Category: 1962

Lawrence of Arabia (1962)

A Mighty Motion Picture Of Action And Adventure!

Rating 12
Length 3h47!!!
Release 10.12.1962
Director David Lean
About Lawrence, a lieutenant in the British Army, is asked by Colonel Brighton to moderately assess Faisal, their ally. Lawrence is impressed with Faisal and seeks his help to plan an attack on the enemy.Moon: no moon sighting
Where to Watch: Netflix
Trailer:

The Good

Peter O’Toole is, certainly to me, the mid-century equivalent to David Tennent. The voice that commands attention, with a clear Shakespearean training and way of standing out among a cast of heavy hitters.
There’s something about him, on his own that is enchanting. You then have these beautiful, almost battle of wits, moments between his character and some of the finest actors of their time. My favourite is Lawrence meeting Omar Sharif’s Sherif Ali for the first time. It’s as if it was straight out of a Shakespeare play. He of course also goes toe to toe with Anthony Quinn, Jack Hawkins and Alec Guinness. It these interactions alone that make the film worth watching.

It’s a beautiful film with incredible shots and pans of enchanting landscapes. There’s no denying that director David Lean has an incredible eye. I’m not a hot weather girl, but even I’m tempted by what I see.

The music is out of this world. I don’t know if its true, but I feel as if there’s an element within Maurice Jarre’s epic and romantic score that was an inspiration or influence to the great John Williams.
The score here is so iconic that I’ve probably heard hundreds of times without realising it’s origins.

The Bad

The film is too long for the bookend filming device to truly work here. You forget about it by the time you reach the end. The film could have quite easily skipped ahead and started with the introduction of O’Toole’s Lawrence.

The Ugly

There is no need for the film to be as long as it is. The restored version on Netflix runs for 3 hours and 47 minutes and its very, Lord of the Rings with all the walking. I perhaps would have preferred to have seen the original parred down 3 hour and 7 minutes, but even that to me feels excessive.

Another David Lean and Alec Guinness bumble. This time, no prothetic for cultural implication. No, this time it’s straight up brown-face while Anthony Quinn is given the prosthetic nose and brown face. Quite a hard thing to watch knowing we have Omar Sharif, of Arab decent, in the cast.
This is the exact problem that actors are challenging today. A historic president was set that these films would not be marketable without this casting of white prominent actors and fitting them to the role. Equally, Sharif was made up to appear white in many of his roles.
This whole thing, and knowing those who are up in arms over The Little Mermaid and Perry White casting changes will not acknowledge these poor representations, too focused on their perceived injustice makes this film, and others like it, a hard watch.

Final Thoughts

A beautiful and epic film with a charismatic lead. Just really could do with an hour cut out to making it a much more manageable affair.

How the West Was Won (1962) Film Review

The Great Dramatic Motion Picture That Puts YOU In Every Scene!

Rating U
Length 2h44
Release 01.11.1962
Director John Ford/ Henry Hathaway/ George Marshall
About Three great Western directors, combined forces with an all-star cast to create this magnificent panorama of how the American West was won – and lost.
Moon: no moon sighting
Where to Watch: BBC IPlayer
Trailer:

The Good

The 3 strip Cinerama process that gives this film the panoramic perspective allows for some breathtaking scenes and individual images. There’s a depth of field that I would compare to Avatar. It’s not often I would want screen grabs on my walls, but this film had many.

The cast is incredible. Like Infinity War/ Endgame level of casting for the modern view who perhaps wouldn’t know the faces or names that populate this film. I could wax lyrical about all of them, but I will point out two specifically: Debbie Reynolds and George Peppard.
Reynolds is someone I’ve only seen on screen in her later life. To see her here, is to see the roots of Carrie Fisher’s performances. As Lilith, Reynolds portrays her through the decades without fault. She has incredible chemistry with everyone she acts alongside and she carries the second segment beautifully, stealing every scene even when iconic Gregory Peck is there.
George Peppard, a name I knew but could not place until I looked him up after the film, not only gives a strong performance, he is able to portray the son of James Stewart’s Linus with an accuracy that not many could achieve.

The narration between segments is a clever way of marking the change in director, time frame and focus character. It keeps the audience with the film at times when other films could lose them.

The Bad

I’m happy with the running time, but I also wonder if this could have been a series of films. I’m happy enough that the Native Americans are not portrayed in a negative light, however the film perhaps would have benefited from more time and focus from their perspective. Something I think only splitting this into individual films could achieve.

It pains me to say this because I adore the man, but James Stewart was entirely wrong and much too old for the role of Linus. Yes, he does a good enough job with what he’s given, but it’s really disappointing to watch.

The Ugly

The 3 strip Cinema process, while incredibly beautiful, took its toll by the end. In the final two sections particularly, there was clear lines showing where the three strips are originally joined together.
There are also certain scenes, particularly when there’s a singular moving image, where the background is distorted. It doesn’t ruin the film, however certainly for me it caused a headache by the end of the film. The distortion, in a similar way to when a film is dubbed, it causes eye strain.
I’m unsure, but I would say this would be reduced by watching on a curved screen which is the format it was made for.

Final Thoughts

I actually have no words for how good this film was. It never felt over long or boring. It’s not only I’ll rush to watch again, but I’ll certainly watch again it at some point.