PG Watched via Prime Video Length: 1 Hr 37 About: Buddy (Will Ferrell) was accidentally transported to the North Pole as a toddler and raised to adulthood among Santa’s elves. Unable to shake the feeling that he doesn’t fit in, the adult Buddy travels to New York, in full elf uniform, in search of his real father. As it happens, this is Walter Hobbs (James Caan), a cynical businessman. After a DNA test proves this, Walter reluctantly attempts to start a relationship with the childlike Buddy with increasingly chaotic results.
I hated this film the first time I’d seen it. Will Farrell was an adult and it didn’t sit right with me the childlike nature he ran around New York with. I found it hideous and as far from funny as any film could be. However, over the years I’ve warmed to it, and Farrell. One of the last time’s I watched it was as part of a movie marathon inside the Prince Charles Cinema and it was a delightful was to end the night.
Now I know who Farrell is, this is a charming and adorable film. Farrell, as Buddy, is able to bring to the role an element of child-like idiocy that he is well known for. He brings joy and laughter that ensures its a fan favourite for many.
The cast is rounded out by some amazing people; James Caan and Bob Newhart are the perfect straight face actors to compliment Farrell’s insanity.
The films progression through the story is well paced and with enough humour to keep it from stalling. The final act’s action sequence is a stroke of genius and who doesn’t love a cameo from pre-GOT Dinkledge!
I’m not certain there’s enough chemistry between Farrell and the barely recognisable Zooey Deschanel. It’s a shame because I remember her presence was one of the film’s saving grace’s, but now she grates.
I’m still not sold completely on Farrell as Buddy. The only reason why it’s not passable is because he’s a household name. I’m certain if it was an unknown in his place, I’d struggle with the story and question how wholesome it is.
It’s a lighthearted and sickly sweet. It’s perfect for a post shop watch and I’ll happily watch it again this Christmas.
Follows the lives of eight very different couples in dealing with their love lives in various loosely interrelated tales all set during a frantic month before Christmas in London, England.
The 2003 Richard Curtis penned festive movie that also doubles as the whose who of British talent in the early millennium. There are some excellent threads, perfect casting but equally there are some plots and people who could have remained on the cutting room floor.
Upon watching this for the first time, the narrative that has now become a formula for holiday based films was refreshing with that brilliant final act that brought all the threads together. I was worried that watching it today would seem a little cliqued and forced. I’m glad that its still novel and charming as it was the first time around.
America needs a president like Bartlett (West Wing). Britain is in need of a Love Actually Prime Minster. He’s the love child of Tony Blair and Richard Curtis and the perfect annecdote for our current political shitstorm. Such a shame both Barlett and PM Grant are complete works of fiction. However, the audience at least get a wonderful Curtis fiction in which the Oxbridge trained head of state is ‘so Labour’ that he’s caught dancing to chart topping music and falls for working class potty mouth Natalie, played by Martine McCutcheon at her height of her soap star fame.
Its a heartbreaking plot thread in hindsight, but Liam Neeson’s Daniel has one of the best stories in the whole film. There aren’t many films that address grief at Christmas (that’s actually a lie, seriously Christmas films are dark; The Apartment, The Family Stone, Christmas with the Coopers to name just a few that come to mind in regards to death at Christmas), let alone unpack it in such a heartfelt way that Love Actually does. While adjusting to life as a single parent, Daniel is thrown the curve ball of his pre-teen step-son admitting that he’s fallen in love and that it sucks almost as much as losing his mum. Neeson’s relationship with a pre-Thrones Thomas Brodie-Sangster is nothing short of electric. If the film had been made just about their quest to woo Sam’s girl I would have happily watched as the self aware plan lends itself very nicely to a romantic dash through an airport.
Bill Nighy as Billy Mack staeals the show. Playing a faded rock star who is unashamedly on a promotion campaign for Christmas number one with a cheap rewording of another Richard Curtis theme song. It’s satire up to 11 and you can tell Nighy is enjoying every second of it.
It’s rather a shame that there are some redundant narratives that the removal of would see this become a much more family friendly affair. Namely Colin, played by My Family’s Kris Marshall. While his character, Nick, was a fan favourite on the BBC flagship comedy, his upgrade to the silver screen just shows how much of a small two-dimensional fish in an epic-ally large pond the actor is. At the time, he was a welcome addition, but I’ve really not enjoyed it this viewing. The second being The Office and Gavin & Stacey make a porno. Its a story and it has a cute, happy ending, but get rid of Just Judy’s (Gavin & Stacey’s Joanna Paige) tits and John’s (Martin Freeman) grinding and you cut the movie down to a decent length and open the film up to a lower age grading.
2003 Hannah was very much loving everything Alan Rickman was in. It was my sole motivation for going to see this at the London Road Odeon one Thursday in the run up to Christmas. Good guy, bad guy; I didn’t normally care. My favourite roles being Die Hard and Robin Hood, this should be a performance I’d be, at the very least, indifferent to. That’s not to say Rickman’s performance was bad. On the contrary, it was one of his best performances and I love his scenes with Laura Linney, his work colleague who has a long standing crush on Karl. However, in a film about love it is the breakdown of his relationship with Emma Thompson’s Karen that ensures that I don’t make this a yearly watch during the yuletide. While I’ve become immune to the tears that well during the wedding surprise of ‘all you need is love’, I will always cry at Karen’s disappointed face as she opens that present. This is perhaps a case of not being able to see past the actors because every time I mentally shout ‘no one hurts Emma Thompson like that’. I want Rickman’s head removed, with a spoon. It also doesn’t help that there’s no chemistry between Rickman and Makatsch. The fault seems to lie at the character of Mia; there’s no true feeling there; she doesn’t fancy Harry. Nor is there a sense that she’s simply trying to manipulate Rickman’s Harry for something grander than a gift and a fumble.
Rowan Atkinson. Someone had a cunning plan by putting the Blackadder star in a cameo role; its a shame that for me its on par with pure green being the next gold. There’s no doubt that the man is a comic genius and is a cameleon when it comes to his performances. With so many approaches that Atkinson could have taken with this shop assistant I loath that Rufus is closer to Bean and Baldrick than the mighty Blackadder. It’s a scene that I cringe at every time I watch the film. It’s only worsened by Thompson’s disappointment that the gift she opens is not what Atkinson wraps.
Colin Firth is truly a British treasure, and his plot thread is inoffensive enough. It’s just that in a film that over runs by about 30 – 45 minutes, its the one story I don’t warm to and doesn’t get enough screen time to really play out. Perhaps it’s the fact that it’s so disenfranchised from the rest of the movie, or that he’s only reintroduced at the halfway point.
Now, I’m off to watch the first premiere viewing of a Christmas film. All devices will be stowed away… only to be brought out if the film is boring.