Category: 1951

Lavender Hill Mob (1951) Film Review

He stole $3,000,000 in gold and that’s a lot of BULLion!

Rating U
Length 1h21
Release 15.06.1951
Director Charles Crichton
About Henry, a shy bank clerk in charge of gold bullions, dreams of leading an opulent life. Soon, he comes in contact with a foundry owner, Alfred. Both plan to smuggle gold out of the bank.
Moon: no moon sighting
Where to Watch: 4OD
Trailer:

The Good

Alec Guinness once again showing his comedic skills as by-the-book banker who comes up with what he believes to be the perfect plan to steal the gold he’s spent the last 20 years protecting.
Just wait for the robbery to get going and how Holland paints himself as the victim; it’s physical comedy that you can clearly see influenced both Rowan Atkinson and John Cleese.

The plot is solid and the theft has the approval of the Bank of England; they are the ones who came up with it after all. There’s clear cause and effect in play and it makes for a satisfying story.
The use of the bookend narrative doesn’t seem to work as well at first, however it does pay off when the credits begin to role.

Sid James in a pre-Carry On role shows exactly why he became the lead of that franchise. His comic timing and course accents it the perfect balance to Guinness’ upper-middle class stiff upper lip.

The Bad

The work based discussions we overhear and the opinions based on Holland do not fit within the narrative and one scene contradicts the other.
Firstly, Holland wasn’t present to be able to talk about these conversations and therefore it makes the storytelling device of the book ended narration stupid.
Secondly, the first scene tells us Holland will never be promoted and not well liked. The scene right before the robbery Holland is fighting a promotion we’ve been told he’d never get.

The Ugly

The latter part of the film is rather clunky. Almost as if the mob had not thought past the stealing of the gold. Which is ridiculous as Holland clearly says it was getting it out of the country that was the sticking point.
However, the robbery was so precise to the point that even the arrest of Pendlebury seemed planned and it’s a stark contrast to the comedy of errors that happen from Paris onwards.

Final Thoughts

It was a fair and harmless watch for a week-day afternoon, but it wasn’t the great film I was expecting it to be.

Christmas Film Advent- Christmas Carol (1951)

“There’s more gravy than grave about you”

Length: 1 Hr 27
About: Crotchety Victorian businessman Ebenezer Scrooge (Alastair Sim) has no use for festivity, even at Christmas. After resentfully allowing timid clerk Bob Cratchit (Mervyn Johns) to have the holiday to spend with his loving wife (Hermione Baddeley) and family, Scrooge is swept into a nightmare. The ghost of his late partner, Jacob Marley (Michael Hordern), appears, warning that Ebenezer will be visited by three more spirits who will show the cold hearted man the error of his parsimonious behavior.

If there’s ever a film that demonstrates the exact reason why remakes are redundant, this is it. 

The Good

I don’t actually know where to start. It’s not shiny, new or sickly sweet and I adore it. Alastair Sim is the Scrooge I never knew I needed; the bitterness that often comes across as one note is layered and tinged with such a regret that I feel for him, even before the supernatural visitors that will change his outlook.
 The famous Marley scene in which Scrooge is met with his late partner is nothing short of masterful; the music and sound effects are chilling, the acting is on point and Marley’s ghost is more realistic that the ghosts seen in 2016’s Ghostbusters. Sure, you can tell its some sort of camera trickery, but that is all part of its charm.
What caught my attention with this version was the religious commentary throughout. If you asked me to state one line from Christmas Carol, it would undoubtedly be ‘God bless us, everyone.’ Yet, I’ve never really considered it a religious film at all. Yet, the premise itself is one of salvation; Marley, knowing what awaits his friend sends Scrooge on a journey to save his soul. It’s a beautiful message that demonstrates a truer meaning of Christmas than any other film could ever address. 

The Bad

This isn’t so much a bad, but more of a sad. We spend so much time with the ghost of Christmas Past, and yet the Present and Future seem nothing more than fleeting lip service. It’s a shame because it’s quite clear a lot of his change in view happens within the latter two ghosts that its hard not to feel. in hindsight, a little overdosed by exposition. Of course, at the time I was just happy to see how the story played out.
Then, there’s the matter of what the ghost of Christmas Yet to Come shows dear Ebenezer. It’s hard to make out at first when the audience arrives at the Rag and Bone man’s shop who the three people are talking about with such disregard. Then you feel the knot tighten in your stomach and you hope that your suspicions are not going to be right. It’s the curtains that give it away; they’ve ransacked Ebenezer’s house for all its worth. It makes for an interesting contrast to Scrooge’s treatment of Marley’s estate, but this is something that has been overlooked in modern retellings. I can see why; its a dark, ashamedly realistic, portrayal of humanity. It, again, is here in the bad not because it shouldn’t be there, but because it pulled me up short. I’m certain its exactly how Scrooge would have felt hearing it.

The Ugly

Not something about children again?! Yes, I’m afraid so. Only, this time our leading man is free and clear of my wrath. This time my issue is with Tiny Tim. What the hell?! Aren’t I meant to feel sorry for the character whose described in ways that are no longer politically correct?! The actor they’ve got is an over acting little shit and I all but cheer at the future that sees him buried in a ‘lovely’ patch with shade.
That’s not how Tiny Tim should be; you should understand his popularity within the Cratchit household and feel the insurmountable loss that his absence brings with it.
Luckily, he isn’t burdened with my favourite line and outside of Christmas present, the actor’s lines are kept to a minimum and I can pretend he’s cuter than he really is.

Final thoughts

This film has not only shot to the top of my Scrooge/ Christmas Carol movies, ousting long standing Murray from his perch, it currently is claiming top spot of the all the movies watched so far this advent. I’ll be honest, it’s going to take something amazing to replace it.
I’m off to watch Lethal Weapon on my phone; the internet won’t play night and stream the Gibson festive offering on my TV. Humbug!

Good night and god bless us, everyone x