Rating: 15 Length: 1h 37 Release: 17.7.2009 Director: Ducan Jones About: Astronaut Sam, the sole employee working at a lunar station with his computer, GERTY, is nearing the end of his three-year work contract. Just before he returns home, he meets with a fatal accident.
There’s something so very Red Dwarf about the visual production. I felt this great familiarity when it came to the shots on the moon and outside of Sam’s habitat. I get the feeling it was models made to scale, much in a similar way to Red Dwarf in its infancy. The quality is incredible and for me, at least, it gave a bit of comfort. Even the interior felt like it was at least inspired by Lister’s surroundings on Red Dwarf and I mean it as a compliment. For me, the Doug Naylor and Rob Grant British Sci-fi show is my accepted idea of what space travel might look like.
Sam Rockwell! If ever there was an actor who could be pretty much the only person on screen and still keep you invested, Rockwell was going to be that guy. He’s an actor that I would put alongside Robin Williams and, to a lesser degree, Will Farrel. By this I mean that Rockwell seems at home in a comedic role. He’s someone who has their timings right and can make them laugh. Then, just when you think you’ve got him pegged, he shows you that serious side. That Oscar-bait face and boy, doesn’t he just kick you in the feels. Well, Moon gives you both sides and then some. You’ll laugh, you’ll cheer and you’ll cry. This will forever replace Galaxy Quest as my go to movie to introduce someone to Sam Rockwell.
The music! Okay, so there’s a beautiful soundtrack throughout. That’s amazing! However, this movie had one of the best song choices early on. Chesney Hawk’s I Am the One and Only! No longer is the number one hit the theme of Buddy’s Song, its now solely associated with Moon.
Oh so many questions. It’s not bad on the part of the film, in fact its quite genius as it made me want to go back and watch it again. The film, without giving away the plot, made me question a lot of things about society. Philosophical, ethical and even scientific questions. I actually felt overwhelmed at times and there will be some things I’ll ruminate on over the next few days. The scary part of it though, I think I already know the answers to some of my own questions.
I needed more Matt Berry. Everyone needs more Berry. In fact, Matt Berry could have played all of the roles and there still would not be enough Matt Berry. Don’t get me wrong, it wouldn’t be anywhere near as good as what Jones’ has produced, but it still would not be enough.
Kevin fucking Spacey, man! I know this is a time thing, but the connotations and physical response I have from hearing that man’s voice is a detriment to the film. I am aware that the similarities to Hal will have given me some doubt as to the character, but this was more than that. I will agree that this is a prejudice born of an outside source, but it’s not something I can ignore. (especially when I read that the massive douche allegedly only agreed to the role after the film had been made and he’d deemed it worthy of him.) While I would be curious to view this with someone else taking on the role, given it doesn’t require a physical presence, I would not want to put the creators in such a political position. Did get from my rant that I hate Kevin Spacey?! Fucking bastard ruins so many movies that I once thought were great.
This movie, for me, is the equivalent of psychic paper. It’s the Sci-fi of my dreams and I’m only sorry I’ve never seen it where it truly belongs; on a cinema screen.
AKA: Paper Man Rating: 15 Length: 1h 50 Release: 14.4.2014 (UK DVD) Dir: Kieran & Michele Mulroney About: A frustrated novelist (Jeff Daniels) begins to depend less on his imaginary friend (Ryan Reynolds) when he forms a unique bond with a Long Island teenager (Emma Stone).
Ryan Reynolds is just incredible as this larger than life, colourful superhero imaginary friend. This sort of crazy is where he shines. His character is just delightfully absurd and is the saving grace of the movie. He works so well alongside Jeff Daniels. I really wanted more. In fact, it could have just been the two of them for the entire time, and i still would have wanted more.
There’s a scene in a bar in which Richard is befriending the locals. The way in which he has them all hanging on to every word is something I would have loved to have seen more of.
Emma Stone’s character is just as complex as Richard’s. Everything about her individually I love; her background, her anger, her outlook. The only thing I don’t like is her relationship and interaction with Richard. It being the basis of the movie, therefore, becomes a problem.
Some of the film’s choices are massively problematic and, on the whole, the film leaves too much unresolved. What happens to Abby’s friend as a result of the film is quite horrific and the relationship between Richard and his wife is so toxic, but its played out in such a bias way that I don’t know how any viewer can be satisfied.
There’s an uncomfortable line that this film dances with, and it stops it being the uplifting film I certainly wanted it to be. The issue is the establishment of what the relationship between Daniel’s Richard and Stone’s Abby. It takes way too long to suggest that what both are missing the father/daughter bond. By the time its suggested (not established) the creepy/ grooming seeds have been sown. It’s further compacted by the final act; the post party snuggle and her kissing him on the mouth during their farewell. It completely ruins the entire tone of the movie and for at least the first half, I had my finger on the remote ready to turn it off.
There’s a charming indie film hidden under a gloss of grooming and misery. It stops you engaging with the more important, meaningful, aspects.
Rating: 18 Length: 1hr 4o Release: 12.6.2009 Director: Todd Phillips About: For a bachelor party, three best men and the groom take a road trip to Las Vegas. They wake up the next morning to realise that not only have they lost the groom but also have no recollection.
I was working in a cinema when this was released. I’d finished my shift and was in the bowling alley with a few friends when we decided to go check the film out. There’s nothing better than seeing a comedy film on its opening night with a full house. Even a modest comedy can give an audience a false sense of how funny it is. After all, laughter is infectious. I had, over the years, over played this beauty of a film as I must not have watched it in its entirety since I went to London in 2014. So, when I saw it gracing Netflix’s suggested bar this afternoon, I offered it up as the weekly lockdown watch. The big question is: has it aged well?
I don’t think you could have a better cast. From your three leads, to all the support. While at the time, Cooper was considered playing to a type. Phil isn’t much different to his role in Wedding Crashers. However, for me, I’d only really seen him play the boy-next-door in Alias. He held his own in this and was that wonderful caring jerk.
Ed Helms not only has the physical comedy, but he’s able to make Stu likeable whereas someone else could have made him very weak and annoying. Zach Galifianakis plays the character of Alan in a way that I don’t think I appreciated at the time. There’s a real child-like innocence to him and he’s not actually as creepy as I thought ten years ago. He’s also incredibly stupid, which leads to a lot of the film’s humour.
The opening is just brilliant. In a tv show, this sort of opening is commonplace, but on the big screen its a refreshing way to open the story and gives us an idea of whats at stake. Its the perfect point to have as an anchor.
It is one funny movie. Even those that I know haven’t aged well work because of who is saying them. I haven’t laughed so much at a film in a long time and really has lifted my spirits in this lockdown era. Its a quotable monster of one liners and witty dialogue.
The homage to Rain Man is brilliant. Haven’t seen the film, but I know the reference because of how iconic it is. I love that its also tied in with Alan’s mimicry of Phil. Just perfect.
There is an overuse of homosexual slurs in this movie. The very fact that one was dubbed over for the trailer is very telling. Its not isolated to one character either, which could be reflective of the character. Yes, its a film made a decade ago and things have changed. Doesn’t mean I have to be comfortable with it.
In terms of the character Stu, I do wish he’d not asked out Jade. Him leaving the really vile girlfriend is a big win for me and I just want it to be because he wants out and not because he’s too scared to be alone, but now has a fix. I guess on the other hand, it shows how invested I am in the character.
I don’t like the police brutality scene. Now, I am also aware i’m watching within a contextual bubble and that right now there are many riots occurring due to police brutality upon black people. As it stands, I didn’t like the performance of the male officer and I most definitely didn’t feel comfortable about how this man was teaching children how to use stun guns and then get them to use them on the leads. I laughed back then and even now, I did have a little chuckle when it comes to bringing down ‘Fat Jesus’. However, the laughter doesn’t last long.
Even with its flaws, The Hangover remains one of the best comedy movies I’ve ever seen. Today, it was the antidote I needed for the last 10 weeks of isolation. Not only for the comedy of the film itself, but for the nostalgia of a time I really miss.
About During an interview, British Cabinet Minister Simon Foster (Tom Hollander) delivers an off-the-cuff remark that war in the Middle East is “unforeseeable.” Profane political spin doctor Malcolm Tucker (Peter Capaldi) tries to cover up Foster’s faux pas, but the ill-conceived comment is picked up by a warmongering American official. Foster is invited to Washington, D.C., where a war of words brews as politicians maneuver, manipulate and deceive each other before a U.N. vote on military action.
I like that you don’t need to have seen The Thick of It to watch this film. I’m certain there’s value added for fans, but I certainly didn’t feel lost. Well, no more lost than I ended up being with this car crash of a film.
There are some amazing lines in this film. Yes, I’m childish, those lines do mostly involve swearing. From losing count of the amount of fuck’s Capaldi uses to his wonderful ‘fuckerty bye’ I was giggling.
Tom Hollander steals the show for me. He’s the satirical incompetent stereoptype who seems to have slept walked into office. He’s genius and the film would have been greatly improved had we have had him as our sole focus for the film.
It’s plot is a mess. A hot fucking mess. We’re here, we’re there. It’s just shit! To quote the film its ‘arse spraying mayhem.’
Party of the problem perhaps was the attempt to ‘appeal’ to an American audience. I don’t know what it is about the media industry, but Dr Who should have taught the BBC that ‘making it more American’ is not the way to do it.
The biggest problem for me is the nature of it being largely an improvised comedy. It’s humour feels stunted and rather hit and miss. Yes, there’s some amazing lines that do raise a chuckle. However they’re very few and far between.
The handheld camera approach just fucks me off. Especially when you consider that this isn’t presented as a documentary. At no point do any of the characters acknowledge the cameras. Which begs the question, why the fuck bother invoking headaches?!
It was just a bit of a clusterfuck if I’m honest. I’d love to say the removal of the handheld would have improved things, but I doubt it. All in all, I’d have rather have watched Capaldi saying ‘fuckerty bye’ repeatedly for 2 hours than this.
It’s Trek Jim, but thankfully not as we know it. JJ Abrams has taken over the directing helm and brought a long dead franchise back to life; all it needed was a push to the re-start button.
From the first stardate to the echoes of the final frontier there’s subtle nods to keep the hard-core Trekkies happy, enough action and comedy to keep Abrams’ fans at bay and explanations for those who’ve not explored the strange new worlds.
Star Trek’s reboot follows the prickly beginnings of Kirk and Spock’s relationship and their familiar crew on their maiden voyage upon the USS Enterprise having been thrown together fresh from Starfleet Academy to stop villainous time-travelling Romulans hell-bent on revenge.
Chris Pine moves from the Disney teen leagues and plays the rebellious charmer James Kirk down to a T; the Just My Luck star keeps the tone of Kirk while still making the role his own.
Up for filling Spock’s half Vulcan ears is Heroes’ Zachary Quinto. Not only does he wear them well, he brings to the screen a personal battle of identity as the conflicted alien of two world; enabling him to clash delightfully with the ever impulsive Kirk.
Among the remaining crew are Karl Urban, John Cho and newcomer and one to watch Anton Yalchin playing McCoy, Sulu and Checkov respectively each having their own moment to shine. It is however Simon Pegg as Scotty who provides the films gem moments between the lulls of battleship action. The sequence that transpires as a result of a transporter mishap is certainly not one to miss.
The battles and villains have had an upgrade, the clever script acknowledges the Trek universe without leaving the unconverted drowning in a sea of techno-babble and the refreshing comedy will leave all stunned.