Watch your mouth! It’s Christmastime, so let’s act like it
Length: 1 hr 25
About: A young boy named Pietari (Onni Tommila) and his friend Juuso (Ilmari Järvenpää) think a secret mountain drilling project near their home in northern Finland has uncovered the tomb of Santa Claus. However, this a monstrous, evil Santa, much unlike the cheery St. Nick of legend. When Pietari’s father (Jorma Tommila) captures a feral old man (Peeter Jakobi) in his wolf trap, the man may hold the key to why reindeer are being slaughtered and children are disappearing.
Rare Exports first came on my radar when it appeared on YouTube as a self contained short. It was something rather different. The training of feral Santa’s was unsettling in a weirdly good way. It perhaps was one of my first explorations into Christmas horror and the film itself became a Christmas Eve watch for me and my brother once our dad had gone to bed. Which year is was, I’ll leave to my brother to inform me.
I don’t remember the inclusion of what I would come to call Krampus (Joulupukki in Rare Exports) in the short and I’m definitely certain this was my introduction to the anti Santa.
The Naughty List
- It’s length is a doubled edged sword. While a short film, it’s pacing is rather slow compared to the film short that preceded it. You feel every minute of celluloid. Some minutes even feel doubled. Watching it this time, I was able to appreciate how this creates atmosphere and comments upon a different lifestyle than the one I’m used to living, but when I watched it the first time; it felt like Rosemary’s Baby all over again.
- It won’t feel very Christmassy to some when you consider that the profession of the main family is to kill Rudolph for its meat. The film could risk dampening your Christmas spirit, depending on your outlook. Me? I’d eat Rudolph for Christmas dinner if he tasted good.
The Nice List
- It’s a short film at 82 minutes and if I was well versed in the original language it would feel even shorter than it already does.
- Subtitles aren’t for everyone. Even I sometimes veto a film on original language alone, the only thing I hate more being a poor dub. Original language films get my attention better when I’m in a cinema and free of all distractions. That said, I would never want to see this film given a Hollywood treatment; it’s more about the culture and mythology than anything else.
- The kid (Onni Tommila) holds his own in the film and it’s quite refreshing to have a young lead in this type of film.
- I know this is stupid thing to pick up on, but I loved seeing Pietari using nails in a candle as an alarm clock. It’s such a vivid image that immediately came to mind before I started my rewatch.
It’s not one for the whole family and certainly one that would make very few people’s regular festive viewing. That said, with the lifestyle Swedish and Finnish becoming popular within the UK, this should be on everyone’s list to ensure they’re of an understanding that life isn’t all about hygge hipster bullshit that’s now bordering on a stereotype.