from sceptic to believer is quite beautiful. He’s a logical child and the beginning shows him using his intellect to collect information so it’s understandable that he questions Santa’s existence. Following his journey and watching him experiencing the magic of Christmas is heartwarming.
  • The film has diversity without feeling forced; yes, the young boy is who we start and end with but it can be argued that the young girl makes up part of the ensemble. While it had the feeling of being set in the 50s, choosing not to root it in an era allows the film to focus on the spirit of Christmas without bogging itself down in social politics. Which makes a nice change.
  • The music is something that keeps the film progressing and much more of a traditional score that fits Zemeckis’ catalogue of films.

Naughty List

  • The animation style is just not for me. It comes across more as computer game play, especially in those scenes that look like the characters are on theme park rides; something which is done one too many times for my liking.
  • The stereotype of the Know-it-all Kid is like fingers on a chalkboard. So overkill annoying that I spent the film wanting to beat the shit out of him.
  • I’m not sold on the casting of Tom Hanks. He’s the modern answer to Jimmy Stewart and I’m not sold on him as the impatient and cranky train attendant. He’s perfect when insightful and kind, but anything else is just lost on me. This is one where I think Jim Carrey would be perfect for the role.
  • It feels way too long. Once the film had finished I was certain it had been on for a little over two hours. This could be due to certain scenes being style over substance.
  • The thing about trains… it doesn’t matter where they’re going. What matters is deciding to get on.” There’s just so much wrong with this statement! So, so, wrong. I’ve gotten on a train before and not paid attention to where it was going. It buggered up my day royally.

Final Thoughts

This film is not for me. I can’t get past the animation that pulls me out of the story. I’m sure there is an audience for it, and my nephew’s love of trains will see it part of my regular viewing for years to come.