Director Kimberly Peirce
About Carrie, an awkward teenager protected by fanatical mother, becomes the butt of all jokes in school. When the pranks of her classmates go out of hand, she unleashes her telekinetic powers.
Moon: Full moon when Sue Snell puts away her prom dress
Where to Watch: Available on MGM subscription via Amazon Prime
- The CGI in this version is shockingly bad. The blood scene in particular stands out as fake along with the car crash that has Chris and Billy inside the car and the final shot of Carrie’s grave.
- The music is a little underwhelming.
- This version gives us a much better opening, which shows us much more about ‘Mama’ and shows that Carrie always has telekinesis. The simple inclusion of the fact that her mother tried to kill her at birth immediately has me on Carrie’s side.
- The shower scene is a million times better; a much better representation of awkward teens and Chloe Grace Moretz really gives a better performance of a young girl experiencing her first period without having any education on the process. The added touch of someone filming Carrie, curled up in a ball and afraid that she’s dying is such a brilliant touch. Mainly because, again, this director is showing you what teens would do in the situation.
The one thing I absolutely loved more than anything, was the fact that Sue became more sympathetic on her own. The gym teacher did not intervene or pressure her into regret.
They also, very easily, manage to solve many of the issues I had with this scene; they have the girls explain to the teacher that they don’t think Carrie knows what is happening to her. It’s simple, but damn it, it works.
- Judy Greer is always fantastic, but in this, she is the perfect authoritarian who genuinely cares for Carrie. I do enjoy that they kept in some of the character’s unprofessional behaviour while acknowledging it as such.
Her handling of Carrie right after the shower is spot on, and is how I would expect a teacher to handle the situation.
- In fact, so many of questions the plot raised in 1976, are answered here. I will also note, that it is in fact helmed by a female director and do feel like that makes the world of difference due to the subject focus. The biggest being; if Mama was so fearful of her daughter being influenced by society, why the fuck wasn’t she being home schooled? Just a line by the principle “You have to be here because the State denied your mother home school privileges” or something like that.
- The Sue, Tommy, Carrie triangle is handled a little better in this film and at the very least they don’t include the Tommy/Carrie kiss. I also love that Carrie responds to Tommy’s death and that almost forms the catalyst for her rampage. However, I am only convinced that the plot truly will ever work if it was a brother of Sue’s (maybe a twin), that Carrie likes.
A superior version that answers a lot of the questions the 1976 instalment raised.