Category: Netflix

Irish Wish (2024) Film Review

Be Careful Who You Wish For

Rating 12
Length 1h31
Release 15.03.2024
Director Janeen Damian
About When the love of her life gets engaged to her friend, Maddie puts her feelings aside to be a bridesmaid at their wedding in Ireland. Days before the wedding, Maddie makes a spontaneous wish for true love, only to wake up as the bride-to-be.
Moon: no moon sighting
Where to Watch: Netflix
Trailer:

The Good

Ed Speleers. I’m so sorry I overlooked your dashing looks and charm in the third season of Picard. It was Todd Stashwick, you understand?!
Open apology over with, it’s good to have him as one part of the meet-cute. He’s everything you would expect of a romantic lead.

It is a rom-com by numbers. It requires no thought and it does manage to leave you warm and fuzzy. Lyndsey Lohan may not have the effortless charm that allowed her to win over box offices in the naughts, but she still holds her own and gives a convincing growth to her character.

Dawn Bradfield steals the film as Saint Bigid, who grants Maddie’s wish and kicks off the main part of the film. Much like Puck in Midsummer Night’s Dream, Bradfield causes chaos with such joy, it’s hard not to wish she was in the film a little more.

The Bad

It just all seemed very messy for a rom-com by numbers. It takes a little too long to get to the ‘switch’ and by then, the sparks are already flying between Maddie and James that you wonder if there was another way of plotting this.

The Ugly

It makes one fatal flaw that will prevent this from being up there with some of the best. The third in the triangle *can* be a douche, there’s no problem with that. However, you cannot really have him be a douche and still let him get the happy ending that he does.
By having smarmy Paul marrying one of the lead’s best friends as part of the set up really makes the ending shitty when he’s not seen for who he really is.
The addition of Jane Seymour in just a disconnected role doesn’t help matters

Final Thoughts

Messy, but requires no effort. A charming film, but not a classic.

Crossroads (2002)

Dreams change. Friends are forever.

Rating PG
Length 1h34
Release 29.03.2002
Director Tamara Davies
About Three childhood friends, reunite on graduation and promptly decide to take a trip across the country. But, what happens when their trip to rekindle their friendship is interrupted by a baleful guy?
Moon: Full moon in first scene
Where to Watch: Netflix
Trailer:

The Good

Well, the film really goes all out with the social obstacles of young women. Over the 90 minute run time we look at parental expectation, following a dream parents don’t approve of, protective parents but more importantly the film tackles rape, pregnancy and the perception of a woman’s status while pregnant at a certain age. The scenes are handled exceptionally well and to the point where I wish this was Mimi’s film. It’s unsurprising that the film is on-point with these issues; the script is written by Shonda Rhimes.

Anson Mount pre-Pike is always …. not a delight as such, because that man is perfect as the Star Trek Captain, but it’s good to see his roots. He really gives the audience a good brooding and frustrated-at-the-world musician and at least gives us a sense of chemistry.

Having Dan Ackroyd here almost makes this feel like it could have been a My Girl 3, with a few tweaks and recasting. Honestly, who wouldn’t love that?! Seeing Vada healed and blossoming after the events of the first movie?

The Bad

You get in Kim Cattrall and that’s the scene we get?! Oh that script let her down so bad.

Lucy doesn’t want to go to medical school, I got that. However, I’d love to have seen why her dad wanted her to?! Is there an aptitude towards medicine? Yes, you tell me, but there’s nothing about the character that suggests there’s any talent or passion for medicine.
I wrote a note while watching saying that there needed to be a medical emergency in which she takes control and demonstrates the skills the father can see. Yes, not too long after we get a potential scene but it’s wasted and given over to a show of the strengthening friendship.

The Ugly

The biggest problem with the film is that Lucy is the lead and she’s our weakest link. Not only are there the character problems as listed above, Brittney Spears cannot, and it pains me to say this, act.
Brittney Spears is playing Brittney Spears and she’s just reading lines. I would go so far to say there’s not even an attempt to act. Which means what is clearly meant to be a story arc is dismissed.
The character felt so underdeveloped and one note; I never believed the side that had her as the speech giving, medically inclined study-hard so I didn’t see the journey as a growth of the character.

Final Thoughts

Past Hannah was right in dismissing this movie and the distributors were right to keep it off streaming platforms for as long as they did. What makes it worse though is there’s a really good Stand by Me/ Now and Then type film there when the right cast is put in place instead of gambling on a name to get bums on seats.

Lift (2024) Film Review

Rating 12
Length 1h44
Release 12.01.2024
Director F Gary Gray
About A master thief is wooed by his ex-girlfriend and the FBI to pull off an impossible heist with his international crew on a 777 passenger flight from London to Zurich.
Moon: no moon sighting
Where to Watch: Netflix
Trailer:

The Good

Vincent D’Onofrio is incredible in whatever he is in. However, it’s hard not to love him in Lift when he’s clearly having the time of his life. Being a master of disguise, we get to see a wide range of performances from this great. You cannot fault him.

David Proud gives us typical Brit humour and it is incredible. Not only because he gives us some of the funniest moments, it’s also a long time coming having disabled representation in a film as part of the course. That’s true representation.

The heist aspect of the film is good. I mean, I’m a sucker for a heist movie so it was on to a winner there anyway. While there are aspects that are predictable, there are still aspects to this film that are delving into new and uncharted thievery.

No screaming Kevin Hart. I’ll admit, the film hit the hour mark before I lost that fear he wasn’t right for the role but he was perfect… once the action kicked in.

The Bad

Burn Gorman is one of those actors. He pops up in everything; Hollywood and home grown. His American accents come across to me a little ‘fake’ because I grew up watching him in Torchwood and I know he’s a Brit. However, this time I cannot use that. His Irish accent is not only bad, it’s patchy. There’s a scene upon his character meeting Hart’s he straight up says a line in a London accent.

The film takes a little too long to get going. The second half is much better, but it relies on you staying engaged and invested while it takes it’s slow, baby steps.

The Ugly

Why is Hollywood STILL trying to make Sam Worthington happen?! He adds nothing to any film, let alone this one.

Final Thoughts

It’s a heist film by numbers with a very pretty cast. Honestly though, if you want a good heist with heart? Invest in Leverage, not this.

Erin Brockovich (2000)

Rating 15
Length 2h11
Release 07.4.2000
Director Steven Soderbergh
About In Hinkley, California, a legal assistant discovers a major company’s dark secret that affects the health of the residents. With the help of her employer, she sets off to seek justice.
Moon: no moon sighting
Where to Watch: Netflix
Trailer:

The Good

  • Albert Finney is always on form. From his breakout performance in Saturday Night and Sunday Morning, to his main stream choices like Daddy Warbucks in Annie. I may not like his Christmas Carol (Scrooge 1980), but he does give an amazing performance as Ebenezer.
    He on perfect form as Ed Masry and his chemistry with Julia Roberts’ Brockovich is phenomenal. It’s hard to say that Finney was robbed of the Best Supporting Actor Oscar. Mainly because I’ve never seen Traffic. However, this was an award winning performance from Finney.
  • Julia Roberts was not only a bankable star, she had the talent to back it up. Her name alone, in the decade since Pretty Woman, guaranteed bums on seats for the producers. That would never have been in doubt.
    However, there’s few actresses today, let alone back then, who would have been able to give such a performance that would ensure people would still be watching 22 years later.
  • The story is gut wrenching, yet understated. Yes, you get the impression good will out, but the intimate perspective the film gives you; you’re there with Erin. You feel every story, you fear for the outcome.
  • The film is also really funny. You need that in a film that is embedded with emotional journeys. Thankfully the relationship between Ed and Erin gives you that rest bite.

The Bad

  • There’s no bad in this film. It’s a film that’s economic with it’s time, generous with giving the characters room to tell the story and the cinematography is beautifully intimate and almost independent cinema in feel.

The Ugly

  • It’s the ugly truth of it all. This actually happened, effecting families and workers. Yet, the company did attempt to cover it all up and those families had to fight hard.
    Yes, you’ll feel like there was a win when we hear all the figures being thrown around, but once the film finishes, you do have to remember that $5 million is not actually going to have gotten the Jensen family very far considering the medical bills they would have.

Final Thoughts

Okay, so if you want a cushy Roberts rom-com, you’ve picked the wrong option. If you want a hard hitting, smart, biopic that makes you think this is the one for you.

Enola Holmes 2 (2022)

Rating 12
Length 2h10
Release 04/11/2022
Director Harry Bradbeer
About Enola Holmes takes on her first case as a detective, but to unravel the mystery of a missing girl, she’ll need some help from friends — and brother Sherlock.
Moon: no moon sighting
Where to Watch: Netflix
Trailer:

The Good

  • Millie Bobby Brown is rather good as Enola. This is the kind of actress who is not only comfortable in her own skin, but it able to show vulnerability within the characters she’s playing.
    This is no exception and, a perfect example is when she is able to, in character, break the fourth wall. Not many actors of her age could pull it, let alone with such an impact on the story.
  • All returning actors play their parts as excellently as they had previously and we have new comer David Thewlis who is a delight as always, even if he was playing rather typecast. But then, I always have preferred his Lupin to his Freddie May.

The Bad

  • I felt as if the film relied a tad too much on Henry Cavill in this outing. Perhaps it was the lack of Claflin as the second Holmes brother, or just the Cavill of it all but it was one scene away from being a Sherlock Holmes story and that rankled me.
  • Which I partly feel was down to the story. Perhaps one that works better in the book, but on the screen I felt that it was trying to be a clever nod to Doyle’s original works while still attempting to be canon. I loved the Matchstick girl storyline, but as it became a larger story and clearly weaved into the elder Holmes’ case, I felt underwhelmed.

The Ugly

  • I must say I felt that the protest scene was mishandled. For a film, it felt twee and too scripted. Knowing the protest and strike was a real event made it even harder to swallow. The script and staging was just too clunky, too inactive and then a switch was pressed and it changed.
    I wish they’d played it differently is all and built the scene up rather than have it stagnant and switch.

Final Thoughts

A perfect autumnal watch as the light draws in. It’s wonderful to see Brown holding her own and growing as an actor.

Single All the Way (2021) Film Review

Rating PG
Length 1h41
Release 2.12.2021
Director Michael Mayer
About Desperate to avoid his family’s judgment about being single, Peter persuades best friend Nick to pose as his boyfriend on a trip home for the holidays.
Moon: no moon sighting
Where to Watch: Netflix
Trailer:

The Good

  • How the hell has Ugly Betty alum, Michael Urie, only just got a leading role in a film. I love this guy and he’s the ideal person to play Peter. He hasn’t aged a day either and I *must* know his secret!
  • The remaining cast was solid, but it is both Kathy Najimy and Jennifer Robertson that steal every scene they’re in.
  • Dan Finnerty makes a cameo with more of his musical stylings. Yep, for anyone wondering, that is the same Dan from the Dan Band that you may know from the Hangover.

The Bad

  • Why, oh why, does there have to always be a second love interest? Why couldn’t this have been two meddling nieces helping her uncle find love?
    The reason why I hate it so much is that the third wheel in our rom-com is always written in such a forced way to ram it down our throats that ‘they’re not the one’. We get it, they’re not on the poster; we are not invested.
  • I’m a little disappointed with the use of Jennifer Coolidge. It was rather a bland character that led to a bland performance. The is a Queen of camp and larger than life characters and she was really stunted in this.
  • Peter’s whole ‘I’m in this position in my career but it’s not a career I want’ bs really rankles me. It doesn’t mesh with everything else about his character and where he is at the start. His family are supportive, so why didn’t he give his plant shop dream a shot from the start?! Also, who the hell goes back to small town, America to open up a niche shop?!
    The story arc would have worked much better if he’d had the plant shit as a hobble, been incredibly unhappy in his job and have the realisation he needs to make a change.

Final Thoughts

Possibly a *little* too understated to enlarge your heart three sizes, but it’s certainly much more upbeat than last year’s LGBTQ offering Happiest Season (2020)

Little Evil (2017) Film Review

Stats

Trailer

The Good

  • ⁃Adam Scott impressed me in this. The first thing I saw him in was Hot Tub Time Machine 2 and from that point, I avoided everything with him in. Since seeing Parks and Rec though, everything has changed. There’s something about him in this that allows him to play the character as someone out of his depth without being weak. Brilliant.
  • The satire that isn’t spoof. There is comedic elements, it does delve heavily into the plot points of The Omen and other horror movies, but in a much more ‘love letter’ approach than many other lampooning films.
  • That unexpected, left field, ending was rather impressive.

The Bad

  • Not all the humour landed for me. I think it’s the SNL improv approach that I just cannot get a handle on. However, SNL has been running longer than I’ve been alive, so I’m sure there is an audience for it.

The Ugly

  • I don’t like the story telling device of being introduced to a movie at the midpoint, to then see what happened to get there. With the exception of The Hangover, I find it is a form of storytelling that only works well with tv shows and characters an audience are familiar with.

Final Thoughts

It was a decent offering and one I might watch again.

A Castle for Christmas (2021)

Rating PG
Length 1h38
Release 26.11.2021
Director Mary Lambert
About To escape a scandal, a bestselling author journeys to Scotland, where she falls in love with a castle — and faces off with the grumpy duke who owns it.
Moon: none
Where to Watch: Netflix
Trailer:

The Good

  • Cary Elwes has provided us with another decade of heartthrob thirst-bait. Yes, we’ve perhaps seen him take on more villainous roles in the new millennium, but this is right up there with Princess Bride, Lady Jane and Robin Hood.
    His accent is good, the grump persona makes the enemies to lovers entertaining.
  • I cannot complain about the cast on the whole. Brooke Shields is the ideal leading lady who charms the village and the villagers themselves are so wonderful, I’d happily have another film just focusing on them.
  • The plot is light and requires no effort to watch. Just wait till it gets dark, wrap yourself in a blanket and brew yourself a hot toddy and you’ve got the perfect evening ahead.

The Bad

  • The inevitable fight was so forced and half hearted. I get that the couple, and the audience, need a catalyst to split them up. You know, if we’re going for formulaic like this film ultimately did. However, the outburst was so utterly irrational and it did spoil that charm the film had going for it.

The Ugly

  • With such a short run time,this film spends way too long on the set up. There are better ways to have her situation told on screen without it taking up so many scenes. Personally, I’d have it where she’s in the airport, all the magazines have the author on the cover, a nearby tv screens her interview.
  • There really isn’t much of the enemies to lovers section. I really wanted more. Perhaps dedicating the time from the opening to this section would work wonderfully.

Final Thoughts

A plot by numbers Christmas romance that’s made much easier to watch with Cary Elwes in the lead.

Falling Down (1993) Film Review

Rating 18
Length 1h53
Release 4.6.1993
Director Joel Schumacher
About Bill Foster is an engineer whose increasing frustration levels lead him to act out violently and commit several crimes.
Where to Watch: Netflix
Trailer:

The Good

  • I don’t even know where to start with this film, so I guess I’ll start with that opening. I’ve never felt so triggered from a scene before, but with the heat at the moment, the sound of the traffic outside and the lack of air. I felt that opening.
  • Michael Douglas should have at least been nominated for this performance. I’m still processing the complexity of the character, but there’s not many people who can make me fear them while also empathising with their frustrations. In a similar way to his role in Disclosure, his character goes through a transformation and, you know what?, Michael Douglas is damn good at it.
  • There’s so much to learn. You could watching it for the composition of the visual artistry (the camera being inside the fridge near the beginning and the numerous aesthetic homages to other films), or you could watch it with a view to looking at the psychology, character parallels and individual actions.
  • I absolutely loved Robert Duvall’s character, Pendergast. While I struggled witch how he was treated by his co-workers, I understood it’s place in the plot. The bit I loved the most was that the character really surprised me.
  • This film is scary. It’s scary because of how real this all seems. It also doesn’t seem to blame mental health, but it certainly comments upon the issues people deal with that contribute to trauma, depression and mental ill health.

The Bad

  • While I personally love how the story is told. However, I can imagine some may struggle with how much film withholds about D-Fens. Considering he is our protagonist, we don’t really get any details about him until we’re past the point of no return. Some will struggle with the lack of instant information and may turn off long before they see results.

The Ugly

  • The racism, xenophobia and social deprivation makes this a hard watch. It will stick in the throat and stick with you long after the film has finished. Not because it seems like the views of the creatives, but that it reflects a genuine views and hatred within a community. The part that scares me most, is that the hatred spewed out by D-Fens and others are things I’ve read across social media recently from both Americans and Pro-Brexit Brits.

Final Thoughts

Quite possibly the scariest film I’ve ever watched. It’s not something I’ll watch with any regularity, however it is a film I will recommend.

Gunpowder Milkshake (2021) Review

Rating 15
Length 1h54
Release 17.9.2021
Director 
About To protect an 8-year-old girl, a dangerous assassin reunites with her mother and her lethal associates to take down a ruthless crime syndicate and its army of henchmen.
Where to Watch: Cinema and Sky Cinema/NOW
Trailer:

The Good

  • The cast is incredible. Karen Gillan can hold her own as the female equivalent of John Wick. Yep, you’re going to see that a lot in reviews of this film because it has all the feels of John Wick. Only here we get it with retro tunes, neon brights and a lead who is much more talkative.
  • Carla Gugina, Michelle Yeoh and Angela Bassett steal every scene they grace with their queer, fantastical and bad ass librarians. Its a library everyone would love to visit, even if you have be careful with which books you open. How they fit into the world of the Firm is unclear, but they offer such a sceptical, that you’ll forgive the film for that oversight.
  • Chloe Coleman, last seen in My Spy alongside Dave Bautista, makes Macauley Culkin’s old soul seem like hard work. Coleman really looks at home in this world were any children have to grow up fast. I cannot wait to see her in whatever she has lined up.
  • The action is amazing. They are complimented with the set pieces; from a bowling alley to the aforementioned library.

The Bad

  • The plot is a little flawed. Not while your watching, and not on a superficial level. However, I suspect if you spend any time thinking about the lulls between the bangs or if you chose to watch it again; the cracks will begin to show.
  • The violence won’t be for everyone and some bits of the action did leave me with a bit of a queasy stomach.

The Ugly

  • The hate that this film is getting. I don’t understand what movie people saw instead. Please ignore the reviews. Even mine if you need to.

Final Thoughts

John Wick meets Kill Bill, with the stylings of a Guardians of the Galaxy film. Switch of your brain and enjoy.

They Live (1988)

Rating 18
Length 1h 34
Release 1h 34
Director John Carpenter
About Nada (Roddy Piper), a wanderer without meaning in his life, discovers a pair of sunglasses capable of showing the world the way it truly is. As he walks the streets of Los Angeles, Nada notices that both the media and the government are comprised of subliminal messages meant to keep the population subdued, and that most of the social elite are skull-faced aliens bent on world domination. With this shocking discovery, Nada fights to free humanity from the mind-controlling aliens.

Available on Netflix now.

The Good

  • The music has a similar quality to The Thing. That tap, tap, tap… a rhythmic beat that gets completely under your skin.
  • It is a film that will resonate with many people today. The themes of consumerism, political and moral bankruptcy and class divide. Other than the blatant 80s feel of the whole thing, this could be set today and I would not question it.
  • Roddy Piper is that brilliant 80s lead. I did want for Thomas Hayden Church at moments, but in reality Piper is perfect.
  • Keith David marks a welcome reunion between himself and Carpenter. Man, I love that guy and this portrayal is no exception.
  • The use of the glasses and the first time Nada uses them is like Dorothy landing on Oz. The contrast of the colour and the monochrome is just as breath-taking and mind blowing as the yellow brick classic. The visuals of the “they” really are iconic. I just love the whole aesthetic.
  • What an ending. What a brave ending that ensures there’s no sequel. Its a stand alone movie that is akin to something like Get Carter. (Edit: there’s apparently are not one, but two, sequels in the works. I shit you not, the titles are “They Laugh” and “They Love”. I had to check the publication date THREE times to make sure it wasn’t an April Fool’s joke.)
  • That fight sequence. Seriously, it’s such a beautifully crafted piece of cinema. Having a look online before today, it was the one thing I saw popping up time after time. I was a little sceptical and figured it was just fan boys. Nope, that sequence is a work of art. From the choreography, to the camera angles, everything works together.

The Bad

  • Meg Foster’s Holly was a little underused and underdeveloped. I’m not sure why Nada trusts her and I don’t think we’re given enough. The only thing that has me distrusting her is the fact that she’s Evil-lynn from Masters of the Universe, so that most definitely doesn’t count.

The Ugly

  • For how long it takes to set up, it really does race through to the ending. I feel like that once the fight between Nada and Frank the film is just a race to the finish line. I am happy with how it stands, but if I could change anything I would have a bit of a final show down.

Final Thoughts

I was absolutely blown away by this film and I cannot believe that I’d not seen this before. It cannot replace The Thing as Carpenter’s best outing for me, but it is certainly up there.

Yes Day (2021)

Rating PG
Length 1h 26
Release 12.3.2021
Director Miguel Arteta
About Always feeling like they have to say “no” to their kids, Allison and Carlos decide to give their three kids a “Yes Day,” during which the kids have 24 hours to make the rules.

The Good

  • This is the sort of family movie I feel has been missing for the last few years; one that can be put on for everyone. While Jennifer Garner is the ‘name’, its an ensemble effort. It requires no grey matter and will charm everyone.
  • It is fun. Once it lays the groundwork and sets up the family dynamic, the film just allows everyone to have so much fun. It also gives a lighthearted lesson to everyone.
  • Its short, its a simple plot and perfect for a lazy Sunday afternoon.

The Bad

  • The father, Edgar Ramirez, has a beautiful set up for a story arc. Not only at home, which does have some form of resolution, but work too. Unfortunately, that aspect of the story is left at the misway point. Its a shame because it wouldn’t have taken much in that final act.
  • I’m still not sure how I feel about the parent teacher meeting. I know it was there to be the catalyst that prompts the ‘yes day’, but what point was the teachers trying to make? Did they really think that the mother was endangering her children? It felt totaly forced.

The Ugly

  • I don’t know why family films still use the trope of a weird, bording on creepy, charater that becomes an almost running gag. That’s what happened to Nat Faxon’s Mr Deacon in Yes Day. School Councillor meets PE teacher, due to ‘budget cuts’. I’ll be honest, the last place I’d want to find this oddball is in a school changing room.

Final Thoughts

Its not a film I’ll rush to watch again, but I suspect those of you out there with children out there might just want to keep this as on of your go to movies.