hscptcrash

Halloween (2018)

Rating 18

Length 1Hr 46

Release 19.10.2018

About It’s been 40 years since Laurie Strode survived a vicious attack from crazed killer Michael Myers on Halloween night. Locked up in an institution, Myers manages to escape when his bus transfer goes horribly wrong. Laurie now faces a terrifying showdown when the masked madman returns to Haddonfield, Ill. — but this time, she’s ready for him.

The Good

This is a clever continuation of the 1978 film. It nods to the things that made the original the classic that it is, while reworking some tired tropes for not only a modern day audience, but for a Horror fan wishing to see something different.
Woohoo! An 18 that doesn’t require the women to die with their breasts out. The theme of chastity being a saving grace has been removed, instead giving us a much more complex and rewarding theme of survivor complex and generational family dynamics.
It’s a proper decent script and a great cast. There are two awesome lines within the film and they are supported by two brilliant actors delivering them. There’s a ‘oh Shit’ that feels like one of the most authentic responses I’ve ever seen in a horror movie and there’s a ‘gotcha’ that rings with power that I ended up shouting at the tv.
The music and title credits are … well, they’re beautiful. The film opens with the traditional score and a new approach to the visuals. It closes with a modern remix.

The Bad

The showdown at the house feels flawed. While it may be seen differently on a repeated viewing, it will spark irritation in some viewers who have been charmed by its smart choices for everything that comes before.

The Ugly

While it cuts down, or rather out, the nudity it does not hold back the gore. As a filmic genre Hollywood has moved away from the implied and all but splatters the audience with blood. While it was not something that turns my stomach, I will always find the misdirection of the famous Psycho shower scene much more effective.

Final Thoughts

Fuck me, this is the best of the franchise. However, it won’t truly work in isolation. To really appreciate it as a story, and as a film, you do need to watch the original and, as much as I hate to admit this, watching the 2007 version will also help.

Halloween (2007)

Rating: 18

Length: 1Hr 49

Release: 28.9.2007

About: Nearly two decades after being committed to a mental institution for killing his stepfather and older sister, Michael Myers (Tyler Mane) breaks out, intent on returning to the town of Haddonfield, Ill. He arrives in his hometown on Halloween with the indomitable purpose of hunting down his younger sister, Laurie (Scout Taylor-Compton). The only thing standing between Michael and a Halloween night of bloody carnage is psychologist Dr. Samuel Loomis (Malcolm McDowell).

The Good

Certainly the first half has a great attempt at… being its own film. The filming style and story contains a nod to the original, but it’s definitely meant for a different audience.
I guess good on ‘em for not being a Hollywood shithouse and providing the cinema goers with a rated 18 movie. I’d say well done for not being a pussy, but as the rating was probably given for that gratuitous full body shot…. yeah…
There’s a solid cast and having Malcolm McDowell as Loomis was a good call. While I can’t say he brings all of his menace and authority from De Large days, he doesn’t bring the ham either.

The Bad

While I definitely commend the attempt to add a background to Michael Myers and his violent tendencies, it actually detracts from the horror. Going down the psychological exploration for his pathological behaviour makes sense; he had a shit life and exposed to violence from a young age, of course it manifests. However, one of the scariest parts of the original is that there’s no explanation. We always fear the unknown, so explaining it removes the fear.
Laurie is no longer the protagonist. She doesn’t appear until halfway. Spending so much time with Michael stops you from engaging with Laurie and her friends. I care very little for her survival. There’s very few changes at this point other than as babysitter’s, both Laurie and Annie suck.
Having Laurie be Michael’s sister was something the original franchise attempted, and failed to bring to fruition so I’m unsure why they would expect it to work here. The biggest sticking point being I don’t get how the bastard knows Laurie is his sister?! If you are going to do it, do it well.

The Ugly

The running, the screaming, the deaths. It was all just noise. Loud, obnoxious and game play noise. The two kids being looked after are so annoying and whiney, the viewer will be rooting for Myers and hoping he kills them. Slowly. With a rusty spoon.
That multiple, fake-out ending is just overkill. I felt as if nothing short of a nuke was going to stop him and I need some realism to my serial killers.
There’s an absolutely unnecessary and violent rape scene which I really could have done without as it verged on the torture porn gore that has become rampant in modern day horror.

Final Thoughts

It’s a film for the over stimulated generation and I checked out way before Laurie Strode made her stage left debut. Myer’s gets a back story no one asked for and runs the risk of the audience connecting with him.

The Curse of Frankenstein (1957)

Rating: X/ 12

Length: 1Hr 22

Release: 2.5.1957

About: Victor Frankenstein (Peter Cushing) is a brilliant scientist willing to stop at nothing in his quest to reanimate a deceased body. After alienating his longtime friend and partner, Paul Krempe (Robert Urquhart), with his extreme methods, Frankenstein assembles a hideous creature (Christopher Lee) out of dead body parts and succeeds in bringing it to life. But the monster is not as obedient or docile as Frankenstein expected, and it runs amok, resulting in murder and mayhem.

The Good

The film has an interesting narrative framing in which we meet Victor Frankenstein after the events. It’s not something you see often in modern films and it was a refreshing change.
There are some incredible shots in what is largely a play-like adaptation. One particular scene in which Victor goes to purchase eyes for his creature is filmed from the neck down.
Peter Cushing is fantastic as Victor Frankenstein. His acting is best scene in some of the subtle movements he makes, like when he is discussing the need for a brain with Paul. Cushing’s eyes at one point flicker to Paul’s forehead and it put me on edge for the rest of the film.

The Bad

The commentary of women within the film pissed me off. Not because I’m some snowflake who can’t see it as a product of its time. No, I’m pissed off about Victor’s “I’ll introduce Elizabeth to Science” was used as a threat to Paul and that Paul spent a lot of the film ‘mansplaining’ to Elizabeth. I’m pissed off not for some feminist ‘women can Science too’, but because the source material was written by a woman!

The Ugly

It’s the problem of it being an adaptation. While it is an incredibly well made film, I found that the core elements and themes from the book did not make an appearance. It doesn’t make it bad, per say, I’m just disappointed.
The biggest theme/plot point that defines Frankenstein is Victor’s revulsion of his own creation and the eventual abandonment. I know this is to do with film rights and n avoidance of a law suit, but it just didn’t meet my expectations.

Halloween Advent Reviews: Fun Size (2012)

Rating: 12a

Length: 1Hr 23

Release: 29.10.2012

About: Wren (Victoria Justice) is a high-school senior who can’t wait to get away from her dysfunctional family. On Halloween, Wren’s mother decides to go out with her much-younger boyfriend, leaving Wren to look after little brother Albert. When Wren is distracted by an invitation to the party of the year, Albert disappears into a sea of trick-or-treaters. Enlisting the aid of her sassy friend, April (Jane Levy), and two other classmates, Wren sets out on a frantic search for her sibling.

The Good

Johnny Knoxville does what Johnny Knoxville does best and it works well in this film even if he does seemingly come out of nowhere. He provides some laughs and gives the film a semblance of a plot for the second half.
There’s a wonderful scene between the brother and sister towards the end of the film that I actually wish the film had played on a little more. It provides the film with a nice nod to problems kids their age may face.
The little kid, Albert, is a wonderful little shit. Being a selective mute is an interesting choice and while it’s not a fully form plot point, it gives him that ‘baby on the run’ persona seen in Baby’s Day Out. His costume is ace and I love the situations he finds himself in.

The Bad

It’s not very festive. Which is strange, because every scene is plastered with pumpkins. It lacks a certain tone that seems to be present in a movie about autumn’s favourite holiday.
Thomas Middleditch is his Sillicon Valley ‘Richard’ self in this. So much so his character and story is nauseating. That gut feeling of wanting to reach into the film and punch the fuck out of him feels like a regular thing when I see him on screen, but it doesn’t half distract from the film. I’ll leave that to you to decide if it’s a good or bad thing.

The Ugly

Can you really call yourself a ‘family fun’ movie when you have more than four pedophile jokes? Imagine if they made another Paddington movie that employs Jimmy Saville jokes and has a Gary Glitter soundtrack and you’ve got this movie. The pedophile jokes range from the tongue in cheek to the out right wrong “hey, what I’m doing is 100% legal” says the Spider-man clad grandpa trick or treating with the kids.
Seriously, the film doesn’t really know who it’s audience is. It could have quite easily been a American Pie or Superbad, but instead it’s Ferris Buller by way of Adventures in Babysitting and Baby’s Day Out with weird sex references.
The mature humour clashes with the ‘family’ nature the film claims to be going for. From middle aged widow stopping her daughter from going to a party to bone her 26 year old boyfriend, to Wren’s best friend almost killing a cat because she ‘Naired her ass’ and the fumes put the kitty into a coma. Not to mention an oversized robot chicken that humps the back of the car. It’s all just a little much.

Final Thoughts (trick or treat?)

It says it all that Nickelodeon made the film to go on to ban it from being aired on their own channel. The biggest issue is that in terms of it being a film watched in the build up to Halloween, it does not do its job.

It’s a nasty trick and not something I’ll rush to rewatch.

The Girl Who Speaks Bear by Sophie Anderson

Pages: 416

Publisher: Usbourne

Published: 5.9.2019

About: They call me Yanka the Bear. Not because of where I was found – only a few people know about that. They call me Yanka the Bear because I am so big and strong.

Found abandoned in a bear cave as a baby, Yanka has always wondered about where she is from. She tries to ignore the strange whispers and looks from the villagers, wishing she was as strong on the inside as she is on the outside. But, when she has to flee her house, looking for answers about who she really is, a journey far beyond one that she ever imagined begins: from icy rivers to smouldering mountains meeting an ever-growing herd of extraordinary friends along the way.

Interwoven with traditional stories of bears, princesses and dragons, Yanka’s journey is a gorgeously lyrical adventure from the best-selling author of The House With Chicken Legs.

Have you ever ready a book that gives you the hygge feeling that autumn brings?! This is that book. It has a blissful charm and peace that transforms itself into the comfiest blanket in the world. I was curled up for the best part of today with my cat on my lap and my cup of tea slightly chilled (because i forgot about it, it’s not how I like my tea) beside me.

The duality of a protagonist is not a new theme within the world of fiction, but Sophie Anderson takes a character of two world which feels comfortable and a little worn and spins it on its head, adds a little magic and an enchanting view of nature in order to give the reader an even better idea of a world they perhaps have never experienced.

The story builds as often a journey of discovery does: we meet new additions and some old ones, for those familiar with Anderson’s previous book. The imagery is not something I usually comment upon, but it’s too beautiful to let it pass by unchecked. It’s rooted it nature and greets you like a warm hug, or a cold tap depending on the scene. Either way it brings the elements closer to the reader.

I’ve never wanted this book to end. It hit me like a bought of nostalgia: I felt like a kid again, wanting one more chapter. The only thing more engaging than the main plot was the mini stories, signified by the glorious illustrations. They were flawlessly interwoven into the books plot and helped guide the reader to understand more about Yanka.

It’s a wonderful stand alone story, self contained and wrapped up with a heartwarming prologue. However, it also adds to Anderson’s amazing established universe and there is further scope for a sequel.

The Predator (2018) spoilers within

Length: 1Hr 47

Rating: 15

Release: 12.9.2018

About: From the outer reaches of space to the small-town streets of suburbia, the hunt comes home. The universe’s most lethal hunters are stronger, smarter and deadlier than ever before, having genetically upgraded themselves with DNA from other species. When a boy accidentally triggers their return to Earth, only a ragtag crew of ex-soldiers and an evolutionary biologist can prevent the end of the human race.

The Good

The gore and horror is on point and I was quite surprised to discover it was rated 15. Even by today’s standards (which have relaxed somewhat) I would have expecting this to gain an 18. It doesn’t hide away from the violence or a body count.
The rag tag bunch of misfits really worked for me and I just wish there had been a smoother way to introduce them. I personally would have started the film with Quinn boarding the bus and allow the narrative to play on the ‘crazy’ a little more and also keeping the Predator off the screen a little longer.
The humour is low key and actually had me chuckling away at some parts.

The Bad

As a movie in of itself, it’s a typical loud and fast alien invasion movie. It, in isolation, is a fair film. However, this is part of a well known franchise. Part of what I loved about that first one was everything you didn’t see.
In the same sense, I felt that having subtitles and dialogue from the Predator it detracts from the species being the petrifying badass that I saw as a kid.
The CGI in places is really ropey and, again, it removed all of the fear I had when I was watching these creatures fuck shit up. It’s very clear when a person is used and when it’s a CGI monster and it’s all to do with plot which is a shame as the man in the suit is quite impressive.
How do you cast Yvonne Strahovski in an action movie and have her play housewife and make her a butt of a gun joke?! Yawn.

The Ugly

Did Olivia Munn really have to be starkers, at all, during this movie?! Munn is an awesome actress who I first saw in Aron Sorkin’s the Newsroom, so its rather sad to see her reduced to gratuitous implied nudity and a Mary Sue (soldier/ genome expert/ zoologist/ Tomb Raider fantasy wank material. Delete to make her suit the scene)
My biggest gripe of all is the god damn fucking kid. Firstly, why the fuck are you putting him on the spectrum, bring it up multiple times to do absolutely nothing with it?! We’re currently in a time of representation and, when it’s done right, I’m all for it. However, this ham fisted ‘we’re doing it for doing its sake’ shockingly misrepresents people on the spectrum as a ‘Rain Man fits all’. You know how your able to tell it’s an add on? The kid stops his sound sensitivity about 20 minutes in and never does it again. It’s not even like he’s got ‘mad skills’ with the tech. Everything he achieves is the result of what any kid would do: he fucks about with buttons.
Secondly, he’s a shit and possibly a sociopath, but let’s just stick with the being a shit. I have never wanted a kid in media to die as much as this one. Like, even Carl in Walking Dead and Dawn from Buffy didn’t step on my last nerve this much. He’s a pussy who cowers at micro-dicks from school but will tell an officer with a gun to go fuck themselves?! Don’t get me started on the fact that he opened someone else’s post! Fucker!

Final Thoughts

I prefer my scares to computer game play style filming. I could see the attempt reclaiming some of what the original had going for it and I loved the gore, but ultimately I prefer my 80s version that scares the crap out of me.

IT: Chapter Two

Review of Chapter One can be found here.

Rating: 15

Release: 6.9.2019

Length: 2hr 49

About: Defeated by members of the Losers’ Club, the evil clown Pennywise returns 27 years later to terrorize the town of Derry, Maine, once again. Now adults, the childhood friends have long since gone their separate ways. But when people start disappearing, Mike Hanlon calls the others home for one final stand. Damaged by scars from the past, the united Losers must conquer their deepest fears to destroy the shape-shifting Pennywise — now more powerful than ever.

The Good

As with Chapter One, the casting is faultless. Not only are the adults perfect in and of themselves, they’re scarily perfect for the grown up versions of the youngsters.
Special mention has to go to Bill Hader as Richie. I was so very excited to see him cast and he really did a wonderful job stealing every single scene he’s in. What I love about comedians like Hader is that while people see him as the joker, he’s actually very well equipped to bring the drama. For me, IT has done for Hader what the likes of Awakenings, Insomnia and 24 Hour Photo did for Robin Williams.
Jessica Chastain was, certainly in my mind, a risky casting choice. Well, it was certainly one that paid off. She is able to bring us the duality that Sophia Lillis initially presented us with and show a growth of character within Chapter Two.
The change in time setting is almost mute when we get the adults. Yes, we’ve lost the nostalgic references but it does make that opening scene a little more haunting. I’m so very glad this scene was kept.
I love the ongoing commentary about Bill’s stories not having great endings as perhaps an ironic note to the ending of IT itself. Which also lends itself to the film’s best Easter egg that is one par with a Stan Lee appearance.

The Bad

Max Headroom visuals are back and some of the scares intended from Pennywise are lost on me because of this. Again, it’s more the music than the visuals that give me the scares which is a shame as visually, Pennywise is incredible.
You have Bill Skarsgård who is exceptional in the role, there’s no doubt about that. There’s a manipulative charm there that festers and creeps under the skin, but everything the actor can build up is scuppered by the CGI and wobbly background that draws your eyes away.

The Ugly

The presentation of the interweaving timelines is rather too clunky for me. Unfortunately, due to memory loss being a major plot device I’m not certain there’s another way of making Part Two without the help of the younger counterparts.
The film certainly transitioned well between timelines, however I find it treads too much on top familiar ground from Part One. Perhaps if there was overlap of the actors in the previous outing, it wouldn’t stand out so much but I guess we’ll never know.

Final Thoughts

The filmmakers did an incredible job with a difficult source material. It has its faults and probably won’t be something I return to any time soon. However, it is a much-watch for Hader’s performance alone.

Yesterday (2019) (Spoilers within)

Rating: 12a

Length: 1Hr 52

Release: 28.6.2019

About: Jack Malik is a struggling singer-songwriter in an English seaside town whose dreams of fame are rapidly fading, despite the fierce devotion and support of his childhood best friend, Ellie. After a freak bus accident during a mysterious global blackout, Jack wakes up to discover that The Beatles have never existed. Performing songs by the greatest band in history to a world that has never heard them, Jack becomes on overnight sensation with a little help from his agent.

The Good

You couldn’t pick a better band to hang this premise on; the influential foursome have a wonderful back catalogue to interweave throughout the film.
Game of Thrones and Plebs alumni Joel Fry is a wonderful addition to the plot. He provides a big chunk of the humour and he played off everyone really well.
There is one scene that truly was incredible and I won’t lie, I watched it with a tear in my eye. Towards the end of the film, we come face to face with the one bitter sweet reality of The Beatles never forming: John Lennon has survived. We should have spent way more time here than we did. In fact, I’d have taken a whole film in which Jack Malik sits and has cups of tea with an 70-odd year old John Lennon. He’s portrayed flawlessly by the amazing Robert Carlyle.

The Bad

It’s not often I have a bad word to say about Kate McKinnon. Actually, scrap that, I’ve never said a bad word against the SNL comedian. However, she was grossly miscast in Yesterday. McKinnon’s Debra Hammer seems more like a SNL lampoon than an actual character. She’s a walking stereotype and she could have done so much better.
Did you REALLY have to make the first recorded song of a TEACHER be ‘I Saw Her Standing There’, in which the first line is ‘well, she was just seventeen’?!?! Let’s just put him on the sex offenders list shall we?
The trip to Liverpool was so unbelievably lip service that it was almost offensive. It was the bit I was looking forward to most, but it didn’t deliver.

The Ugly

It’s devoid of almost all the charm of a Richard Curtis film. There’s no chemistry between the two leads and the resolution falls very flat. There’s no method to the items, bands and popular culture that’s erased from history by the Beatles not existing. There’s a tangible link for the popularity of Coca Cola in the UK, but the others seem like weird choices.
Some would say it’s brave to have the film not return back to the status quo at the end. It’s a cute ending that is provided, but it’s far from fulfilling or satisfying. It also makes the protagonist a bit of dick for not even trying.

Final Thoughts

There’s not enough sweet to offset the bitter and it doesn’t really ever get to the heart of what makes the Beatles great.

The Demon World (Smoke Thieves 2) by Sally Green

Publisher:

Release:

Pages:

About:

This book contains one of the most powerful endings I’ve ever read. I start with it purely because it hit me like a freight train.

This is a book version of a game of chess. It’s clever, and always many paces ahead of the reader.

The characters we see perspectives from are the ones you will always want ‘just one more chapter with’.

The separation of characters that began in the final chapters of Smoke Thieves continues on in The Demon World. It’s well crafted and would make for powerful tv.

What I found most powerful while reading is that it could have quiet easily been a duology. It has that strength of resolution that sometimes a second book in a trilogy lack. However, much like the games of chess, things were put in place ready for those final moments… and now a painful wait for book three.

The Liars by Jennifer Mathieu

Publisher: Hachette/ Hodder

Pages: 352

Release date: 5.9.19

About: From the author of Moxie, soon to be a major Netflix production

The highly anticipated new novel from Jennifer Mathieu. Two siblings wrestle with the secrets and lies that threaten to destroy their future. Perfect for fans of We Were Liars.

How can one family have so many secrets?

It’s the summer of 1986. Joaquin and Elena, two teenage siblings live in a toxic environment with their alcoholic mother on an island off the Texas Gulf Coast.

Elena falls for a new boy who has just arrived from California. Joaquin must wrestle with his decision to stay on Mariposa Island to protect his sister or flee from his mother’s abuse.

As both teenagers struggle to figure out who they are and want to be, they are caught in a web of family dysfunction and secrets from their mother’s past.

Can fierce love save them, or will their truth tear them apart?

There are very few authors I will drop my TBR for the minute I’m able to read a new book from them. Jennifer Mathieu is one of those authors.

The Liars is a powerful read that will stay with me for a long time. It’s narratives are haunting and heartbreaking. I thought this was amazing right from the beginning and then there was a flip; in came a third voice that challenged everything I thought and felt. I’ve never experienced anything like it in my life.

It’s themes don’t make for an easy read, but I feel it’s one that is much needed for the current climate.

Book Review: The Deathless Girls by Kiran Milwood Hargrave

Publisher: Orion

Release date: 19.9.19

About: Gothic, intoxicating, feminist and romantic – this is the breathtakingly imagined untold story of the brides of Dracula, by bestselling author Kiran Millwood Hargrave in her much-anticipated YA debut.

They say the thirst of blood is like a madness – they must sate it. Even with their own kin.

On the eve of her divining, the day she’ll discover her fate, seventeen-year-old Lil and her twin sister Kizzy are captured and enslaved by the cruel Boyar Valcar, taken far away from their beloved traveller community.

Forced to work in the harsh and unwelcoming castle kitchens, Lil is comforted when she meets Mira, a fellow slave who she feels drawn to in a way she doesn’t understand. But she also learns about the Dragon, a mysterious and terrifying figure of myth and legend who takes girls as gifts.

They may not have had their divining day, but the girls will still discover their fate…

“The Deathless Girls is exquisitely written, as we have come to expect from Millwood Hargrave, but it is also riveting, intoxicating, and utterly unputdownable.” – Louise O’Neill

Copy: Netgalley

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This is the book that will inject new life into the vampire novel. It’s so beautifully written that I had to stop hi-lighting text on my ecopy. It’s style and voice gives you a rich experience as life as a servant/slave.

There is scope for a sequel, but ends in such a fulfilling and satisfying way that it isn’t needed. It’s perfect for anyone wanting to dip their toes into historical fantasy.

TW:

– there is a scene of attempted rape and allusions to an almost sex slave lifestyle.

– a descriptive scene of genitalia examination in relation to sex slavery and sex trafficking.

For me, I felt it was well handled without being gratuitous and historically accurate, however it may trigger other people.

This is a short review, but hopefully it has everything you need to make you want to read this stunning book.

Love Han x

Movie Review: Lion King (2019)

Lion King (2019)

Length: 1Hr 58

Rating: PG

Release: 19.7.2019

About:Simba idolizes his father, King Mufasa, and takes to heart his own royal destiny on the plains of Africa. But not everyone in the kingdom celebrates the new cub’s arrival. Scar, Mufasa’s brother — and former heir to the throne — has plans of his own. The battle for Pride Rock is soon ravaged with betrayal, tragedy and drama, ultimately resulting in Simba’s exile. Now, with help from a curious pair of newfound friends, Simba must figure out how to grow up and take back what is rightfully his.

The Good

The photo-realistic animals are breathtaking, detailed and quite simply a work of art. From the movement of the animal to tiny details all add to the magic of the story. It’s seen most powerfully when the film shows a lion’s ability to use smell. It forms a direction for the plot and gives us a look at how detailed computer technology is. There’s been criticism that the film lacks emotional impact because the animals ‘don’t emote’. This is simply not the case. They emote, but as an animal would.
Scar was less panto villain, more psychotic sibling with a lust for power. Even his relationship with the hyenas has changed ever so slightly, giving a darker and more desperate tone to his actions. Chiwetel Ejiofor’s voice will chill your bones in a way Jeremey Irons couldn’t.
Removal of anthropological behaviours of the animals brings an extra level of realism to the story. There’s no animal pyramid, no exaggerated facial expressions and Timon doesn’t walk upright. These are just a few things I can think of from the original that have been removed. I hadn’t realised, but one of my fears of a shot-for-shot remake was these conceits would remain and clash even more so with the realism.
The scenes that are meticulously recreated are not there out of laziness but an acknowledgement of the legacy it was taking on. The opening is one example, but the one I want to draw on is the stampede. On first glance it might seem derivative. However, what we have to remember is that the part in which the animals go over the lip and into the ravine was the Studios shining moment; it used the top technology to produce and it’s where we can see so very clearly how far they’ve come.
The songs have lost their show tune grandure and become much more integrated into the the characters and the storytelling. My favourite is still Be Prepared and I’m glad they kept it despite their misgivings.
Timon and Pumba shine as the comedy double act. They’ve again shed their Broadway perfect personas. Instead we have a conversational and down to Earth odd couple.

The Bad

While it isn’t something that bothered me overly, some may find there are perhaps one too many identical/ shot-for-Shot scenes or that the changes are too minimal. I personally didn’t like the stylised cloning of the iconic ‘fall’ scene, but it’s only a niggle.
I actually don’t like the story. I never have. It’s Hamlet with a somewhat happier ending and I really don’t like Hamlet.

The Ugly

Everyone’s a critic. The irony is not lost on me, I promise. I’m just as guilty as others. Currently, LiongKing (sic) is trending on social media and people are upset certain scenes aren’t there. At least this is something that was said after viewing the thing. However it’s not been the case for some other opinions.
So many people have already decided what they thing of the project without giving it a chance. From casting choices, to ‘Pumba looks scary and ugly’. As I said, I was also guilty of this. I was rather miffed when I discovered the mighty Mufasa would still be voiced by Darth Vader himself, James Earl Jones. I couldn’t help but think ‘why, what’s the point.’
I was incredibly wrong. His voice has changed, it reflects age and wisdom while tying together the animated and ‘live’ action. It was a stroke of genius.

Final Thoughts

It’s a beautiful film that needs to be seen on the big screen. It’s not the sing along classic, but something more enchanting.

Love Han x