Promising Young Woman (2020)

Rating 15
Length 1h 54
Release 16.4.2021
Director Emerald Fennell
About Nothing in Cassie’s life is what it appears to be — she’s wickedly smart, tantalizingly cunning, and she’s living a secret double life by night. Now, an unexpected encounter is about to give Cassie a chance to right the wrongs from the past.


The Good

  • This film is visually beautiful. There were so many times during the runtime I thought ‘put that on a canvas and I’d hang it in my house’. Very few films have even one frame like that for me. Yet here is this film, a Film Studies academic’s dream, giving me enough canvas for a museum.
  • The film holds a wonderful familiarity with one of my favourite films, Get Carter, and a beloved tv show of mine, Veronica Mars. Not in a way that screams “remake” or “rip off”, but gives me the indication that the creatives behind this film are aiming for my demographic. That this is a film for me, by someone like me.
  • The entire cast is incredible, but this really is Carey Mulligan’s time to shine. It was Cassandra’s story and Mulligan told it with such a presence that you’re drawn right in. I always knew she was going on to do great things when my favourite episode of Doctor Who became the one in which the Doctor, David Tennant’s Doctor no less, was barely present. It makes the geek in me really happy to see her hold her own in such a powerful and important film.
  • Okay, there’s one other person I need to mention and that is Jennifer Coolidge. Holy crap, she blindsided me. She has been the epitome of comedy and caricatures that I am ashamed to say I cringed when I saw her name in the credits. Gone was that nasal squeak that she seemed to have branded herself with, gone are the blonde locks and instead we get a rather understated performance that really added to the family dynamic in the film. Directors, I hope you use this woman more because she is so much more than her 2 Broke Girls’ “Hi everybody”.

The Bad

  • Eat before you press play. Do everything you need to because you are not moving once it starts. I stupidly didn’t think I was going to like this movie, so I naively put it on about 30 minutes before I was going to have my dinner. I couldn’t pause, I couldn’t just nip out… this film had me not only engrossed, but invested. To have paused, even for a moment, could have altered the outcome.
    Now, that, that is cinema at its finest.

The Ugly

  • Its not the most comfortable of watches when you consider the themes, the story and the characters. This isn’t a film for entertainment’s sake. This is a cautionary tale and a societal mirror for trauma, grief and gender prejudice.

Final Thoughts

Watch this movie. Show your mother, your sister and most importantly, show your son, show your brother and show your dad this movie.

Foxcatcher- 15

Foxcatcher

Steve Carell, Channing Tatum and Mark Ruffalo star in a gripping psychological drama based on the shocking true story of an Olympic champion.

Steve Carell in haunting brilliant, Channing Tatum and Mark Ruffalo are beautifully ugly to the point that it’s hypnotic. All three are able to suggest the emotional scars without having to dwell upon them.
The hard part I have always found about ‘psychological dramas’ is that it is a term thrown about to excuse the feeling that audiences don’t quite know what’s going on. It also seems to be a little confused about what it is trying to achieve; the first bulk of the movie plays like a Sports film. It was only the last third of the film that revealed itself as anything but a quirky, arty look at the world of wrestling.
I found the film a little overindulgent and lacking any energy or motivation to keep an audience captivated. That said, those who are interested in biopic and sports movies will find some redeeming features.

It is very much an Oscar bait movie: high brow, arty and primarily about the acting while not caring about the comfort of the audience.

cast 10
cinematography 7
plot- 8
pace- 5
music/sound- 5
enjoyability- 4

American Sniper – 15

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Clint Eastwood directs Bradley Cooper in the visceral true story of the U.S. Military’s most lethal sniper.

An all too real look into the Iraqi battlefield, Bradley Cooper is perfect in the role of Chris Kyle; Navy SEAL and sniper legend. His portrayal is uncompromising and powerful.
Sienna Miller is excellent as Chris’ suffering wife, left at home while he completes four volatile tours. However, the supporting cast feel a little underused and too interchangeable.
The film initially plays with the narrative; flitting back and forth smoothly until Chris’ timeline crashes back to the opening scene. It appears to be a common trick with a number of films recently and it really works here.
Apart from one action laden scene that takes place in a sand storm, this is one of the most engaging and emotive war movies for many years.

Cast- 9/10
Cinematography- 7/10
Plot- 9/10
Pace- 9/10
Music/sound- 7/10
Enjoyability- 8/10

Total-48/60