Bohemian Rhapsody (12a)

Bohemian Rhapsody (12a)
Running time: 134min

I don’t even know where to begin. I went in with only one wish, one expectation; that Joseph Mazzello’s British accent didn’t suck. I’ll save my gushing about Joe until later, but it’s safe to say that it was a winner and I wanted to watch it all over again the second it finished.

The media has been very unkind about this film. I always try and avoid reviews, but its hard when the puns lay it out with such brutality. One review makes sure you know their star rating regardless of whether you click or not.

The biggest criticism seems to be that the film ‘glosses over the seedier parts of Freddie’s life’. Certainly, from my perspective, the film not only addresses all parts of Mercury’s life, but it does it with class, respect and without sugar coating. For those who are criticising this film for what it misses out, I’ll remind you that I’ve yet to see a film about MLK that touches on his extramarital affairs.


The Good

From the opening bars to the final drum clash; it’s an epic biopic that the world has needed. It pulls no punches in setting up Freddie’s life as an outsider trying to shine.
Rami Malek has always been incredible; from his stint in the Night at the Museum films, to his staring role in Mr Robot he has always commanded your attention. Bohemian Rhapsody is no exception; his exotic charm and defiant nature will keep you hooked from start to finish. This wasn’t just an exercise in impersonation; Malek is deserving of an Oscar (read: ALL THE AWARDS) for his embodiment of the lead singer of Queen.

Both Ben Hardy and Gwilym Lee bring authenticity to their roles of original and current band members Roger Taylor and Brian May respectively. Each bringing warmth, Charisma and humour to the film. They work so well together, you’ll be wanting them to be announcing their own tour once the credits roll.

I can’t move on without talking a little bit more about the wonderful Joseph Mazzello. For those of you seeing that  smile and wondering where you’ve seen it before; he is one Tim Murphy from Jurassic Park. It just so happens that he is also my first ever celebrity crush. I would watch anything, and everything, he was in. It was great; he was in loads of things. Then he disappeared like many a child actor does. Can’t blame them; they want what everyone has, an education. He’d been off my radar for many years now.

However, here he is, all grown up and just like that; the crush is back. His acting, comic timing and charm are all spot on and pitch perfect for the role of John Deacon; the final member to join the band. The highlight of Mazzello’s performance being a scene in which his character dissolves the volatile tension between Freddie and Roger with a performance of John’s newly written song, Another One Bites the Dust. It is utterly brilliant; there’s comedy in their, but it also demonstrates John’s (and by extension, Joe’s) talent within the band. I know I’m bias, but he’s my favourite part of the film and I enjoyed every facial expression and bassist close up Bohemian Rhapsody could offer. Side bar; I want to listen to him talk in a British accent forever. I’m not one to tell you if it’s ‘good’. I thought Michael C Hall’s was alright in his Brit Thriller Safe, to then read a load of reviews calling it ‘shite’. I couldn’t tell you where in England John is from, but what I will say is; it was consistent, I bought it and it made me smile.

queen


The Bad

We can’t have a good biopic or a brilliant film without an antagonist. Allen Leech plays Paul Prenter; Freddie’s personal manager and occasional lover. He made my skin crawl, my heart ache and at times, I wanted to reach in and get Freddie out of harms way.

While I don’t know how much of the narrative relating to Pretner is true, it makes for an amazing story arch with the band and Freddie himself. We must expect some artistic licence with this medium of expression.

Other antagonists come in the form of Mike Myers. And what a joy it is to see him play Ray Foster, an EMI executive, hell bent on changing the released single on A Night at the Opera. Just wait for the Wayne’s World nod; it’s a nod and wink Easter egg that everyone needs.

mike m

Ugly

That has to be my tears. Oh I cried, and I ugly cried. From the inevitable signs of Freddie’s diagnosis, to the epically recreated LiveAid concert; I sobbed, I gasped, and I felt for Freddie Mercury. What an amazing man, who reached rock bottom, pulled himself back up only to be taken from the world.

There’s something about this film that hits an emotion raw spot. I’m glad we didn’t see his declining health and I was happy with the heavy suggestions of the life he delved into without plastering his personal life onto the screen. There’s something to be said about the changing attitude of society and it breaks my heart to think; if only society was so accepting of homosexuality, perhaps those like Freddie and Kenny Everett, who makes a brief appearance in the film, wouldn’t have felt the need to have their relationships in secret.

I also want to praise the film for having that upbeat ending without censoring Freddie’s condition. It’s a testament to British rock, to the men who have brought joy to anyone who has stood in a club come closing and swayed to the quintessential last song Don’t Stop Me Now. It’s a joy to watch, despite what the critics say, and I will be very disappointed if this film passes by without any award nominations.

Jurassic Park (1993)- PG

jurassic-park

Back in November I went to see my most beloved film in the Royal Albert Hall. I figured reviewing a film I know inside and out would be a good way to dip my toes back into the blogging world.

I first watched this film when I was 8 years old and it very quickly became my comfort movie. If I was unwell, if I couldn’t sleep; there it was like an old friend. I loved this film so much I completed my dissertation around the film and its theme of control.

The Good
It’s hard not to talk about it without bias, but as a blockbuster movie it checks all the boxes. It has pace, bratty children you kind of hope get eaten before the final act and some lines that as soon as they’re uttered, you know they’ll be set out as iconic quotes.
Even now, most of the CGI looks good and I will forever love Nedry’s demise along with the now famous ‘clever girl’

The music is quintessentially John Williams and a piece that complements the action. While the main theme is incredible, it is the section as they arrive to the island that sticks in my mind and floats my heart.

Getting Richard Attenborough out of retirement to play Richard Hammond was a stroke of genius. He has such an eccentricity about him that I can’t help but feel for him as his world collapses. The character that appears on the screen is world’s away from Michael Crichton’s incarnation in his 1991 novel.

Another smart move was to adapt the character of Alan Grant into a a-typical Spielberg leading man; a man who struggles to bond with children, but is resolved by the closing credits. See Close Encounters, Indiana Jones, War of the Worlds and even E.T for others within his body of work.

The Bad
As I’ve grown, I’ve become increasingly irritated by the ‘kitchen’ scene. I just think its a little too…. implausible. I know, I know… it’s a movie about cloned dinosaurs but it’s just a little too comical now to see those terrifying monsters man handling the door like some two man panto horse. I do still enjoy Lex’s ‘cunning’ attempt at confusing the raptor by trapping herself inside the kitchen cupboard. However, it’s not as calculated as I once thought; she looks too scared to be the bad ass I had pinned her as.

I’m also a little saddened by the omission of the last act of the book. There is a complete sub story about the raptors that reads like a directors dream. Okay, snippets make there way into Lost World, but it would have fit perfectly here.

The Ugly
The birds at the end of the movie are not condors! Up until last month, I watched this poignant cut from Alan Grant’s outward gaze to a flock of birds thinking it was a reference to Hammond’s outburst at the dinner scene. It made sense, I loved it.
Alas, I was wrong and it’s just a bunch of pelicans with no relevance to the rest of the movie. I guess that says more about me than the movie though.

Cast- 7
Cinematography- 8
Plot- 6 (missed too many bits from the book)
Pace- 9
Music- 8
Enjoyability- 10