Director Sean Anders
About A musical version of Charles Dickens’ story of a miserly misanthrope who’s taken on a magical journey.
Moon: There was a waxing crescent towards the end of the film
Where to Watch: Part of Apple TV and selected cinemas.
- Some of the green screen is really ropey. I like what it is trying to achieve, however if I’m noticing on a first viewing? I hate to think what it’ll look like a few years down the line.
- The concept set up is a little tedious. Could be the number of songs that are crammed into the set up (I’m not a fan of musicals), but I really needed some of the fat trimmed one way or another.
- It’s a tad too long for me. I like my Dickens, and my musicals, like I like my cocktails. Short. Yes, this does break out of the standard one night, three ghosts, formula. Still not sure it justifies the screen time.
- I adore the ‘Monsters Inc’, behind the scenes on the supernatural, vibe that this Christmas Carol outing presents.
- Ryan Reynolds man! Seriously, he gives his best Reynolds performance, showmanship, with his “Scrooge” in need of turning. Not only that, but he gives the audience Broadway chops! He sings, he dances, he taps!
He also has amazing chemistry with Wil Farrell.
- The songs, while I’m not a massive fan, have that whimsical Jim Henson for adults gloss. They’re uplifting, clear and annoyingly catchy. Anyone without my aversion will love them.
- It’s nothing you will have ever seen from a Christmas Carol before. It has that meta-ness that Reynold’s Free Guy gave everyone last year, while this actually throws in a few curveballs.
It’s a decent film, with its own spin on the overtold classic. It might take a moment to get into, but it pays off in ways you won’t even expect.