TV REVIEW Star Trek Discovery: Series 2 Episode 5 Saints of Imperfection

The episode opens up on Michael’s face and wow, this is the first of many examples within the episode that demonstrates that all the actors can convey so much without uttering a word. Both Michael and Stamets break my heart in that opening scene. I do find it interesting that over the next 20 minutes or so the crew are attempting to establish that Tilly is still alive. It was something I never questioned.

The episode really brings the dialogue to the forefront; most of my notes are simply quotes; from Michael’s log insisting ‘I want to have faith. In it’s absence, only duty remains.’ and Section 31 opperative downgrading of Pike’s concerns ‘there are always lives at stake, that’s what keeps us employed.’
Of course, the most important part of dialogue comes from Pike when he informs the crew of Stamets’ plan to rescue Tilly from the mycelial network. Pike’s speech about Starfleet being a promise is a recurring theme that spans the rest of the episode and ensures the two halves join together effortlessly.

The visuals in this episode are incredible; the drop of the apple seems strangely important but regardless it was a beautiful cut. Then there was the visuals when Discovery is acting as a doorstop to the network. I want that image on my wall. It’s these clean and effective visuals that make this stand out from the rest of the franchise.

Of course, it’s the actors that make this show the addictive watch that its become. This episode had a lot of people to play with and they all bring their A game. Not only that, but the episode doesn’t feel bloated or strained. There are very few shows who could manage such a big cast in one episode without loosing some of the quality. Obviously, there are some standout performances and amazing returns, but no one flounders. The one shame of the episode is that Reno disappears from last week’s episode and I really would have liked to see her help Stamets as it feels odd.

Then, just when I can’t think the episode can get any better I start to get a sneaky feeling the monster Tilly has been brought into the Network to kill is Hugh! Amazing Hugh, who was taken from the crew mid series last year in a shocking reveal and cover up. The added blow of Wilson Cruz bowing out was that Rapp lost the person he had the best chemistry with. Yes, it gave Rapp a wonderful gift of character development but I wasn’t ready to lose Hugh.
I can’t quite work out if Hugh’s return was planned or fan wish fulfillment and that is exactly how it should be. Most importantly, I don’t care either way because it’s been so well written that I believe it. It also has me thinking; is it the real Hugh or is it a clone? Most importantly, will that have consequences? I can’t wait to find out. I can’t wait to see Rapp and Cruz working together and I’m very curious as to the backlash of Ash being back on board.

Final Thoughts

This episode felt very much like a game of chess; players are being moved and ready for what I suspect is going to be an action-fueled climax. We even got an appearance of Admiral Cornwell who orders Captain Pike and Section 31 leader Leland to play nice and work together to find Spock.

Love Han x

TV REVIEW Star Trek Discovery: S2 Ep4 (An Obol for Charon)

What an episode. Okay, plot wise we don’t get much by way of progression. However, we have so much character and relationship development and it’s beyond perfect.

Saru

Saru is our main character in this episode. Upon being held captive by an organic entity, Saru’s biology betrays him and he begins to go into what he believes to be a terminal condition. What I loved about this thread was that we learnt even more about Saru’s species and how he ended up working within the Federation. It’s quite a heartbreaking watch and Doug Jones demonstrates his skills; not only is he able to embody the pain and empathy that Saru feels, there’s something hypnotic about watching his broken body struggle around Discovery.
The joy at the final act reveal is only surpassed by what it might mean for the character. We’ve had 19 episodes with an alien who is susceptible to fear and was the embodiment of caution. Without this and discovering everything he knew of his species was a lie, I can’t help but wonder what lies ahead for this character.

Tilly, Stamets and Reno

I’ve missed snarky Stamets. It’s been too long since we’ve witnessed a closed and stand-offish engineer. I have obviously enjoy the character break down the walls and warm up to those who work closest to him, but it was a joy to see him clash with Tig Notaro’s Jett Reno.
How they spar over the way they see the future of technology is wonderful, and one that is played just right. Its a play that could have gotten old fast, if it was handled by lesser talent. I’m hoping this is the start of a beautiful friendship; when it comes down to it it is a balance of both of their insights that they need. When things that got critical, they bounced off each other as all good scientists do.

“Hey kiddo…” Have I said that I love the growing relationship between Stamets and Tilly? It’s something that I don’t feel we’ve seen with such sincerity in a Trek franchise before. The care and trust that the actors bring to the characters is heart warming. Although, their rendition of Space Oddity was beautiful and haunting. It almost had me in tears to think that Stametts was using it as a form of distractions.

And of course, there’s a bit of a game changer to the resolution of this plot thread. In a Stranger Things/ Shawshank homage, we discover that Stammets wasn’t completely successful in keeping Tilly safe. I dread to consider how we’ll find Stamets when we pick up again next week.

Saru and Michael

I have never cried at Star Trek. I think as a kid I was relatively detached from the shows to be so emotionally involved. However, there’s a few things in the show that really had me invested in the relationship of these two characters and what each was experiencing while Saru was facing death.

Firstly, we’ve seen from the first series that Discovery has no hesitation in killing off its main crew so I did spend the entire episode believing that this was the last we’d see of Saru and Doug Jones. Throughout the franchise we’ve seen semi-regular characters die; Tasha Yar springs to mind and there is also the shocking departure of Terry Farrell in Deep Space Nine. However, its very rare to see a main character leave so early in a show. I’m completely in disagreement with my father; upon finishing the episode he expressed that they took it too close to death to u-turn. I think it was necessary in order to show how much the relationship between Saru and Michael had grown and the impact it’ll have on Michael’s relationship with Spock.
I loved the whole thread that saw Michael caring for Saru, but it was that death-bed scene that caused me to cry. I can’t help but compare it to Eastenders and the heartbreaking scene between Dot and Ethel all those years ago. Saru was requesting Michael participated in voluntary euthanasia. The words weren’t said, it wasn’t used as a way of looking at it in a political way but it still held the emotional gravitas. As a relationship, Saru and Michael have progressed, in such a short space of time, from at-odds colleagues to friends, and now family. It was beautiful and will be something that can only get better.

Final Thoughts

I still have reservations about the Spock story arc. It’s nothing to do with the storytelling, at all. It’s just that I can’t help but feel like I’m in the middle of a puzzle and I’m sure I missed something. I know I have to be patient, I know by the time series 2 is wrapped up I’ll be satisfied… but, well lets put it this way; if I was a Kelpien, my ganglia would be showing.

Love Han x

TV Review: Star Trek Discovery (S2 Ep3- Point of Light)

Another strong episode for the show that is finding a wonderful balance between episodes that work as a stand alone but also work towards a larger story. It’s so natural that there’s no need for the dreaded ‘To be continued…’ fans used to fear.

There’s a welcome return of Shazad Latif, Mary Chieffo and Michelle Yeoh for the first of three main plot threads in today’s episode. I do love the Viking and tribal or clan-like homages made while we spend time with the Klingons. It’s not something I would have normally liked, but this had my attention from the start.
I found Ash/Vok’s situation well acted from everyone involved and that brought so much emotion to the surface. I immediately wondered if this was Discovery creating an explanation for the appearance of TOS Klingons. It still might be and, if so, this show just keeps winning me over.
By the end of the episode, I can’t help but feel we’ve seen a back-door pilot of sorts and can’t wait for more news on Yeoh’s upcoming spin-off.

Michael Burnham spends the episode chasing leads as to where Spock may be. Unfortunately, it does seem by the end of the episode she’s further removed from more than just Spock. I am torn as to whether I am happy with how this story is playing out. The questions are starting to rack up and I feel a little Lost! No, I capitalise correctly, because I feel lost in more ways that one. I have this anxiety that the questions will topple long before I get an answer; much in the same way Lost did back in the day.
That said, I had my reservations about the pre- Kirk setting and I was very happy to be proved wrong by the end of series one. I really do hope we get some resolution soon. Or at least someone else sighting the red angel.

Finally, there’s Tilly and her little ghost stowaway. For the love of Roddenberry, it was heart breaking seeing Tilly so vulnerable. From the outburst on the bridge, to her tear ridden reveal to Michael I was feeling her pain. If Mary Wiseman isn’t at least nominated for an Emmy in the next awards season, I will eat my hat. (I don’t have a hat, nor do I understand awards and nominations, but guys she deserves all of them)
I loved that it was Stamet’s she needed and that it wasn’t as clear cut as I’d predicted last week. As always, Rapp is a delight to have on screen and this was no exception. With his help there was a resolution of sorts. It’s definitely not the last we’ll see of May, but at least Tilly is out of harms way.

Final Thoughts

If this show keeps going, this is going to very quickly replace Deep Space Nine as my favourite in the franchise. Something that I never thought I’d see.

Love Han x

TV REVIEW Star Trek Discovery: S2 Ep2 New Eden

About: A new signal brings the Discovery to a distant planet, Terralysium, that is inhabited by the descendants of human survivors of World War III, which was fought on Earth 200 years earlier.

Picking up from last week’s reveal, Discovery follows a second inexplicable signal that Spock. Discovery does what Discovery does best and hops across the quadrants to discover a planet over 200 years away and the only way our crew got to it was through use of the spore drive. So, how are their humans on the planet whose lineage implies they’ve been settled on the planet before the development of warp drive on Earth?!

One of the key parts of this episode could retcon all of the franchise and put to rest fan frustration that has existed since the first series. The concept that Kirk on the Original Series was exploring ‘new life and new civilisations’, yet in almost every episode came across humans who got there before Enterprise. It’s a retcon I can get on board with; especially if it stops my father grumbling about this exact thing every time he watches Trek.

It is Pike’s response that wins me over.

“Someone wanna tell me how they got here?”

He implores right before we cut to the credits and my inner, and outer, geek dances. I love the idea that they are clearly discovering a new planet, as so they should, but there are humans already there and everyone is as confused as fuck; and unafraid to show it.

Pike is our every man. For the love of Spock, I hope he’s not a bad guy. I wasn’t sure about Pike in the series 2 opener. I’m more familiar with the Bruce Greenwood incarnation and I was feeling the loss. No longer. Having watched The Original Series double episode, The Menagerie last week along with New Eden, I can safely say Anson Mount is a welcome addition to the bridge of Discovery. Not only does Mount seem to blend both Greenwood and Jeffrey Hunter’s portrayals; he brings something of his own to the role.

It’s through Pike we get the main theme of Science versus Religion. I have a feeling this wouldn’t suit all audiences but I, being someone who has spent the last 9 years teaching RE, adored the exploration of this theme and the fact that Pike’s character clearly has more history when it comes to this. I admire the creative team’s development of a new religion that blends all of the sixth main world faiths. It logically and emotionally feels organic when you consider that there was an amalgamation of people who were moved to the planet. This is seen best in the redacted and edited scripture.

In fact the exploration of the church was my favourite scene. Not only was it able to give us an idea of what the colony was going to be like, it provided a teaching moment. Michael goes to read the scripture and Pike informs her just to look at the windows before explaining that the stained glass was there for that purpose.

“It was how they would teach the Gospels to those who couldn’t read.”

I was a passive viewer of Star Trek until I was 11 years old. I’d become a fan of Deep Space Nine, 3 years earlier, but it wasn’t until an episode of The Next Generation helped me in a Science lesson that I embraced the whole franchise. Worf was injured and spent most of the episode in sick bay where the doctor explained about the spine and its relationship with the brain. The next day, our Science lesson looked at the spine and I received a number of credits for correctly answering a question. One I would not have been able to answer without the episode. Any time an episode has a teaching moment, I inwardly smile and wonder if there’s some teen out there who’ll benefit from that nugget of information.

This plot strand brings with it one other major debate that is seen time and time again; the prime directive and the ethical standing it brings. This clearly isn’t a normal situation and is one that should be discussed. It’s a problem that when you break it down is something any viewer can relate to; an absolute rule to fit situational ethical problems. Or, square peg, round hole. I love that no one finds the directive easy to follow but more so, I love that it’s the Vulcan raised Michael that finds it hardest to follow.

On the ship, it’s a Tilly focused episode. There isn’t a character I don’t like on this show, but I bloody love Tilly. She’s The Doctor; it will forever be head canon for me and a dream casting that Mary Wiseman will be given the keys to the Tardis someday. Her caffeinated problem solving brings the two plots together and ensures the episode is neatly wrapped up; for now.

The plot develops not only Tilly’s character but reinforces some amazing relationships that are strengthening this show. Last week we saw her sadness of Stamet’s announcement that he was transferring. Her ‘I don’t want you to go.’ Was heart breaking and its clearly the motivation for her actions that see her in the med bay. Don’t get me wrong, I’m happy to see Rapp on my screen full stop, but his chemistry with Wiseman is delightful, charming and something I would never have expected this time last season. Tilly has broken down Stamet’s hard and frosty exterior and I can’t wait to see them become firm friends.

Viewers also get some wonderful interactions between Tilly and Saru. Saru is a mentor for Tilly; she respects him and wants to learn from him. However, there’s that parental undertone that I can’t help but smile at. Tilly doesn’t want to disappoint Saru, and Saru just wants her to be safe. While there’s not much to the interaction, I think it’s forming a foundation for the rest of the series. I’d love for the show to last long enough to see her take command.

Not only is this my favourite episode of Discovery, I think this might be my favourite Trek episode of all time. The story is fascinating, the special effects, sets and costumes are nothing short of beautiful. Not only that, I’m invested in the characters and I cannot wait for the next episodes.

Love Han x

Doctor Who Resolution Review

Doctor Who

Series 11 Episode 11

Title: Resolution

Rating: PG

Length: 45 minutes

Air date: 1.1.2019

About: As the New Year begins, a terrifying evil is stirring from across the centuries of Earth’s history. As the Doctor, Ryan, Graham and Yaz return home, will they be able to overcome the threat to planet Earth?

The Good

As always, Bradley Walsh is incredible. His blend of sincerity and humour is perfect for the role. How his character handles the loss of his wife and the arrival of her surviving son is nothing short of emotional.

Speaking of Aaron, son of Grace and father of Ryan, that subplot was heartbreaking and well crafted. The acting brought to the forefront the ongoing grief of the characters and really is getting important messages across.

The guest characters of Lin and Mitch are a good addition and Charlotte Richie could be remembered as fondly as Carey Mulligan and her Blink character Sally Sparrow.

The setting under the roads of Sheffield was stunning, atmospheric and something I’d have liked to have seen more of.

The Bad and the Ugly

I wasn’t completely sold on the opening sequence: it didn’t gel with the rest of the story.

The UNiT sequence, which gained a little chuckle, was too political and soapboxy for my liking. I also feel that it would have been a perfect time to call in Captain Jack. While I know John Barrowman has a very busy schedule, but the show is doing a disservice to the show, the character and the fans by ignoring his existence.

The biggest mistake Chibnall made for me was this article (

https://www.google.co.uk/amp/s/www.telegraph.co.uk/tv/2018/09/11/no-daleks-cybermen-new-doctor-says-chris-chibnall/amp/), published in September 2018. The episode lost my attention when the revealed the Darlek. It didn’t matter how clever, or original the first half was; I’d been taken for a mug. I’m not sure if it was to engineer a ’twist’, but it just felt contrived and a slap in the face to fans.

It highlights a larger problem I have with tv shows and responding too much to social media opinions. It degrades the integrity of the storytelling and Dr Who is not the only one guilty of this. Check out my post on shows that jump the shark.

Final Thought

I’m worried. Chibnall had started strong with Jodie, but bringing the Darleks in makes me think he’s already run out of ideas. Having to wait until 2020 for the next series is not filling me with much hope either; it stalls the narrative and again, makes me think the BBC are not as invested as they once were.

The Flash S5 Ep1

And into Season 5 we go. While The Flash is a show that on the surface improves each season, I really didn’t enjoy season 4s antagonist; the phd and his wife. Season 5s opener, however, is a strong episode that reminds viewers of plot threads from last year along with some hints as to what’s to come.

The theme of responsibility is at large and I think will play a big role in this season and my favourite thing about the episode is the fact that we’re not introduced to what could be the season’s big bad until the post credit sequence.

Some highlights

Schunchie-do-hickie I do love Cisco and drunk Cisco is the awesome. But the best? Hungover Cisco is best! “Don’t drink and vibe”.

It really annoys me that this would have been a perfect time to get Tom Felton back! ‘we haven’t filled your position.’ – You used to have two people work the lab, how on earth do you not have someone in the lab. You have no idea how much I loved his chemistry with the team.

Awwwww the scene with Barry and his daughter. It was so sweet to see them interact and bond. Although I do fear she might be like Dawn in Buffy or the original annoying add on, Scrappy Do; the actress is adorable, but the character is annoying.

Ralph! I love his misunderstanding of time travel. I’m so happy the brought him back last season. The presence of Ralph also gives me hope in the sense that Ralph was the Scappy Do of Season 4 and he won me around so much that points have to be given to the actor for such a good job.

Nora and Iris bonding. I love that she is happy referring to Barry as Dad and embraces the role of “mom” like a duck to water. It’s an amazing parallel to Barry and how he’s uncomfortable he is calling Iris mom. Her scene near the end where she cries is just perfect. I’ve never been massively fond of Iris, for reason I can’t quite put into words, but this role of Mom really fits the character.

Cisco and his references. He’s my man! Damn, the ‘I am fortunes fool’ line; why don’t these guys exist in real life? Be still my hear, he knows Trek, Movies AND Shakespeare! Sigh! He’s too perfect.

There is a wonderful moment where Barry remembers a lesson from the wonderful Wells and it just reminded me; I can’t wait to see which incarnation we get next. Wells is my favourite plot point about the Multi-Verse! The fact that they have this brilliant actor who can bring these character to life… Gah, I just hope its not too long before he’s back

 

Star Trek Discovery S1 ep7: Magic to Make the Sanest Man Go Mad

Star Trek Discovery
S1 ep7: Magic to Make the Sanest Man Go Mad
From IMDB:
As the U.S.S. Discovery crew attempts to let loose at a party, an unwelcome visitor comes aboard bringing about a problematic and twisted sequence of events.

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My favourite episode so far; it takes an old school Trek idea and makes it feel fresh and new.

The Logical

This is the first episode where the ‘previously on…’ and the title sequence run one after the other. Immediately I feel like something different is going to happen this episode. This then leads naturally into Michael’s ‘ship’s log’. It does feel a little bit like a homage to the recent films, but it still is a nice touch.

We get a party. A proper party. Not one of the stuffy things of Trek of old. There’s alcohol, there’s loud music and there is fraternisation. We get a drunk Tilly, and its genius.

Michael and Ash are being established as a romantic couple. It’s not subtle, it’s beautifully organic and totally fun to watch. Especially as the episode progresses and Michael is able to explore her emotions.

The plot develops around a returning fan favourite; using the good old trojan horse trick to get on board. However, it’s not the only old trick in the book that the episode uses. Henry Mudd, seeking his revenge uses a temporal loop to gain information about Discovery. It’s delightful and fun. And you know what makes it different from other shows that use this plot device? We don’t follow the character that is exempt from the loop. It’s our resident Stamets! I did tell you I loved him, right? When asked about the second run through, Stamets has to correct them:

“Multiple times actually, and I’ve yet to get a win for the home team.”

If you loved Stamets before, you’ll be bursting with love after seeing be all positive and joyful. Even more so when you see how he responds to Michael. The best part was watching him teach her how to dance.

The time loops develop to a musical crescendo and by the episode’s time runs out, everything is resolved and Mudd is sent off with a beautiful wave from Stamets.

The Illogical

Call me cynical, but was the Gormagander the alien of the week to coincide with the release of series 2 of Stranger Things?

 

Final thoughts
No Klingons and, surprise surprise I loved every minute of this episode. I’ll let you into a secret; I didn’t have any illogical points and I think the timing of the episode was genius.

The Flash S4 Ep1 The Flash Reborn

The Flash S4 Ep1 The Flash Reborn

Description: Barry is brought out of the Speed Force to help fight an armored villain, but he isn’t the same person.

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MIA

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H.R. Okay, so we know he sacrificed himself last series, but I want to take a moment to acknowledge his loss. I think H.R was the best incarnation of the multiverse character. While I would be open to another search and recruitment, I’m not sure I’m ready for one.

By extension, I was very disappointed to not welcome the return of Anne Dudek’s Tracey. I’m aware of her role as the romantic interest of H.R, but she worked well with the whole group and I’m just a little sad that they didn’t explore this.

 

 

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Tom Felton’s Julian is now back in London, having returned post finale. Again, this is something I feel was a massive shame and I’m hoping it’s more to do with Felton’s schedule than anything else. I loved his friction with Cisco and the fact that Caitlin had moved on and found love again. He added so much to the dynamic of the show.

 

 

 

 

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The Flash himself remained missing for most of the episode; both physically and mentally. Up until the last few scenes there is nothing recognisable in the returning Barry Allen. It’s wonderful to see a change in the acting range of Grant Gustin, however it was nice to get Barry back before the credits rolled.

 

V.M.H (very much here)

Cisco and Caitlin were on form this episode. Cisco has always been a firm favourite of mine. They need to give him a relationship A.S.A.P (I volunteer as tribute, of course).
They had some brilliant banter as Cisco recalled her for duty and I duly noted the Hitchhiker’s reference.

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Designated Survivor S2 Ep3: Outbreak

Designated Survivor S2 Ep3: Outbreak

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Description:
The activities at the White House this day include Kendra’s first major assignment of mediation between affected stakeholders of what to do about a statue of a Confederate war general in Tennessee, he who is now deemed a racist – keeping the statue at its current prominent location which has an unexpected supporter – and the unveiling of a creature biologically named after Tom. Lyor finds the choice of creature offensive to his boss while Seth has to figure out a way to spin it positively to the public. These issues take a back seat when a public health crisis occurs, with a deadly avian flu outbreak in South Carroll Parish, Louisiana. First reports are that there is a forty percent fatality rate of those infected. Dr. Tammy Bruner with the CDC believes the outbreak will spread throughout the country in the matter of days if not contained despite the relatively isolated nature of South Carroll Parish. Dr. Bruner heads to the front line to deal with the outbreak. Although she reports back that there are no current pharmaceuticals to prevent the flu and that the development of a vaccine would take months, she believes there is an experimental drug developed for a different purpose by a pharmaceutical company owned by Carlton Mackie that may control the flu. Although Mackie is somewhat cooperative in his initial meeting with Tom, Tom learns that Mackie has different priorities, such as making money and ensuring the long term viability of his company, which, if he gets his way, would result in unnecessary immediate deaths in South Carroll Parish, a relatively poor and predominantly black community. The other goings-on in the White House this day could affect what happens between Tom and Mackie. Meanwhile, Chuck is trying to decrypt the file Lloyd sent to the cloud before the drone strike, while Hannah and Damian continue to follow up on the incident at the First Lady’s mother’s house. They know that Lloyd’s actions there were not by accident, he leaving a trail of bread crumbs to what he wants them to discover whatever it is.

 

I identified four main threads in this episode:

  1. Influenza outbreak
  2. Memorial statue of a political racist
  3. Hannah and the mother-in-law’s house/ Lloyd’s treasure hunt
  4. The turkey… sorry, frog

 

ONE
It was an interesting story thread, one that would later interweave with the second thread; one supporting the other. It was an interesting exploration of capitalism and I’m still not quite sure which side of the fence I sit on.

While I understand it was a time of crisis and that the pharmaceutical company should have an obligation to help. I can’t help but empathise with his detached outlook on the bigger picture. Yes, Tom’s declaration that he needs to consider the greater good is a solid argument, however I disagree that the town is the greater good when you consider the company’s thinking.

Using a drug not yet approved by the FDA would put the company at risk for the future, reverse engineering by other companies, certain bankruptcy and guaranteed blocks by the FDA would all lead to other antidotes and cures remaining undeveloped.

I felt uncomfortable with Tom’s tactic of publicising the company head a racist due to his inaction. Yes, it gets him what he wants, but I’m teaching my students about using a race card appropriately. Positive discrimination is not always a good thing; and I do believe that the company in questioned would have made the same decision regardless of the ethnicity of the town’s occupants.

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TWO
This was quite incredible and an example of not only positive discrimination, but white privilege as well. There is a mediation meeting being held about the movement of a monument of a Confederate war veteran. Many deem it a sign of long past racism within Tennessee and would prefer it to be moved from its prominent location.
However, Rev. Tramer Dale, played by the delightful Ron Canada objects to the monument’s move; to the disgust of many stakeholders in the room. Now, this is a topical discussion for me and I found it interesting reflection upon my opinion one the episode finished, because if someone had presented this to me without the Reverend’s input, I probably would have agreed to the move.

You see, being a white woman from Liverpool I have some understanding about the problems these people faced. Many streets in my home city are dedicated to those who took primary roles in the slave trade and prospered greatly as a result.

Being a contentious issue, there is often debate and discussion about the renaming of these roads.

I am ashamed of our history. I am ashamed at our heritage and I wanted them removed. I argued, at length, with my father about this exact thing. However, I now have to rescind. Mainly because Reverend is right; by doing so, you are white washing history. By keeping it there as a testament of the past, it ensures you don’t forget. Of course, I’m not going to tell my dad that.

American history is a little bit more convoluted, however and I can see why Tom is insisting on a compromise from Reverend Tramer and they discuss the virtue of absolutism; something I would be interesting in discussing with students in school.

My favourite moment comes from Reverend Tramer and Mike. When asked if he can lead a long time role model of his out of the White House, Tramer responds

“no, but you can walk with me.”

There is something affirming about being seen as an equal to people you regard highly. Such a touching moment which has its parralell conversation towards the end when Tom declares to Mike:

“It’s 2017, we should be talking about everything and anything but this.”

The strange thing, it’s true. In the last few months as a teacher and as a UK citizen I’ve been overwhelmed with the number of racist incidents that are happening on a daily basis. I don’t see colour, I don’t understand why people are treated in such abhorrent ways. I only hope the job I do is making a difference and is ensuring a better future for people.

THREE
Hannah is back to following the bread crumbs and it just feels a little lacklustre. The British lapdog is irritatingly inconsistent with his accent; appearing to speak in his native tongue more often than not. I didn’t catch why, but I’m very glad he’s bidding Hannah farewell by the end of the episode.

While I love Hannah, she’s needs something a little bit grittier to get her hands on in the next few episodes or it will lose me. This was my reason for getting into this show, and they’re neglecting it.

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FOUR
The frog! Yes, it was funny. I was ammused by newcomer Lyor’s response to the amphibian and his brash behaviour to the animal expert. Even funnier was that everyone agreed with him that the frog was not the best animal to be dedicated to the president.

Yet, I predicted where Tom would fall with this. I knew from the outset that upon seeing the new West Wing occupant, that he would love it.

The shame? That this was a mediocre replay of West Wing’s C.J and the turkeys and it leads me to a bigger concern; Designated Survivor appear to be using the West Wing play book, and that’s not okay with me.

Supergirl S3 Ep1 Girl of Steel

Supergirl S3 Ep1 Girl of Steel

Description: Kara deals with the loss of Mon-El by focusing her energy on being Supergirl and concentrating on a mysterious new threat. Alex confesses a secret to Maggie. A citizen of National City has a mysterious connection to Kara. Lena makes a bold move.

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Supergirl has come so far since its first series and I’m no longer fearing its cancelation. However, I’m no longer enjoying my weekly viewing either. It’s missing some of what made series 1 work. I know part of that is Calista Flockheart, but it’s also something more as she makes a cameo this episode, and it doesn’t help much.

Series 3 opens on a rather sad note. Kara’s emotions are raw from the departure of Mon-El. She’s grumpy, apathetic and channelling her inner Buffy Summers from season two’s opener When She Was Bad. It’s actually quite realistic of a breakup and while it depressed the hell out of me, it was good to see even superheroes have issues they struggle to overcome.

Having Heroes alumni Adrian Pasdar play the villain of the week was a little too obvious. The once Petrelli brother is about one role away from being type cast. This storyline, as a result, did nothing for me.

Kara’s sister, Alex, has a wonderful heart to heart with both Supergirl and, later, J’onn J’onzz. While I miss Chyler on Grey’s, she is the perfect fit for this show. Her scenes are moving and heartfelt; so much so that I was reduced to tears by the end.

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I’m so very happy that they seem to have dropped the Guardian story arc from series two. I’m a little upset at how they’ve adapted and evolved Jimmy Olsen since the shows start and I feel the character is very much picked up and dropped as the narrative requires. I don’t want to lose Mehcad Brooks from the show, but they need to figure out what they’re doing with the character.

I am loving the friendship with Lena Luther, but I’m expecting a fallout from Kara’s failure to disclose her identity at some point. I was sensing a potential romance between her and Alex (knowing Floriana Lima’s Maggie is not long for our screens), however the addition of Odette Annable has made me reconsider this.

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Designated Survivor s2 Ep2: Sting of the Tail

Designated Survivor s2 Ep2: Sting of the Tail
Description:
FBI Agent Hannah Wells finally closes in on Patrick Lloyd, but when the president decides to take action during the White House Correspondents Dinner, members of the Homeland Security Council threaten to derail their plans.

My biggest question around this show, and some others, is: in a time of catch up tv, why do we need a ‘previously on…’? It’s starting to irritate me, and I would rather have a ‘skip ‘previously’ button rather than an intro.

I made very few notes regarding this episode. The show is certainly going a different direction to the previous year and the conspiracy storylines are taking a back seat to the politics. It’s a shame as there are shows out there that have done it better and it feels like Designated Survivor is treading stagnant water.

I’m talking here about the comparisons that can be made between this and the mighty West Wing; a show that has aged well and is as relevant today as it was when it was initially airing.

I predict that Lloyd’s attack on the home of the First Lady’s mother was put in place to bring in a new character. I also feel that the children will not be seen much this season; choosing instead to reference them when possible. This also raises a concern for me; I am aware of audience hatred for the son and I can’t help wonder if that is one of the reasons for the decline in his appearances. I hope not, as it shouldn’t matter what an audience think. It’s the creator’s story; they should be the ones to tell it.

Star Trek Discovery: S1 Ep6 Lethe #hanreview

Star Trek Discovery: S1 Ep6 Lethe

Description: The USS Discovery crew is intrigued by new addition, Lt. Ash Tyler. Sarek seeks Burnham’s help, rekindling memories from her past. Admiral Cornwell questions Lorca’s tactics.

Logical

The developing relationship between Michael and Tilly is wonderful and has an opportunity to grow further in this episode. It’s clear Tilly respects Michael and wants to learn from the officer. She’s unlike any character I’ve come across in the franchise before; Tilly is geeky in a way that sets her apart from other crew. It’s refreshing.

Lorca’s PTSD is beginning to show. It’s quite amazing the contrast of the intimacy to the violence. I’m actually loving this instability within a Captain; and is something they’ve never shown before. Both Pickard and Sisko would have most likely shown this level of PTSD over time.

Even Vulcan’s have daddy issues. Such a brilliant storyline between Michael and Sarek. I love the dream sequences, the reveal and the aftermath. Wonderful writing and it marks the first time I’ve been happy about it’s placement in the timeline.

Erm, okay Kat; can you honestly tell me you didn’t see that coming?! That was a bit rubbish, but I’m more intrigued by Lorca’s response; is he in on it? I get a sneaky feeling he knew she’d be taken, or that he even suspected she would be killed.

Paul, Paul, Paul. I love the engineer. He uses words like ‘groovy’ and ‘noggin’ and totally rips the piss out of Michael. He’s wonderful and his sarcasm is the funniest thing on Star Trek, ever. I need a Paul in my life.

Illogical

‘Your History is well documented’ – Lorca to Michael. Well, it isn’t really is it?! If it were, we’d already know about Michael.

Sarek saved Michael’s life by sharing a horocrux, sorry, katra with Michael; meaning they are intrinsically bonded. Again, really?!

The cheesy Barry White-Like bedroom music?? There was sexual tension between Lorca and Kat anyway; did you really need to cheapen it. Equally, I don’t feel Kat’s anger is justified. Even if you suspected; you wouldn’t put him in charge of such a ship.