U-571 (2000)

Rating 12
Length 1h 56
Release 02 June 2000 (UK)
Director Jonathan Moscow
About  A German submarine is boarded by American submariners disguised as Germans. They must infiltrate the security and steal the Nazi’s top-secret Enigma machine.
Streaming on Netflix

First Thoughts

This film was released during the height of my love for Bon Jovi; the band and the man. Not only that, but Erik Palladino had been part of ER and I was excited to see that he was a part of this film. I was also setting up my future, and my love was History. I either wanted to work as a curator in a museum, an archeologist or a History teacher. This film was on my watch list for the longest time.
My brother, preparing for an interview, asked me to complete his worksheet in exchange for a trip to the cinema. Normally, the person doing the favour would get to choose the viewing and I voiced my choice.
Instead, we went to see Deuce Bigalow: Male Gigolo (1999) which was released in the UK 26 May 2000 and already seen by my brother. It wasn’t the first, and it wouldn’t be the last time I missed out on seeing a film in the cinema due to someone else.

I eventually saw the film at home on VHS and it wasn’t as good as I expected. Maybe my love for both Palladino and Jovi had passed, but I suspect it was that this film really needed a big screen to appreciate the visuals, action and story. I’ve not watched it again before today, and while there are faults and I maintain it needs a big screen, there’s certainly enough good.

The Good

I don’t know why it has taken me so long to warm to Matthew McConaughey, but I’ve been sleeping on an excellent performer. I could not think of anyone better to play Tyler and present the story arc of rejected, too green, XO to leader under pressure in a situation more experienced would not have been prepared for. The arc itself provides so much tension, not only as Tyler questions himself, but of those under his command who heard about his public and brutal rejection of his own command.

There’s something about a submarine movie I adore; from the sounds of the sonar, to the close quarters and the added jeopardy of being in a place where, at times, there is no escape.

The Bad

Might be a personal thing, but I’m not a fan of war-based films and shows for one particular reason: I find it hard to follow the action and often miss the deaths of key characters as a result.
The nature of war is fast paced and often presents over wide angles and very little dialogue. Without being able to follow these segments, it does mean I lose some engagement with the story.

The Ugly

It’s clearly a work of fiction. Due to the very nature of its form, the audience does know to take the story with a pinch of salt. Film’s primary purpose is to entertain, however some do also seek to inform. This film did not promote itself as biographical however, being based upon historical events does make this problematic as it was not the US military, but the UK navy, that performed the feat of capturing a coveted Enigma machine that represents the turning point during World War II.
This subversion of events caused much controversy upon release, to the point it was brought up in the House of Commons and the then-Prime Minister Tony Blair condemned the film. Now, if this was today, perhaps the government would not have a leg to stand on based on their conduct. However, Blair did have a point. Lest We Forget is only a sentiment if we remember correctly and we don’t rewrite history.

The Final Thoughts

The lack of authenticity is by no means a reason not to watch. It is an incredibly well made film, with a talented cast and a concise story.

Christmas Advent 2023: It’s a Wonderful Knife (2023)

Rating 18
Length 1h27
Release 1.12.2023
Director Tyler MacIntyre
About What would happen if George Bailey stopped a serial killer before asking to have never been born? Winnie, a year after ending a psychotic murder spree is consumed with PTSD. It doesn’t help that the whole town she saved has moved on.
So in a Christmas classic wish, she is shown a town in which she was never part of and that’s where the nightmare begins…
Moon: no moon sighting
Where to Watch: Online in the US
Trailer:

Naughty

  • There’s what appears to be a final act rewrite that just doesn’t quite mesh with the rest of the film that we’re meant to buy due to some magical inclusion.
  • While the slasher outfit is incredible once you know what it is; it’s impractically for a spree and really just takes me slightly out of it.
  • The happy ending for happy ending sake! Bullshit! Let it be the start of something new and not some magic loophole.

Nice

  • Some great casting going on from the get go; from tween show stars taking their leap to movie horror, to character actors Joel McHale and Justin Long.
  • It’s an ideal blend of Christmas kitsch, meta comedy and all out horror.
  • Short run time is always a win for me. Especially with these types of films that play fast and loose with the meta sheen.
  • Stay put for the credits because Joy 2 the Girls by Hael is a bop.

Final Thoughts

Could this have been sacrilege? Oh yes, this could have easily been the worst film ever made for taking the greatest film and making it into a horror comedy! However, it works.

Mr Smith Goes to Washington (1939)

Length: 2Hr 24

Rating: U

About: When the idealistic young Jefferson Smith (James Stewart) winds up appointed to the United States Senate, he gains the mentorship of Senator Joseph Paine (Claude Rains). However, Paine isn’t as noble as his reputation would indicate, and he becomes involved in a scheme to discredit Smith, who wants to build a boys’ campsite where a more lucrative project could go. Determined to stand up against Paine and his corrupt peers, Smith takes his case to the Senate floor.

The Good

As always James Stewart is fantastic. While his character of Jeff is able to show Stewart’s range, it’s interesting to see such innocence and vulnerability about him. It’s refreshing to see that he’s just a little innocent rather than ‘stupid’; too often that’s the easy approach and now feels old hat and cheap.

The romance was cute and Jean Arthur plays Clarissa as this wonderful, head strong woman who would do wonders in modern society let alone the time in which the film is set. Its this sort of character that makes me wonder if all those calling out Hollywood for representation have watched films like this.

What I love about politically based films and tv is how relevant and topical they are today. For too long, I’ve avoided them, thinking I wouldn’t understand references and that times have changed. Fundamentally, things that films and tv comment upon are the same; reporters producing articles out of contexts, corruption within government and the one who doesn’t seek out power will always make the best leader. That is, if they’re not eaten alive first.

The story is wonderful, powerful and thought provoking; I particularly love the scene in which the reporters catch Jeff outside his home and the headings and pictures that come from that impromptu interview are powerful ‘fake news’.

The Bad and the Ugly

It’s a personal thing, but I wasn’t fond of the ending. I’m happy that the truth comes out, but we end with our protagonist unconscious and that leaves me a little unfulfilled. Objectively, we have enough to know he’ll be fine and the attempted suicide of Paine is certainly climactic and everything else is implied, but I just would have liked to have seen Jeff awake.

Final Thoughts

It was a solid, heartwarming, film that I will happily again. Jean Arthur is someone I’d to see more from and will be adding some of her films to my viewing list over the next few months.