Rating 15
Length 1h37
Release 05.06.1998
Director K C Bascombe
About Billy and his lover Rachel set out to find the money they had hidden seven years earlier. However, as they are on their mission, an unseen killer targets them..
Moon: no moon sighting
Where to Watch: Amazon Prime
Trailer:
The Good
Christian Kane does what he has always done best in this film and he plays a conflicted soul. Okay, so I didn’t know just how conflicted or tortured that soul was until the final act, but Kane gives a performance that gives an idea of what is driving him. The performance also gives way to the question of nature versus nurture. He’s a man who wants to be good, but whether it is him being inherently evil, or a persistent childhood in which he’s told as much, he is unable to commit to that.
Kane is the strength of this film and why he should be a bigger name than he already is.
Heading into the third act, the film becomes much more of a standard horror/slasher of the mid-naughts. It’s pretty awesome, particularly as we start to figure out the importance of the cut scenes that randomly (it is not made clear that the woman abducted is any way connected to Billy and Betty) intersect the previous two acts and witness Billy putting all the pieces back together.
The Bad
Rachel Milner works well with Christian Kane as the partner Betty. However, her accent, while consistent, is a tad over the top and broad. Almost as if it was geared towards a theatre performance. The worst of it all is that she didn’t have to be Texan, so she could have used her own.
Okay, I get the need to literally mention the namesakes, but Betty?! You want to name your two children Bonnie… and Clyde? Two siblings, related in every way possible, named after the two most volatile LOVERS in criminal history?! Yeah, fuck that! Bat shit crazy thinking there.
The Ugly
I do love what the film is trying to achieve; a Bonnie and Clyde meets Jekyll and Hyde. Grand, I get it, but the plot makes no god damn sense when you consider it for even a moment too long.
Billy is Clyde, Hyde and all the Jekyll in-between. In an attempt to distract, the audience are given scenes of a shadowed Hyde that make it impossible for Billy to be the sadistic killer. Which is a bit shit given that the title is the biggest giveaway that he’s going to be behind the mask. Yes, the final rug pull, does slot the flaws into place. However, it doesn’t feel like they were made on purpose to make the audience doubt, but instead it feels sloppy.
As for the rug pull of the final scene, in which it is implied that this Billy’s Hell-scape. Damn, I want to like it. However, while it is cool that this man who was wanting to go straight has died and being eternally punished, it is still the ‘… and it was all a dream’ ending and a bit of a cop out.
The vibe I’m feeling is akin to 2003’s Identity in which there’s a massive “oh fuck” moment in the final scene, which you can clearly see a thread of during a rewatch. This doesn’t have that skill, or a big enough cast to pull it off.
Final Thoughts
A pretty decent story that needs a bit of reworking.


